Alan Sepinwall
Select another critic »
For 699 reviews, this critic has graded:
  • 48% higher than the average critic
  • 2% same as the average critic
  • 50% lower than the average critic
On average, this critic grades 2.5 points lower than other critics. (0-100 point scale)

Alan Sepinwall's Scores

Average review score: 63
Highest review score: 100 Masters of Sex: Season 2
Lowest review score: 0 Work It : Season 1
Score distribution:
  1. Negative: 79 out of 699
699 tv reviews
    • 64 Metascore
    • 60 Alan Sepinwall
    One of the better -- if stranger -- comedy debuts the networks have put out this year.
    • 54 Metascore
    • 60 Alan Sepinwall
    Much like "Cougar Town" was back in the fall of '09, Mr. Sunshine is a show with a lot of likable performers, a solid creative pedigree, occasional laughs and a whole lot of room for improvement.
    • 66 Metascore
    • 60 Alan Sepinwall
    Margulies is a potent enough screen presence that this part of the show could be interesting, but Canterbury's self-destructive streak gets overshadowed by all the Leg Show material and the overheated courtroom theatrics.
    • 67 Metascore
    • 60 Alan Sepinwall
    Conan was simultaneously reassuring his fans that he wasn't going to change too much in the new gig, and telling the traditional Tonight audience what they might expect from the new landlord. This was the smart, and really only, play Conan could make on night one of such a high-profile job. I just wish the execution had been a little better.
    • 65 Metascore
    • 60 Alan Sepinwall
    As a show about average people who become superheroes, No Ordinary Family is very promising. It's the "Family" part of the title where the series has problems.
    • 91 Metascore
    • 60 Alan Sepinwall
    Now, I wouldn't say I loved it. Parts of it I didn't even like. I became quite engaged with what was going on downstairs with the servants, while I found virtually everything having to do with the Granthams (at least the parts unrelated to how they dealt with the staff) a chore to get through.
    • 66 Metascore
    • 58 Alan Sepinwall
    The larger problem, though, is that unless you're deeply invested in the fairy tale characters and seeing the variations on their familiar backstories--seeing, for instance, that Snow and Charming had a very different first meeting than the one we know about--then most of the story and character work is flat, despite a cast of likable, game actors.
    • 63 Metascore
    • 58 Alan Sepinwall
    Mob City looks so good that I may watch it all the way through (TNT only sent out tonight’s episodes in advance) just for the eye candy. Unfortunately, it doesn’t have much else to offer.
    • 57 Metascore
    • 58 Alan Sepinwall
    Despite two versatile comic performers at the center, The Comedians comes across as the most cutting showbiz satire of 1991.
    • 68 Metascore
    • 58 Alan Sepinwall
    It's still not anywhere near the ballpark of the earlier AMC shows, and the plot itself remains incredibly frustrating, but there are other aspects that feel closer to the show Sud said she was making last year, rather than the one she actually made.
    • 62 Metascore
    • 58 Alan Sepinwall
    It's much too generic given Abrams' reputation from "Alias," "Lost," the better years of "Fringe" and the "Star Trek" reboot.
    • 49 Metascore
    • 58 Alan Sepinwall
    It's mediocre, but it's at least pleasantly mediocre.
    • 63 Metascore
    • 58 Alan Sepinwall
    It's not quite good (other than The Swede), but it's also not especially bad (though it has occasional terrible moments.
    • 66 Metascore
    • 58 Alan Sepinwall
    A good sitcom is much more likely to have started life with a bad pilot than a good drama, and there are little glimmers in each episode that suggest a much better show could come later. But those glimmers are much more obvious in 2 Broke Girls than in "Whitney."
    • 51 Metascore
    • 58 Alan Sepinwall
    On the whole, Bad Teacher is a pleasant, unremarkable adaptation of a middling Cameron Diaz vehicle that, in the translation from standalone film to series television (and, specifically, to CBS), loses whatever teeth the movie had.
    • tbd Metascore
    • 58 Alan Sepinwall
    There are some good ideas here, but they only occasionally click.
    • 53 Metascore
    • 58 Alan Sepinwall
    The pilot (the only episode I've seen, despite the very late premiere) is ultimately painless.
    • 44 Metascore
    • 58 Alan Sepinwall
    This compromise version emphasizes some of Killen's own weaknesses — he's not a procedural guy, as the cases on "Awake" tended to demonstrate.
    • 64 Metascore
    • 58 Alan Sepinwall
    Though there are some good jokes here and there about the humiliations a little person actor has to endure on your average movie set, for the most part, the biggest laughs have little to do with Davis and everything to do with the celebrity guests.
    • 66 Metascore
    • 58 Alan Sepinwall
    Twenty Twelve is ultimately too safe and predictable to be funny enough for the time spent watching it.
    • 58 Metascore
    • 58 Alan Sepinwall
    Hello Ladies is so much of a piece with both "The Office" and "Life's Too Short"--oblivious asshole keeps putting himself in humiliating situations because of an overinflated sense of self--that it's tiresome almost from the start.
    • 35 Metascore
    • 58 Alan Sepinwall
    You'll probably laugh a few times, but within a half hour, you'll understand why there hasn't been a rush to make a Nyan Cat or David After Dentist film.
    • 63 Metascore
    • 58 Alan Sepinwall
    Hagman--and to a lesser extent fellow returning stars Patrick Duffy and Linda Gray--are so much more fun to watch than their four new, young co-stars that the new Dallas plays less like a passing of the torch than a suggestion that torches were better back in the '80s.
    • 49 Metascore
    • 58 Alan Sepinwall
    The Undateable pilot was a real chore to get through, in part because Danny is just such an obnoxious collection of dude-bro stereotypes.... Later episodes get better, because they start moving away from the idea of Danny as some kind of sexual Jedi master whom the others are lucky to be learning from.
    • 66 Metascore
    • 58 Alan Sepinwall
    All the show has now is that potential, the raw talent, and a setting it doesn't know what to do with.
    • 67 Metascore
    • 58 Alan Sepinwall
    It's not a terrible show, but it's a fairly literal, toothless translation of the source material that doesn't give much indication of working as an ongoing series.
    • 55 Metascore
    • 58 Alan Sepinwall
    Not an especially good first episode (the two-part backdoor pilot on "NCIS" last spring was better), but one I may return to on occasion, just like the original series, just to see the actors work.
    • 62 Metascore
    • 58 Alan Sepinwall
    Urban is usually a likable presence, and in time Kennex might calm down and start feeling like a person rather than a cliché, at which point Almost Human could settle into being an acceptable spin on buddy cop tropes. Right now, though, it's Ealy or bust.
    • 65 Metascore
    • 58 Alan Sepinwall
    The pilot feels like 17 shows all crammed together into one.
    • 62 Metascore
    • 58 Alan Sepinwall
    Ultimately, I found Da Vinci's Demons ridiculous but fairly amiable.

Top Trailers