Alan Sepinwall
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For 699 reviews, this critic has graded:
  • 48% higher than the average critic
  • 2% same as the average critic
  • 50% lower than the average critic
On average, this critic grades 2.5 points lower than other critics. (0-100 point scale)

Alan Sepinwall's Scores

Average review score: 63
Highest review score: 100 Boardwalk Empire: Season 1
Lowest review score: 0 Work It : Season 1
Score distribution:
  1. Negative: 79 out of 699
699 tv reviews
    • 48 Metascore
    • 50 Alan Sepinwall
    For this show to work long-term, its human characters have to become richer--and funnier--so that they can evolve with the audience long post the point where the writers have run out of tricks that Crystal and her various winged or four-legged co-stars can do.
    • 58 Metascore
    • 50 Alan Sepinwall
    By starting the story so long before the deaths of Sharon Tate and Manson's other victims, though.... the next several episodes devote most of their time to the detectives investigating crimes that either tangentially involve Manson or have nothing at all to do with him, but are there to fulfill the Case of the Week structure most network procedural cop shows depend on.
    • 49 Metascore
    • 50 Alan Sepinwall
    There aren't any particularly wince-inducing moments, but nor are the various grabs for the heartstrings as successful as they are when "Grey's" is at its best. No lows, but no highs, either.
    • 66 Metascore
    • 50 Alan Sepinwall
    V has to rise and fall on its story and its characters. Based on the pilot, both of those areas are spotty.
    • 66 Metascore
    • 50 Alan Sepinwall
    At times "Cold Case" feels like an assembly-line product, slick and shiny but a bit rushed and impersonal. [23 Sep 2003]
    • Newark Star-Ledger
    • 39 Metascore
    • 50 Alan Sepinwall
    The problem is that Zero Hour is either unwilling or unable to be that crazy all the time.
    • 50 Metascore
    • 50 Alan Sepinwall
    It's an odd little show, often more David Lynch than David Milch, and after three episodes I'm still not sure I understand it all.
    • 55 Metascore
    • 50 Alan Sepinwall
    There's a potentially good supernatural cop show to be made, and certain pieces in place to make this into that. But the version you'll see on NBC tonight seems to be embracing the show's likely failure by being something few will miss if it doesn't work out.
    • 71 Metascore
    • 50 Alan Sepinwall
    If Guggenheim can deepen the personalities and show how the flash forward really impacted them, then they might have a show here. Because right now, there's an interesting idea, some good production values and a cool cliffhanger, and not much else.
    • 68 Metascore
    • 50 Alan Sepinwall
    As usual, it's all too busy, too tonally inconsistent (the scenes with Bill's parents seem to exist not only on a different series, but a different plane of reality) and too often obscures the terrific work being done by Tripplehorn, Sevigny, Goodwin and Seyfried.
    • 88 Metascore
    • 50 Alan Sepinwall
    And then, near the end of the premiere, something happened that put a dull ache in the pit of my stomach. I won't spoil it here - henceforth, it'll be referred to as The Bad Thing - but it seemed so tonally wrong, so in violation of everything that made the show and the particular characters involved so great, that I knew - I knew - this had been imposed on the production team by the suits at NBC. [5 Oct 2007, p.55]
    • Newark Star-Ledger
    • 71 Metascore
    • 50 Alan Sepinwall
    The show feels cold, like it's holding the audience at arm's length.
    • 65 Metascore
    • 50 Alan Sepinwall
    The notion of two superficial, emotionally stunted human beings struggling with the realization that they still have feelings is by far the most interesting premise of these four shows. But Cash is significantly more appealing than Geere (in fairness, her character is a bit less horrible than his), and the overall execution falls short of the idea.... This one, at least, has the potential to be something more than it is at the moment.
    • 74 Metascore
    • 50 Alan Sepinwall
    As set up by White (and Dern, who's a producer and a contributor on the pilot script), Enlightened feels too lightweight to work as a short drama, and too clumsy in its attempts at humor to work that way.
    • 56 Metascore
    • 50 Alan Sepinwall
    Gabriel's super powers are the thing meant to set the show apart, but the Intelligence writers frequently do a poor job of differentiating how he's any different from someone wearing Google Glass.... That said, Holloway's charm did not get chopped away with his long hair.
    • 55 Metascore
    • 50 Alan Sepinwall
    Cleveland isn’t an inherently interesting, or, worse, funny, character. His presence allows the writers (many of them white like Henry and Appel) to tell meta jokes about white people in Hollywood producing entertainment for a black audience, and occasionally some of the racial humor lands.
    • 45 Metascore
    • 50 Alan Sepinwall
    It's as deeply cynical as its doctor anti-hero, but like Rush, it's aware of the path it's on and doesn't have the pretensions of being something it's not.
    • 54 Metascore
    • 50 Alan Sepinwall
    It's all fairly disposable, though at least the show lets Gruffudd use his native accent, and he has an interesting relationship with Judd Hirsch's Abe, the one man who knows his secret.
    • 62 Metascore
    • 50 Alan Sepinwall
    [Thorne's] a likable, charming actress, surrounded by a bunch of familiar, appealing performers (Cohen in particular is someone I've liked a long time, even if the business hasn't known quite what to do with him), and I think there's potential in this idea. But the execution and/or the network aren't right for the idea.
    • 41 Metascore
    • 50 Alan Sepinwall
    It's not a bad show, but the mechanics of how they're going to abduct their latest target are far less engaging than how the team interacts with each other and how each member fights his or her compulsions.
    • 49 Metascore
    • 50 Alan Sepinwall
    It's all pretty retro and forgettable.
    • 63 Metascore
    • 50 Alan Sepinwall
    As The 100 goes along, you can feel it becoming more and more the show that Rothenberg and his writers want it to be, but it sure starts off at a great distance from from that destination. And even as it gets closer, there are still too many moments of mind-numbing illogic.
    • 54 Metascore
    • 50 Alan Sepinwall
    Defying Gravity--an international production with American actors--feels too slight, or silly, to treat as anything but the cheap, disposable summer programming it is.
    • 49 Metascore
    • 50 Alan Sepinwall
    It's not bad so much as tired: sexual tension between doctors, mysterious ailments that are diagnosed at the last possible second, even the hoary old cliché about the patient who needs life-saving surgery that their religious beliefs forbid.
    • 60 Metascore
    • 50 Alan Sepinwall
    It's a likable cast and the show seems a potentially good companion to "HIMYM" (these characters even hang out in a bar that looks a bit like the "HIMYM" bar shifted 90 degrees), but there's one problem: It's not especially funny. Not yet, anyway.
    • 64 Metascore
    • 50 Alan Sepinwall
    If Lie to Me wants to elevate itself above all the other shows like it, it not only needs to beef up the quality of its mysteries, but to spend more time focusing on these unexpected downsides of the power to live a life of absolute truths.
    • 64 Metascore
    • 50 Alan Sepinwall
    Though Esposito and Burke are both excellent--and Kripke and Favreau stage a classic swashbuckling swordfight for Miles that's easily the highlight of the first hour--far too much time is spent on the boring (Charlie) or annoying (Danny) teenagers.
    • 60 Metascore
    • 50 Alan Sepinwall
    It is non-terrible, but when there is a vastly better take on the exact same idea, the only excuses for watching this one are a lack of a Netflix subscription (and you can also buy the episodes on Amazon and iTunes) or a violent medical allergy to reading subtitles.
    • 69 Metascore
    • 50 Alan Sepinwall
    It wants to be a smart-aleck comedy/thriller hybrid in the spirit of Elmore Leonard and Carl Hiaasen, but the jokes are rarely clever enough and the thrills rarely exciting enough.
    • 61 Metascore
    • 50 Alan Sepinwall
    While the jokes may be funnier than "King" has been in a long time, the new show also feels more uneven and strained.

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