Alan Sepinwall
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For 705 reviews, this critic has graded:
  • 49% higher than the average critic
  • 2% same as the average critic
  • 49% lower than the average critic
On average, this critic grades 2.4 points lower than other critics. (0-100 point scale)

Alan Sepinwall's Scores

Average review score: 63
Highest review score: 100 Louie: Season 3
Lowest review score: 0 Work It : Season 1
Score distribution:
  1. Negative: 79 out of 705
705 tv reviews
    • 91 Metascore
    • 100 Alan Sepinwall
    This isn't the best four-episode stretch the series has ever had--as with most cable dramas, the ends of GoT seasons tend to be stronger than the starts--but there's a sense of real forward momentum to the proceedings that hasn't always been there in the past. Again and again, my pulse quickened as I watched these four hours.
    • 88 Metascore
    • 100 Alan Sepinwall
    As with the best of these broad canvas series, the players and their allegiances become clear within an episode or two. And from that point on, Boardwalk Empire becomes everything that HBO (and I) had hoped for it.
    • 89 Metascore
    • 100 Alan Sepinwall
    It's one of the most purely funny shows on television--where many "comedies" are really dramas in half-hour form, and others are likable but rarely laugh-out-loud funny--and it's only more confident, sharp and very much its own thing in the new season.
    • 83 Metascore
    • 100 Alan Sepinwall
    Orange remains as sharp and funny and poignant as ever.... It's one of TV's very best shows, no matter how you slice it.
    • 89 Metascore
    • 100 Alan Sepinwall
    It's the show it was last year, but in many ways better.
    • 87 Metascore
    • 100 Alan Sepinwall
    It definitely has a voice, and it's a great one: witty and wise and warm and not exactly like anything you've heard before.
    • 88 Metascore
    • 100 Alan Sepinwall
    It continues to be one of the most satisfying dramas in the history of the medium.
    • 87 Metascore
    • 100 Alan Sepinwall
    The two central performances are so powerful, the dialogue so evocative, the look so intense, that they speak to the value of the hybrid anthology format Pizzolatto is using here--which, along with FX’s “American Horror Story,” points to a potentially fascinating shift in dramatic series television.
    • 89 Metascore
    • 100 Alan Sepinwall
    If you enjoy seeing wealthy, petty people get their deserved comeuppance, this is the show for you. If you enjoy laughing, this is definitely the show for you - the funniest new comedy of the season by a wide margin...For a show about dumb, unfocused people, Arrested Development is wickedly smart and quick, willing to go anywhere for a good gag. [31 Oct 2003, p.49]
    • Newark Star-Ledger
    • 89 Metascore
    • 100 Alan Sepinwall
    The premiere suggests that the only other show that belongs with it in the discussion for the best drama on television is the same one we were talking about last season. At the top level, there is "Breaking Bad," and there is also--finally, thankfully, exceptionally--Mad Men, and then there is everything else.
    • 94 Metascore
    • 100 Alan Sepinwall
    Louie viewers don't know exactly what they're getting in any given week, but the show is so elastic that nothing it tries feels like something it shouldn't.
    • 84 Metascore
    • 100 Alan Sepinwall
    "Hannibal" is one of the very best shows on television. But it's also so extreme in depicting violence and its aftermath — even in this heightened fashion, and often with a dry, absurdist sense of humor about it — that it's not one I would insist every serious TV fan must watch.
    • 96 Metascore
    • 100 Alan Sepinwall
    They know how great the show looks, they know how much their actors can give them, and they know just how much they can get away with.
    • 80 Metascore
    • 100 Alan Sepinwall
    The sheer amount of cussing is so great that even the unoffended may be too distracted by it to pay attention to anything else in Deadwood. That would be unfortunate, because lurking just behind the wall of profanity is a magnificent, fire-breathing work of art - an amazing meditation on violence, social order and the cruel reality of the Wild West. [21 Mar 2004, p.1]
    • Newark Star-Ledger
    • 89 Metascore
    • 100 Alan Sepinwall
    Masters of Sex has much more on its mind than simply the tumultuous relationship between its two famous central characters. But if it just had those two, it would still be among the best things you could watch on television this summer.
    • 89 Metascore
    • 100 Alan Sepinwall
    This is an amazing show, beautifully acted and simply beautiful to look at (early episodes this season were directed by Stephen Gyllenhaal, Lawrence Trilling, and Billy Gierhart), with a keen appreciation for faith and family and community that eludes even some of TV's more celebrated dramas.
    • 90 Metascore
    • 100 Alan Sepinwall
    BoJack Horseman is somehow one of TV's funniest comedies and most affecting dramas all in one weird, addictive little package.
    • 95 Metascore
    • 100 Alan Sepinwall
    What Simon is doing with "The Wire" - besides crafting arguably the most realistic cop show ever - is taking the narrative style of books and translating it to television. ... By itself, it raises TV's collective IQ at least a few points. [29 May 2003]
    • Newark Star-Ledger
    • 91 Metascore
    • 100 Alan Sepinwall
    It's the best new TV show debuting anywhere this fall, by a long stretch.
    • 89 Metascore
    • 100 Alan Sepinwall
    Season six... starts off strong and only gets stronger - profane, offensive, cringe-inducing and hilarious. [5 Sep 2007]
    • Newark Star-Ledger
    • 90 Metascore
    • 100 Alan Sepinwall
    As the follow-up to an incredibly strong debut season, it's even more fun.
    • 93 Metascore
    • 100 Alan Sepinwall
    It is entirely its own thing, and it is one of the very best shows on television. We're lucky to have it back.
    • 83 Metascore
    • 100 Alan Sepinwall
    A relentless, ambitious perpetual motion machine that may go down as the most exciting thriller in TV history. [27 Oct 2002]
    • Newark Star-Ledger
    • 98 Metascore
    • 100 Alan Sepinwall
    A scream, in the biting Britcom tradition of "Fawlty Towers" and the best depiction of middle management hell since Mike Judge's cult classic "Office Space." [23 Jan 2003]
    • Newark Star-Ledger
    • 81 Metascore
    • 100 Alan Sepinwall
    Nothing short of a TV miracle: a family show that's sweet, but not too syrupy, bitingly funny, but not mean-spirited and fun for viewers of all ages, without appealing to the blandest common denominator. [5 Oct 2000, p.37]
    • Newark Star-Ledger
    • 93 Metascore
    • 100 Alan Sepinwall
    The six-episode first season of "The Office" was so dark, so wicked, so brilliant that it was hard to imagine Gervais and Merchant topping themselves. But they have. By slowly chipping away at David's power base, they've made him even more desperate, petulant and bullying. (The less funny David gets, the funnier the show is.) [10 Oct 2003]
    • Newark Star-Ledger
    • 84 Metascore
    • 100 Alan Sepinwall
    You have to work to watch this show. Characters and plotlines whiz by in a blur, and if you blink, you may miss an entire subplot. But the payoff is more than worth the effort: With its deep characterizations, dark humor, unpredictable plots and brilliant musical score, "EZ Streets" is fascinating television, unlike almost anything else now on the air. [27 Oct 1996]
    • Newark Star-Ledger
    • 83 Metascore
    • 100 Alan Sepinwall
    This doesn't feel like a factory product, but a work of individual, beautiful craftsmanship.
    • 65 Metascore
    • 100 Alan Sepinwall
    Many will hate it. But there will be viewers in whom it strikes a chord so deeply that they will feel themselves overwhelmed by it in the best possible way: not like they're drowning in the misery, but like it's teaching them a new way to breathe.
    • 99 Metascore
    • 100 Alan Sepinwall
    Even with Walt's apparent victory over all who would seek to deny him, his genius and his strength, Breaking Bad is still a perfect model of filmed suspense.

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