The second full-length album for the Florida indie-pop band features cover songs by a variety of artists including Nancy Sinatra, Bob Marley, David Bowie, The Ramones, The Jesus & Mary Chain, and The Pointer Sisters.

The Liverpool band's debut disc was, like similar-sounding recent discs by The Coral, produced by Ian Broudie. It was nominated for a Mercury Music Prize.

This is the second full-length from the Kansas-based emo band.

This is the second full-length album for the British band.

Picking up on the sounds of late 70s / early 80s post-punk and no-wave, this all-female Bay Area quartet drew positive notices for their debut 'Other Animals' and now return with a sophomore LP two years later.

The Welsh band returns with 12 new tracks of indie rock mixed with folk, pop, and psychedelia.

Michael Stipe and Conor Oberst guest on this sophomore disc for the Athens, GA outfit led by producer Andy LeMaster (Bright Eyes), with vocals from Orenda Fink and Maria Taylor (Azure Ray).

The debut album for I Am The World Trade Center was recorded entirely on a laptop computer, with music by Kindercore head Dan Geller and vocals by Amy Dykes. [The band officially shortened its name to I Am The World following the tragic events of September 11, 2001.]

A long-time favorite of his fellow indie rockers, 41-year-old Daniel Johnston releases his first album of new material in seven years, following 1994's 'Fun' (his one and only major-label release).

The California indie-rock band releases a five-track EP.

The latest album for the Danish band is its first with Friendly Fire Recordings.

The Portland, Oregon-based duo releases its fourth album.

The indie rockers' follow-up to their platinum album "Plans" features an eight-and-a-half-minute-long song.

The Detroit artist wrote the music for the Brooklyn Academy of Music (BAM), to be performed in the Howard Gilman Opera House at the Next Wave Festival in October of 2007.

This stripped-down, all-acoustic set marks the solo debut for the Clem Snide frontman.

This is the debut full-length for the Lawrence, Kansas band consisting of Matt Suggs (Butterglory), Rob Pope (The Get Up Kids), and John Anderson, Zach Holland, Dustin Kinsey (Thee Higher Burning Fire).

The Chicago band led by Eric Johnson (sometimes of Califone) returns with a third album.

The debut album for the quintet from Chambersburg, Pennsylvania.

Imagine the Arcade Fire dosed with happy pills, stocked with toy instruments and forced to score a musical about the 1980s, and you may start getting close to the idea of this eight-piece co-ed band from Melbourne, Australia. This second album follows recent tours with the likes of Death Cab For Cutie, David Byrne and Belle And Sebastian.

This is the second album from the trio of Jeff Tweedy (Wilco), Glenn Kotche and Jim O'Rourke.

The sixth album for the indie rock band is led by ex-Cop Shoot Cop member Tod A.

The debut album for Robert "Chicken" Burke and Simone Felice, who left The Felice Brothers last year.

This wordy Canadian post-rock outfit (formerly known by similar variations of their current name), here with a fourth album, shares members with the equally wordy and Canadian but more instrumental Godspeed You! Black Emperor.

This is the debut disc for the atmospheric Denton, Texas indie rockers.

Producer Dan "The Automator" Nakamura, a founder and member of acts such as the Gorillaz, Handsome Boy Modeling School, Deltron 3030 and Lovage, here offers his first mix album. Many of the cuts are from his own remixes or productions, and come from bands ranging from Tortoise to the X-ecutioners.

This is the all-instrumental (think somewhere in between Out Hud and Daft Punk) debut album for the New York duo of Evan Mast and Mike Stroud (who formerly operated under the name Cherry).

Phil Elverum's first LP release under the name Mount Eerie (which was also the title of his final record as The Microphones) is the self-released 15-track 'No Flashlight,' which will also see companion all-drums and "sing-along" discs released in the coming weeks.

Less lo-fi and more band-oriented than previous efforts, 'Let Them Drink' is the second full-length studio release for the Philadelphia band led by Shai Halperin.

The Swedish pop band named after the Serge Gainsbourg's song releases its third album.

This is the fourth LP (and first released by Epitaph) for the indie-minded Minneapolis-based duo of Slug and Ant.

Unlike debut 'Out Of The Shadow,' album number two is a full-band affair, with Zach Rogue joined in the studio by his touring band.

The first album on Darla Records for the brother/sister indie-pop duo.

The debut album for Ireland's Gemma Hayes shows the twentysomething singer-songwriter attempting to synthesize her diverse influences, who range from My Bloody Valentine to Joni Mitchell. Dave Fridmann produces.

The second full-length album for the Canadian indie-rock band was produced by Aaron Fisher.

The fourth album for the Atlanta, Georgia singer and guitarist was produced by Malcolm Burn.

The first album on Rounder Records for the singer-songwriter was produced by Malcolm Burn.

The rock band brings a space theme to its latest studio album.

The electro-pop group, which also includes Notwist's Markus Acher, releases its fourth full-length studio album.

Unlike his previous release (which told an album-length story about a fictitious character), Mike Skinner's third Streets album is autobiographical in nature, dealing with the myriad problems that result from being rich and famous.

The singer-songwriter self-produced (with the help of Pet Shop Boys' Neil Tennant) this follow-up to 'Want Two.' Richard Thompson guests.

Orginally self-released in early 2008, Saddle Creek re-releases the debut full-length album for the Canadian indie rock band.

This is the second solo LP from the co-founder of such legendary alt-country bands as Uncle Tupelo and Son Volt.

All 12 songs on the band's first album in two years have been released as singles.

On this solo outing, the Mekons singer tackles a range of material written by male artists, including songs by Ryan Adams, Mark Eitzel and bandmate Jon Langford.

This is the fourth studio disc for the Washington D.C. psych-rock outfit, who are now a four-piece with the addition of guitarist Cory Shane.

The Russian-born singer/pianist makes her major-label debut with this disc produced by Gordon Raphael (The Strokes).

This is the third Dischord release for the Washington, D.C. rockers, who are frequently mentioned next to hyphenated labels such as "post-punk" and "dance-punk."

Tim Gane and company release their latest album, mixed by Joe Watson.

Vanderslice continues his album-a-year pace (despite also serving as a producer on numerous indie-rock albums) with this typically literate and well-produced fifth disc, which was recorded with the help of The Mountain Goats' John Darnielle.

The singer-songwriter releases his first album on the Dead Oceans label after leaving Barsuk.

Broken Social Scene's singer goes solo in what will be a series of albums featuring each member of the band plus a few guests.

The six-piece band from South Carolina releases its debut album on the Dead Oceans label.

The Canadian musician's follow-up to 'Infiniheart' was once again recorded solo at his home.

The latest album for the New York-based indie rock band was recorded in three days at Oneida's studio and Oneida's Kid Millions provided the drumming for the recording.

Thom Monahan produced the latest album from the San Francisco-based quartet.

An early candidate for Album Title of the Year, 'Sexy' marks the second outing for Josh Homme's rockin' side project.

The second album for the Canadian singer-songwriter was produced by Howard Bilerman.

This is the fifth album for the indie-rock band from Philadelphia.

The 10th solo album for the artist was produced by Andy Chase and features Richard Butler, Matthew Caws, Jody Porter, and Tracy Bonham as guests.

The third album from the London-based indie outfit.

This eponymous disc is the debut for the Washington D.C. duo of Dischord Records/Fugazi head Ian MacKaye and drummer Amy Farina (The Warmers).

The debut album for the English quartet was produced by Tony Hoffer.

The seventh full-length album from the Los Angeles singer/songwriter.

The New York indie band releases its sophomore album.

Gareth Jones produced this fourth album for the distinctive Liverpool band.

Fog's fourth album includes contributions from: Why?, Low, Andrew Bird, Dosh, pedestrian, Phil Elverum, Jeremy Ylvisaker, and Mike Lewis.

The four-track EP was recorded at different places between December 2006 and June 2008.

Norah Jones guests on the second (and most straight-ahead country) of a planned three 2005 releases for Adams, who is once again backed by The Cardinals. Tom Schic produced.

The English quintet's debut album features samples of the voices of Harvey Keitel and Al Pacino.

Le Tigre features Kathleen Hanna of Bikini Kill. This seven-track EP follows the band's 1999 self-titled debut album.

Mike Mogis produced this fourth album for the dance-inducing Nebraska indie rockers. Azure Ray's Orenda Fink and Maria Taylor add vocals on several tracks.

The third disc for the Twilight Singers, the side project for the Afghan Whigs' Greg Dulli, is a covers album, tackling such interesting, diverse subject matter as Bjork's "Hyperballad," John Coltrane's "A Love Supreme," and Marvin Gaye's "Please Stay (Once You Go Away)."

The Amsterdam-based rockers who gave us college-radio hit albums 'Palomine' and 'Lamprey' return with their fifth LP.

The debut album from Adelaide, Australia's Mark Mitchell (who records as Clue To Kalo) is a mix of indie rock and electronica, drawing comparisons to everyone from Badly Drawn Boy to Dntel.

Better known to the indie-rock crowd than the hip-hop community (perhaps because in his former life, he was a white, balding computer programmer), San Francisco-based Topher Lafata (aka Gold Chains) follows a series of well-received EPs and singles with this full-length debut.

This is the third LP for the Washington state punk trio.

The British duo's debut full-length album was mixed by Rich Costey.

Andrew Wyatt teamed up with Swedish producers Chris Karlsson and Pontus Winnberg (best known for their Grammy-winning work on Britney Spears' "Toxic") to form the new group.

This is the solo debut for the Strokes lead singer.

Ben Chasny returns to his solo project to release his 11th studio album.

'Need' marks the solo debut for Chris Adams of the Leeds, England band Hood.

This is the first solo album for the guitarist for The Strokes, whose father was also a successful singer-songwriter. Guests include Sean Lennon and Ben Kweller.

This is the second album for film composer David Wingo as Ola Podrida.