Alessandra Stanley
Select another critic »
For 470 reviews, this critic has graded:
  • 57% higher than the average critic
  • 2% same as the average critic
  • 41% lower than the average critic
On average, this critic grades 0.7 points lower than other critics. (0-100 point scale)

Alessandra Stanley's Scores

Average review score: 64
Highest review score: 100 The Office (UK): Season 3
Lowest review score: 10 Hellcats: Season 1
Score distribution:
  1. Negative: 28 out of 470
470 tv reviews
    • 73 Metascore
    • 80 Alessandra Stanley
    Lone Star offers an amusing and novel television conceit, but in an age of Enron and Bernard Madoff, it takes a very persuasive actor to keep viewers rooting for a swindler. Mr. Wolk is well cast.
    • 72 Metascore
    • 50 Alessandra Stanley
    The novelty of the hour-by-hour conceit wore off long ago, and the various plot devices and characters are all familiar. The fun, at least at the beginning of a new season, is in seeing how the creators will rejigger the pieces this time around.
    • 73 Metascore
    • 80 Alessandra Stanley
    "Entourage" is as good as ever in its third season, yet somehow different.
    • 72 Metascore
    • 70 Alessandra Stanley
    The narrative this time around is even more stretched, derivative and repetitive than Season 3’s, but almost ingeniously so: It is both utterly predictable and surprisingly addictive.
    • 72 Metascore
    • 70 Alessandra Stanley
    Welcome to Sweden is pleasant, inoffensive and quite charming.
    • 72 Metascore
    • 80 Alessandra Stanley
    By 1:20 p.m. the series's third season is already as tightly coiled, clever and suspenseful as the first two. [28 Oct 2003]
    • The New York Times
    • 63 Metascore
    • 50 Alessandra Stanley
    It’s creepy, steamy and funny at times, and it’s also a muddle, a comic murder mystery that is a little too enthralled with its own exoticism.
    • 72 Metascore
    • 60 Alessandra Stanley
    It's the right cast in the right setting but with a wrongfully righteous script.
    • 72 Metascore
    • 80 Alessandra Stanley
    It is a smart, intense thriller inspired by the Innocence Project.
    • 57 Metascore
    • 60 Alessandra Stanley
    "Chuck" has interests similar to those of the heroes of Big Bang, including a lack of interest in chasing women, but his comedy is more inventive--the better bet in a new era in which the nerd no longer loses, but the best nerd show wins.
    • 70 Metascore
    • 80 Alessandra Stanley
    This show is smart and rigorous, with a concentration that bores deep without growing dull.
    • 59 Metascore
    • 80 Alessandra Stanley
    Las Vegas is as flattering to companies like the MGM Mirage Inc. as "The Love Boat" once was to Princess Cruises. Yet the show still manages to be slick, fast-paced and engaging, a remake of the remake of "Ocean's Eleven," in which all the good-looking people work for the casino, not against it.
    • 70 Metascore
    • 80 Alessandra Stanley
    The premiere is a bit stiff, but the episodes improve over time, mostly thanks to two mesmerizing actresses in the lead roles.
    • 72 Metascore
    • 80 Alessandra Stanley
    By using a celebrity as a Trojan horse, Teach offers an engaging and intimate look at just how complicated and difficult teaching can be at a large, urban public high school.
    • 72 Metascore
    • 60 Alessandra Stanley
    "Big Love" gets better and more compelling, once the plot thickens and the wives' personalities and conflicts take deeper form.
    • 72 Metascore
    • 80 Alessandra Stanley
    There are very few series for young adults that deal with race as brazenly and defiantly as "The Boondocks."
    • 71 Metascore
    • 50 Alessandra Stanley
    It’s an engrossing but somewhat aimless and impressionistic ramble through the Nixon presidency and tumult of the 1970s. At times it leans too heavily on artistic license.
    • 71 Metascore
    • 90 Alessandra Stanley
    "Thief" pays homage to all the conventions of a traditional thriller and weaves into it complicated issues of guilt, race and family. It's a little like some of the better dramas on HBO, but finds its own unorthodox way.
    • 45 Metascore
    • 50 Alessandra Stanley
    Mr. Dean is appealing as Nate and Mr. Sheridan is amusing as Dove, but the tone of the series is uneven.
    • 71 Metascore
    • 80 Alessandra Stanley
    It’s a dizzying reprise, and also a dazzling one.
    • 71 Metascore
    • 80 Alessandra Stanley
    The pacing is occasionally so slow and deliberate that it may test some viewers’ patience, but the series takes its time because the real mystery is Wallander and his uneasy inner life.
    • 70 Metascore
    • 40 Alessandra Stanley
    Californication tries to poke fun at the hypocrisy and delusions of Hollywood, but it doesn’t have enough wit or sense of place to be very convincing. Mostly the series comes off as male payback for "Sex and the City," a series that often belittled men and treated them as sex objects.
    • 70 Metascore
    • 80 Alessandra Stanley
    Her comic style is familiar, but much of Ms. Ullman’s material is fresh and up-to-date.
    • 60 Metascore
    • 90 Alessandra Stanley
    Irresistibly, corrosively funny.
    • 66 Metascore
    • 80 Alessandra Stanley
    Dirty Sexy Money lives up to its name.
    • 70 Metascore
    • 40 Alessandra Stanley
    The setting, London, is new, but not much else.
    • 64 Metascore
    • 30 Alessandra Stanley
    The writing is not witty enough to carry the material, which is not even very original.
    • 69 Metascore
    • 80 Alessandra Stanley
    The series has humor and charm beneath its facile message, in large part (no disrespect intended) to a subtle, winning performance by Ms. Elliott.
    • 50 Metascore
    • 60 Alessandra Stanley
    The actors are appealing and well cast, but their characters are quite basic, borrowed shamelessly from Brat Pack movies of the mid-80's.
    • 35 Metascore
    • 30 Alessandra Stanley
    Mr. Kelley is a gifted television producer, and “The Wedding Bells” has funny moments, but this series is not a labor of love. It’s a labored effort to simulate romance.

Top Trailers