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All-Time High Scores
Stars indicate the most critically-acclaimed books.
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Never Let Me Go |
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The Booker Prize-winning author of Remains Of The Day offers a dystopian tale about a 31-year-old woman who reflects upon her childhood days at the isolated English boarding school Hailsham, slowly revealing to the reader the dark secrets at the heart of that institution.
Knopf, 304 pages
04/05/2005
$24.00
ISBN: 1400043395
Fiction
General Literature & Fiction
All reviews are classified as one of five grades: Outstanding (4 points), Favorable (3), Mixed (2), Unfavorable (1) and Terrible (0). To calculate the Metascore, we divide total points achieved by the total points possible (i.e., 4 x the number of reviews), with the resulting percentage (multiplied by 100) being the Metascore. Learn more...
The average user rating for this book is 8.8 (out of 10) based on 49 User Votes
Note: User votes are NOT included in the Metascore calculation.
Paul L gave it a9:
This a thought-provoking and daring story that's told in the effortless manner of a writer who is a true master of the craft. Some may criticize that the premise and characterizations are too unbelievable, yet injustices and foolishness (and the associated apathy of both the victims and enablers) in society abound. It's not that much of a stretch. Like a lot of science fiction, the story warns us of how the benefits of science and technology can sometimes quietly erode our humanity. However, unlike a lot of sci fi, it's presentation is gratefully much more subtle.
peter m gave it an8:
Like some other readers I kept asking myself why they didn't rebel or run for it instead of meekly accepting the wholely unacceptable. I think the only way to read this is as a metaphor the class system in England, which has been propped up from below for the last thousand years by those who have least to gain from it ( the continued existence of the monarchy is the epitome of this of this deference culture) and as such fits in well with other examples of Ishiguro's works like Remains of the Day. Whoever said that Ishiguro is not political is very wide of the mark.
mac b gave it a9:
Ishiguro is the pointillist of human emotions and relationships in the contemporary era. This book was a depiction of decent folk, not exceptional in talent or imagination, caught up in a nightmare not of their making, knowing the inevitability of their cruel fates but living (or as they might say in England, muddling through; or, as Roger Waters put it so aptly years ago: "hanging on in quiet desperation is the English way") as normal a life as they could under the circumstances, like the Jews of the Warsaw ghetto after the Nazi occupation but before the full Holocaust was implemented. Some reviewers took Ishiguro to task for making his characters so "dull" and the events of their lives (aside from their duties as "carers" and "donors") so mundane. But Ishiguro uses such literary technique, the excruciating detailing of the ordinary, to illuminate the horror and the pathos of the slow-motion, matter-of-fact holocaust to which these "ordinary" people have been consigned. Other reviewers were displeased that Ishiguro had not provided a discernble villain and/or had not spelled out greater (melo)dramatic actions and outcomes. But anyone familiar with Ishiguro's fiction and literary style know that he is not (unlike many of our most celebrated novelists today) looking to make political points or identify easy heroes or villains. The world he gives us is our own, slightly skewed and gradually seen as horrifying. To a vegetarian, a society that casually slaughters and eats animals without a blink of an eye would be horrifying. Ishiguro, in presenting us with his "as-if" England of the 1990s through the eyes of one of the creatures whose fate it is to be consumed and showing that just such a creature, considered not quite "human," is capable of the full range of emotion and perception we attribute to "normals," asks us to ponder ourselves, what we love, and what we fear losing. This is a brilliant book.
TheKate M gave it a6:
Since I "read" this book on audio, I missed out on the font that Zach P has confessed to love. That is sad as I really do appreciate a good font. The pacing is also something translates differently in audio - but this book was refreshing to "read" because of Ishiguro's execution and the oddity of it all. Note to all writers: you automatically get a point deducted from your rating if you depend upon teasers to keep your readers reading (or listening, as the case may be).
Lisa D gave it a10:
An amazing, haunting, powerful book. It is NOT about cloning or the ethical implications...not in the least. Not any more than waiting for Godot is about 2 men waiting. Ishiguro has captured the bleakness of the modern human condition, the illusion of choice and freedom, and the horror of wasted lives which are accepted with complacency. It left me in a somewhat disturbed existential funk for days. I suspect it will stay with me for years.
Zach P gave it a9:
Everything about this book is incredible. The prose, the length, the style, even the font. I loved it.
Moki C gave it a5:
Its little substancial this book. Nevertheless I quite enjoyed reading it.

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