Alan Sepinwall
Select another critic »
For 688 reviews, this critic has graded:
  • 48% higher than the average critic
  • 2% same as the average critic
  • 50% lower than the average critic
On average, this critic grades 2.8 points lower than other critics. (0-100 point scale)

Alan Sepinwall's Scores

Average review score: 62
Highest review score: 100 Transparent: Season 1
Lowest review score: 0 In the Motherhood: Season 1
Score distribution:
  1. Negative: 79 out of 688
688 tv reviews
    • 79 Metascore
    • 80 Alan Sepinwall
    Horne and Page have sweet chemistry, but what makes the show work is the cast of eccentrics that Corden and Jones have created around them.
    • 75 Metascore
    • 80 Alan Sepinwall
    The challenges--including a head-to-head competition where pairs of chefs are sent into various New York neighborhoods and told to cook the local cuisine--seem appropriately Big Apple-centric without being silly.
    • 85 Metascore
    • 80 Alan Sepinwall
    It is slow, and it requires work and careful observation, but when it achieves its breakthroughs, the effects can be as extraordinary and dynamic as any other drama on television.
    • 75 Metascore
    • 80 Alan Sepinwall
    s a pleasure to report that Gossip Girl launches its fourth season with two confidently satisfying episodes. Because the episodes are designed almost as a stand-alone chapter, I can't say for sure if this bodes well for the season to come, but hey... Good Gossip Girl.
    • 87 Metascore
    • 80 Alan Sepinwall
    The Lost season three finale was no fluke. The show has got its mojo back, and then some.
    • 79 Metascore
    • 80 Alan Sepinwall
    Whether Tara is herself or someone else (including a new alter), "Tara" works as both a character drama and an absurdist family comedy because the characters are so well-drawn, and because what happened before isn't forgotten as the show moves forward.
    • 67 Metascore
    • 80 Alan Sepinwall
    There are enough intriguing, albeit deliberately unfinished, ideas in there to make it worth a look for any fan not only of "Galactica," but the kind of thoughtful science fiction it represented.
    • 75 Metascore
    • 80 Alan Sepinwall
    I have no interest in fashion, little inherent fondness for soap operas, and I'm absolutely not the gender this show is targeting. And based on the two episodes I've seen, I'm going to be watching "Ugly Betty" every week. It's that much fun.
    • 71 Metascore
    • 80 Alan Sepinwall
    The show's aura of jungle mysticism is so overblown it's hilarious. I love how the castaways have to kill rats for food and make fire with sticks, but the tribal council meetings take place on a lavish, obviously prefab jungle village set that looks like the Ewok treehouse city in "Return of the Jedi." (The million-dollar grand prize is sitting over in one corner of the set - a pile of cash in an open treasure chest. Very Scrooge McDuck.)...Asinine stuff - and intensely addictive. [2 June 2000, p.37]
    • Newark Star-Ledger
    • 85 Metascore
    • 80 Alan Sepinwall
    Chiklis always sells his end of it, and when he has a great actor opposite him, you don't really notice how puzzling the story arcs would get.
    • 66 Metascore
    • 80 Alan Sepinwall
    Krause could be hard to digest as the self-righteous Nate on "Six Feet Under," but he makes a fine, amusingly flustered straight man to the cast of eccentrics that Wright and producer Greg Berlanti have assembled.
    • 66 Metascore
    • 80 Alan Sepinwall
    Hung has more to offer than just John Thomas jokes. Amidst all the sniggering humor about how Ray has been taught to "do your best with the gifts God gave you" is some smart comedy about the state of 21st century America in general, as well as a superb lead performance from Thomas Jane.
    • 76 Metascore
    • 80 Alan Sepinwall
    Smith's work in "The Eleventh Hour" showed us exactly what Moffat saw in that audition...."Eleventh Hour" is also a great build-up for Karen Gillan's immensely likable Amy Pond, who has by far the most interesting, emotionally resonant backstory of the modern companions.
    • 86 Metascore
    • 80 Alan Sepinwall
    Though I enjoyed NBC’s pilot for Community a little bit more, "Modern Family" has as assured and entertaining a start as you could hope for.
    • 87 Metascore
    • 80 Alan Sepinwall
    There's definitely a joy to this series, no matter how dire things get for its characters.
    • 75 Metascore
    • 80 Alan Sepinwall
    While there was plenty these four could have continued to talk about, there was never a point where I felt they missed something obvious because they didn't know the others and what they do well enough.
    • 86 Metascore
    • 80 Alan Sepinwall
    The show's as cynical as ever, but it doesn't feel nearly as empty. Selina's more of an actual character--and has become an accomplished slinger of four-letter verbiage in her own right--and even if the team's screw-ups remain inevitable, the ways in which they screw up feel far less predictable.
    • 81 Metascore
    • 80 Alan Sepinwall
    Those three performances are so good that they lift up everyone around them, whether it's Combs (best whenever he has Rashad or McDonald to spar with) or John Stamos, surprisingly subtle in what could be a thankless role as the white man who doesn't want the Youngers moving into his neighborhood.
    • 78 Metascore
    • 80 Alan Sepinwall
    While at times it feels like a bleak HerskoZwick drama--"Fortysomething Going on Fiftysomething"--the stories are leavened with humor, and the chemistry between the leads, and their fine performances.
    • 69 Metascore
    • 80 Alan Sepinwall
    I've seen the pilot episode at least four times already, in whole or in parts, and I laugh just as hard at the jokes now as I did the first time.
    • 79 Metascore
    • 80 Alan Sepinwall
    The first two ABC episodes of Scrubs, premiering back-to-back tomorrow night, more closely resemble the series in its marvelous early seasons, and suggest that Braff's victory lap will be a memorable one.
    • 66 Metascore
    • 80 Alan Sepinwall
    That's Shameless in 30 seconds or less: messy, overcrowded, unapologetically frank and, at times, darkly funny.
    • 86 Metascore
    • 80 Alan Sepinwall
    Almost everything that made the show a treat a year ago is present for the new season.
    • 78 Metascore
    • 80 Alan Sepinwall
    The drama is one of the season's best because it makes you care even when you know something big is coming -- and because it finds pleasant little surprises along the way.
    • 81 Metascore
    • 80 Alan Sepinwall
    Though it rushes a bit through its final episode, Torchwood: Children of Earth is big in a way that very little of TV aspires to anymore. Until we see what kind of late charge "Mad Men" will have when it returns in mid-August, this is the most exciting television of the summer.
    • 75 Metascore
    • 80 Alan Sepinwall
    Nix and company had a very thing going last season, and they've found a way to change the show a little without screwing it up.
    • 66 Metascore
    • 80 Alan Sepinwall
    It ain't deep, but the new Five-0 has the setting, it has the style and it has the cast to work.
    • 71 Metascore
    • 80 Alan Sepinwall
    Because the comedy is so strong, the cast is so likable, and everyone involved so obviously has a passion for making the show as entertaining as it can be, there's a sense of joy around "Chuck" that's infectious.
    • 87 Metascore
    • 80 Alan Sepinwall
    The hour offers up office intrigue, romantic complications and a classic Don Draper pitch, not to mention the usual brilliant acting from all involved.
    • 89 Metascore
    • 80 Alan Sepinwall
    The fifth and final season may be the most overtly farcical, but only because things in this slightly fictionalized Baltimore have become, if you can imagine, worse than ever.

Top Trailers