Alan Sepinwall
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For 672 reviews, this critic has graded:
  • 48% higher than the average critic
  • 2% same as the average critic
  • 50% lower than the average critic
On average, this critic grades 3 points lower than other critics. (0-100 point scale)

Alan Sepinwall's Scores

Average review score: 62
Highest review score: 100 Masters of Sex: Season 2
Lowest review score: 0 In the Motherhood: Season 1
Score distribution:
  1. Negative: 78 out of 672
672 tv reviews
    • 78 Metascore
    • 83 Alan Sepinwall
    If I began watching Better Call Saul! as a skeptic, the first three episodes have mostly made me a believer. There are nods to the parent show--and those are among the more emotionally affecting parts of this young series--but Saul quickly learns to function as its own thing.
    • 71 Metascore
    • 83 Alan Sepinwall
    The pilot itself is among the best you'll see this fall. It looks great, the two leads have instant chemistry, and everything hums along nicely as a slightly larger-than-life crime saga.
    • 75 Metascore
    • 83 Alan Sepinwall
    If the show takes a while to warm up--and seems to hit certain character beats, like Thack's cocaine addiction, or his feelings towards rookie nurse Lucy Elkins (Eve Hewson), over and over again--it builds in the way you would hope a modern cable drama season would, and many of the repetitive earlier scenes wind up laying a foundation for major shifts in the season's second half.
    • 78 Metascore
    • 83 Alan Sepinwall
    The season's first two episodes aren't as consistently funny as last spring's best outings, but they do a good job of showcasing both the style of Bob's Burgers and the deep roster of characters the show has already assembled.
    • 67 Metascore
    • 83 Alan Sepinwall
    It's a show with a much stronger command of its subject matter and awareness of its own strengths and weaknesses--even as The Bridge still seems to be stuck in that nebulous border region separating the pretty good from the genuinely great.
    • tbd Metascore
    • 83 Alan Sepinwall
    Sometimes, everything's within your grasp, while at other moments one or more things start to slip too far away. But I always applaud the effort, and most of the time the results.
    • 66 Metascore
    • 83 Alan Sepinwall
    It's the best new comedy of the fall season, and the only new show I genuinely enjoyed from start to finish, rather than having to squint real hard and try to picture what it might look like once the producers figure out what to do with their stars.
    • 73 Metascore
    • 83 Alan Sepinwall
    Patrick is the only one of the three leads to come entirely into focus over these early episodes.... But there's some excellent raw material in here, even if at times I found myself admiring Looking more than I was liking it.
    • 67 Metascore
    • 83 Alan Sepinwall
    Beavis and Butt-Head are who they've always been, for ill or (comedically) for good. I'm glad to have them back.
    • 73 Metascore
    • 83 Alan Sepinwall
    Atwell is so good, and the show has so much fun with the period setting, that it's a really promising start for Agent Carter.
    • 77 Metascore
    • 83 Alan Sepinwall
    With these characters, with this fascinating, complicated place--and one that's at the forefront of so much of what we're talking about in real world politics--and the sense of atmosphere instilled by directors like Gerardo Naranjo, The Bridge is off to such an outstanding start that I can't wait to see what this creative team does not only with the rest of the serial killer story, but well beyond it.
    • 71 Metascore
    • 83 Alan Sepinwall
    As original series debuts go, it’s no “Oz” or “The Shield,” but it does the job it sets out to do in entertaining fashion.
    • 80 Metascore
    • 83 Alan Sepinwall
    A half a loaf is better than none at all. When it's baked by David Simon, Eric Overmyer and George Pelecanos, it's better than most people's full loaf.
    • 74 Metascore
    • 83 Alan Sepinwall
    The Last Resort pilot episode is far and away the best I watched for this fall season. There are some bumps in the next two episodes, but also some very promising signs that, coupled with the talent involved, has me wanting to believe there is a great series here.
    • 72 Metascore
    • 83 Alan Sepinwall
    The Strain is packed with so much macabre imagery and so many clever ideas that it doesn't feel like the resuscitation of a tired genre, but the launch of something new and fun.
    • 73 Metascore
    • 83 Alan Sepinwall
    There are other half-hours I might recommend first as a holiday binge if you haven't seen them yet. But "Mozart" is an interesting, colorful look at a world I don't know well, filled with fun performances.
    • 74 Metascore
    • 83 Alan Sepinwall
    We have two likable and funny guys and a lot of untapped material. That's an excellent start.
    • 79 Metascore
    • 83 Alan Sepinwall
    This is a good, solid show that understands its strengths and keeps playing to them in season 2.
    • 74 Metascore
    • 83 Alan Sepinwall
    Tom Chadwick is a man with a fixation that’s both reasonable and relatable, and he becomes our tour guide to the familiar, funny Christopher Guest worldview.
    • 76 Metascore
    • 83 Alan Sepinwall
    The actors all get their moments to shine, even if their stories don't always feel attached to one another
    • 74 Metascore
    • 83 Alan Sepinwall
    If Killen and Gordon don't exactly maintain the quality of the pilot each week - subsequent episodes don't look as rich nor pack as big an emotional whallop - they come close enough, particularly in dealing with Britten's work and family lives.
    • 78 Metascore
    • 83 Alan Sepinwall
    The chemistry between Winchester and Stapleton is a treat, the action scenes remain brutal and thrilling and fun, and the show transcends simple guilty pleasure status by paying enough attention to the emotional toll this kind of work takes on the people who do it.
    • 75 Metascore
    • 83 Alan Sepinwall
    I'll confess to losing the thread of the plot a time or three over the five hours I watched (the show debuts with the first two hours; there are a dozen in total), yet the location and the sense of unease that came with it kept pulling me along.
    • 67 Metascore
    • 83 Alan Sepinwall
    It fits the channel's larger brand (in both comedy and drama) about men existing on the edges of acceptable human behavior.
    • 77 Metascore
    • 83 Alan Sepinwall
    Fimmel, Katheryn Winnick and the rest of the cast remain, like the show, better than the material probably needs to be a commercial success, and thus strong enough that Vikings remains a genuine pleasure rather than a guilty one.
    • 73 Metascore
    • 83 Alan Sepinwall
    Outlander is by far the best of these Starz costume dramas I've seen. It knows the stories it wants to tell and the strongest way to tell them.
    • 63 Metascore
    • 83 Alan Sepinwall
    It's a simple idea, and the supporting characters on both floors are fairly broad and familiar types, but the execution is good.
    • 80 Metascore
    • 83 Alan Sepinwall
    Like Rick Grimes, all I can do is focus on what lies directly in front of me, and the here and now of The Walking Dead looks very good.
    • 68 Metascore
    • 83 Alan Sepinwall
    It is snappy, and funny enough when it needs to be.
    • 79 Metascore
    • 83 Alan Sepinwall
    I expected to be tired of the joke behind The Wrong Mans within an episode or two. Instead, I found myself engrossed enough in the story of who wanted Sam dead at any particular moment, and why, to keep watching until I made it all the way to the end and could appreciate just how well Baynton, Corden and company stuck the landing.

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