Alan Sepinwall
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For 625 reviews, this critic has graded:
  • 47% higher than the average critic
  • 2% same as the average critic
  • 51% lower than the average critic
On average, this critic grades 2.6 points lower than other critics. (0-100 point scale)

Alan Sepinwall's Scores

Average review score: 62
Highest review score: 100 Orange is the New Black: Season 2
Lowest review score: 0 Work It : Season 1
Score distribution:
  1. Negative: 74 out of 625
625 tv reviews
    • 63 Metascore
    • 58 Alan Sepinwall
    It's much too generic given Abrams' reputation from "Alias," "Lost," the better years of "Fringe" and the "Star Trek" reboot.
    • 57 Metascore
    • 58 Alan Sepinwall
    NYC 22 feels like the TV version of the show it wants to be.
    • 68 Metascore
    • 58 Alan Sepinwall
    It's still not anywhere near the ballpark of the earlier AMC shows, and the plot itself remains incredibly frustrating, but there are other aspects that feel closer to the show Sud said she was making last year, rather than the one she actually made.
    • 62 Metascore
    • 58 Alan Sepinwall
    Hagman--and to a lesser extent fellow returning stars Patrick Duffy and Linda Gray--are so much more fun to watch than their four new, young co-stars that the new Dallas plays less like a passing of the torch than a suggestion that torches were better back in the '80s.
    • 62 Metascore
    • 58 Alan Sepinwall
    Ultimately, I found Da Vinci's Demons ridiculous but fairly amiable.
    • 65 Metascore
    • 58 Alan Sepinwall
    The pilot feels like 17 shows all crammed together into one.
    • 75 Metascore
    • 58 Alan Sepinwall
    There's enough strong raw material on hand that Ray Donovan could eventually be built into something great. Right now, though, it's raw material in search of a series.
    • 58 Metascore
    • 58 Alan Sepinwall
    Hello Ladies is so much of a piece with both "The Office" and "Life's Too Short"--oblivious asshole keeps putting himself in humiliating situations because of an overinflated sense of self--that it's tiresome almost from the start.
    • 66 Metascore
    • 58 Alan Sepinwall
    Though The Newsroom, like "Studio 60 on the Sunset Strip" before it, is mostly Bad Sorkin on display, there are also those occasional flashes of Good Sorkin that make it worth sifting through the rest of the mess to find.
    • 63 Metascore
    • 58 Alan Sepinwall
    Mob City looks so good that I may watch it all the way through (TNT only sent out tonight’s episodes in advance) just for the eye candy. Unfortunately, it doesn’t have much else to offer.
    • 62 Metascore
    • 58 Alan Sepinwall
    Urban is usually a likable presence, and in time Kennex might calm down and start feeling like a person rather than a cliché, at which point Almost Human could settle into being an acceptable spin on buddy cop tropes. Right now, though, it's Ealy or bust.
    • 46 Metascore
    • 58 Alan Sepinwall
    This compromise version emphasizes some of Killen's own weaknesses — he's not a procedural guy, as the cases on "Awake" tended to demonstrate.
    • 67 Metascore
    • 58 Alan Sepinwall
    It's not a terrible show, but it's a fairly literal, toothless translation of the source material that doesn't give much indication of working as an ongoing series.
    • 51 Metascore
    • 58 Alan Sepinwall
    On the whole, Bad Teacher is a pleasant, unremarkable adaptation of a middling Cameron Diaz vehicle that, in the translation from standalone film to series television (and, specifically, to CBS), loses whatever teeth the movie had.
    • 50 Metascore
    • 58 Alan Sepinwall
    The Undateable pilot was a real chore to get through, in part because Danny is just such an obnoxious collection of dude-bro stereotypes.... Later episodes get better, because they start moving away from the idea of Danny as some kind of sexual Jedi master whom the others are lucky to be learning from.
    • 53 Metascore
    • 50 Alan Sepinwall
    "Family Guy" ... consists of almost nothing but pop culture references. ... Now, some of these gags are side-splittingly funny ... but there are way too many of them. [9 Apr 1999]
    • Newark Star-Ledger
    • 53 Metascore
    • 50 Alan Sepinwall
    Fortunately, Ritter is such a seasoned pro at this sitcom thing that he makes "8 Simple Rules" vaguely watchable, and at times actually funny, when in lesser hands it would be thoroughly unpleasant. [17 Sep 2002]
    • Newark Star-Ledger
    • 49 Metascore
    • 50 Alan Sepinwall
    It was the usual schtick from Leno--which is probably just what his fans wanted to hear after he'd been out of late night for a year and off TV altogether for weeks--with jokes about the Olympics, Dick Cheney, and, of course, the flagging fortunes of the network he's on.
    • 66 Metascore
    • 50 Alan Sepinwall
    At times "Cold Case" feels like an assembly-line product, slick and shiny but a bit rushed and impersonal. [23 Sep 2003]
    • Newark Star-Ledger
    • 74 Metascore
    • 50 Alan Sepinwall
    Murphy's writing has never been especially fond of subtlety - give him a fly to kill, and he'll ask for a brick of C4 - but this version of Nip/Tuck more closely resembles the show the fans fell in love with instead of the one they thought they wanted with The Carver story. [5 Sept 2006, p.27]
    • Newark Star-Ledger
    • 63 Metascore
    • 50 Alan Sepinwall
    Like "Queer as Folk," The L Word is essentially a mediocre soap opera in soft-core porno drag. There's lots of hot, sweaty, half-naked bodies, but the heads attached spend so much time droning on and on and on about their mundane lives and loves that the sex scenes just feel like an intermission in between all the tepid girl-on-girl dialogue. [16 Jan 2004, p.55]
    • Newark Star-Ledger
    • 41 Metascore
    • 50 Alan Sepinwall
    If you're not expecting much, you'll come away satisfied. But compared to a good episode of "Family Guy" - or even a mediocre "Simpsons" episode - it's pretty thin gruel. [28 Apr 2005]
    • Newark Star-Ledger
    • 53 Metascore
    • 50 Alan Sepinwall
    If you've somehow never seen any of the twelve dozen procedural crime shows that CBS does, it might feel a little new, but too often the scenes with Don and his colleagues feel obligatory, like everyone is doing their best to keep the plot moving until Charlie bursts in with the correct digits. [21 Jan 2005]
    • Newark Star-Ledger
    • 71 Metascore
    • 50 Alan Sepinwall
    The show feels cold, like it's holding the audience at arm's length.
    • 70 Metascore
    • 50 Alan Sepinwall
    As usual, it's all too busy, too tonally inconsistent (the scenes with Bill's parents seem to exist not only on a different series, but a different plane of reality) and too often obscures the terrific work being done by Tripplehorn, Sevigny, Goodwin and Seyfried.
    • 82 Metascore
    • 50 Alan Sepinwall
    It has so much going for it on paper -- notably Mary-Louise Parker as a pot-dealing soccer mom -- but the series' creators remain so pleased with themselves that they're rarely as funny as they obviously think they are. [13 Aug 2007]
    • Newark Star-Ledger
    • 67 Metascore
    • 50 Alan Sepinwall
    Much as I admire Lilley's ability to pull off a sort of one-man Christopher Guest movie, only one of the three Summer Heights High leads is funny on a consistent basis.
    • 55 Metascore
    • 50 Alan Sepinwall
    It isn't until the werewolf-themed fourth episode that "Dresden Files" finally gives you a trick worth applauding. Hopefully, there's more of that to come.
    • 59 Metascore
    • 50 Alan Sepinwall
    A sometimes-promising, sometimes-frustrating, always-overpopulated new sitcom that kicks off this season's odd new trend of shows about relative strangers who become best pals in a hurry.
    • 88 Metascore
    • 50 Alan Sepinwall
    And then, near the end of the premiere, something happened that put a dull ache in the pit of my stomach. I won't spoil it here - henceforth, it'll be referred to as The Bad Thing - but it seemed so tonally wrong, so in violation of everything that made the show and the particular characters involved so great, that I knew - I knew - this had been imposed on the production team by the suits at NBC. [5 Oct 2007, p.55]
    • Newark Star-Ledger