Alan Sepinwall
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For 625 reviews, this critic has graded:
  • 47% higher than the average critic
  • 2% same as the average critic
  • 51% lower than the average critic
On average, this critic grades 2.7 points lower than other critics. (0-100 point scale)

Alan Sepinwall's Scores

Average review score: 62
Highest review score: 100 Behind the Candelabra: Season 1
Lowest review score: 0 In the Motherhood: Season 1
Score distribution:
  1. Negative: 74 out of 625
625 tv reviews
    • 73 Metascore
    • 80 Alan Sepinwall
    Because the comedy is so strong, the cast is so likable, and everyone involved so obviously has a passion for making the show as entertaining as it can be, there's a sense of joy around "Chuck" that's infectious.
    • 75 Metascore
    • 80 Alan Sepinwall
    Nix and company had a very thing going last season, and they've found a way to change the show a little without screwing it up.
    • 79 Metascore
    • 80 Alan Sepinwall
    Horne and Page have sweet chemistry, but what makes the show work is the cast of eccentrics that Corden and Jones have created around them.
    • 87 Metascore
    • 80 Alan Sepinwall
    The hour offers up office intrigue, romantic complications and a classic Don Draper pitch, not to mention the usual brilliant acting from all involved.
    • 79 Metascore
    • 80 Alan Sepinwall
    Whether Tara is herself or someone else (including a new alter), "Tara" works as both a character drama and an absurdist family comedy because the characters are so well-drawn, and because what happened before isn't forgotten as the show moves forward.
    • 82 Metascore
    • 80 Alan Sepinwall
    Those three performances are so good that they lift up everyone around them, whether it's Combs (best whenever he has Rashad or McDonald to spar with) or John Stamos, surprisingly subtle in what could be a thankless role as the white man who doesn't want the Youngers moving into his neighborhood.
    • 71 Metascore
    • 80 Alan Sepinwall
    Rarely have I smiled as early and as often at a new series as I have at this one, which manage to be gentle and sweet and lighter-than-air without ever departing from the Earth that we know.
    • 86 Metascore
    • 80 Alan Sepinwall
    Now that Sutter and company have finished the long and difficult task of fixing what wasn't working, I want to know everything it has to offer--even if some of those things may give me nightmares.
    • 79 Metascore
    • 80 Alan Sepinwall
    While at times it feels like a bleak HerskoZwick drama--"Fortysomething Going on Fiftysomething"--the stories are leavened with humor, and the chemistry between the leads, and their fine performances.
    • 68 Metascore
    • 80 Alan Sepinwall
    There are enough intriguing, albeit deliberately unfinished, ideas in there to make it worth a look for any fan not only of "Galactica," but the kind of thoughtful science fiction it represented.
    • 66 Metascore
    • 80 Alan Sepinwall
    Hung has more to offer than just John Thomas jokes. Amidst all the sniggering humor about how Ray has been taught to "do your best with the gifts God gave you" is some smart comedy about the state of 21st century America in general, as well as a superb lead performance from Thomas Jane.
    • 66 Metascore
    • 80 Alan Sepinwall
    Party Down may not reinvent Starz the way "Mad Men" did for AMC, but it's a very funny series that any cable channel would be lucky to have.
    • 85 Metascore
    • 80 Alan Sepinwall
    It's at once a simple, R-rated office comedy about a bunch of people who would have nothing to do with each other if they didn't work together, and a pretty wicked satire of the quest for fame at all costs.
    • 70 Metascore
    • 80 Alan Sepinwall
    In that way, he's not unlike the super-competent Michael Westen from "Burn Notice," and "Human Target" has the same fun, retro-chic vibe as that USA series. But because it's on a broadcast network, the show works on a broader scale.
    • 76 Metascore
    • 80 Alan Sepinwall
    The Good Wife is confident and polished, and a much better showcase for Margulies than her last legal drama.
    • 69 Metascore
    • 80 Alan Sepinwall
    I've seen the pilot episode at least four times already, in whole or in parts, and I laugh just as hard at the jokes now as I did the first time.
    • 65 Metascore
    • 80 Alan Sepinwall
    It ain't deep, but the new Five-0 has the setting, it has the style and it has the cast to work.
    • 85 Metascore
    • 80 Alan Sepinwall
    Thanks to committed performances from Cumberbatch and Freeman, and clever writing from Moffat and Gatiss, most of it works splendidly.
    • 87 Metascore
    • 80 Alan Sepinwall
    Though I enjoyed NBC’s pilot for Community a little bit more, "Modern Family" has as assured and entertaining a start as you could hope for.
    • 69 Metascore
    • 80 Alan Sepinwall
    Life Unexpected turns out to be a warm, sweet, fun family dramedy. The three leads are very likable, the stakes just high enough for the show to not seem inconsequential
    • 78 Metascore
    • 80 Alan Sepinwall
    I've seen five Archer episodes--and laughed frequently and loudly at all five.
    • 75 Metascore
    • 80 Alan Sepinwall
    Midway through the first season, Lawrence, Biegel and the other writers realized their cast was so funny together that the wisest course was to just put everyone together as often as possible, let everyone be goofy, and see what happened. By the end of the season, it was often funnier many weeks than the "Modern Family" episode leading into it. And even with Aniston's guest appearance tonight, this is still the show that Cougar Town became at mid-season last year.
    • 75 Metascore
    • 80 Alan Sepinwall
    s a pleasure to report that Gossip Girl launches its fourth season with two confidently satisfying episodes. Because the episodes are designed almost as a stand-alone chapter, I can't say for sure if this bodes well for the season to come, but hey... Good Gossip Girl.
    • 75 Metascore
    • 80 Alan Sepinwall
    This is a very smart, well-produced, great-looking cop show, one that does familiar things but does them in interesting ways.
    • 66 Metascore
    • 80 Alan Sepinwall
    That's Shameless in 30 seconds or less: messy, overcrowded, unapologetically frank and, at times, darkly funny.
    • 88 Metascore
    • 80 Alan Sepinwall
    The other six episodes I've seen have their ups and downs, but that's kind of the nature of the beast with comedies that push the outer edge of the envelope of taste and common decency; their batting average will be lower than their comedy peers, but their slugging percentage will be higher.
    • 81 Metascore
    • 80 Alan Sepinwall
    The new season starts a bit slow.... But it's all laying the groundwork for a gripping, almost nightmarish second half of the season in which the life of every member of the Gregson family seems in danger of splintering as badly as Tara's psyche.
    • 75 Metascore
    • 80 Alan Sepinwall
    While there was plenty these four could have continued to talk about, there was never a point where I felt they missed something obvious because they didn't know the others and what they do well enough.
    • 55 Metascore
    • 80 Alan Sepinwall
    It’s not perfect, but it’s easily the most restrained--and satisfying--Kelley series since those first couple of years of “The Practice.”
    • 87 Metascore
    • 80 Alan Sepinwall
    The show's as cynical as ever, but it doesn't feel nearly as empty. Selina's more of an actual character--and has become an accomplished slinger of four-letter verbiage in her own right--and even if the team's screw-ups remain inevitable, the ways in which they screw up feel far less predictable.