For 31 reviews, this critic has graded:
  • 90% higher than the average critic
  • 3% same as the average critic
  • 7% lower than the average critic
On average, this critic grades 7 points higher than other critics. (0-100 point scale)

Alynda Wheat's Scores

  • TV
Average review score: 70
Highest review score:
Critic Score 91
Lowest review score:
Score distribution:
  1. Positive: 21 out of 31
  2. Negative: 1 out of 31
31 tv reviews
    • Metascore: 80
    • Alynda Wheat 91
    Tim Gunn still motherhens the designers, the dramatic arcs feel familiar (one designer is a recovering addict, another gave up a career as a surgeon), and--wonders to behold--there's even a branch of the fabric store Mood in Runway's new Los Angeles home.
    • Metascore: 80
    • Alynda Wheat 91
    You know this Dr. Who spin-off aims to please when the return of Capt. Jack Harkness (John Barrowman) isn't even the big news.... With [Capt.] John [James Marsters] adding such a fun, unhinged element, it's a shame these two crazy kids broke up in the first place.
    • Metascore: 81
    • Alynda Wheat 91
    Mirren's Elzabeth is emotional... But with that comes soemthing as rare on TV as it is rewarding--a love affair involving people over the age of 50. [21 Apr 2006, p.67]
    • Metascore: 90
    • Alynda Wheat 91
    This sly Britcom is like a C-SPAN spin-off of... The Office. [12 May 2006, p.75]
    • Metascore: 62
    • Alynda Wheat 91
    The access is such that you almost wish every member of Congress had a TV crew. [25 Aug 2006, p.81]
    • Metascore: 67
    • Alynda Wheat 83
    Oka is pure delight as a wage slave who's broken the space-time continuum, and... Grunberg shines as a telepathic cop. [29 Sep 2006, p.71]
    • Metascore: 70
    • Alynda Wheat 83
    The resolution with the ghost is plenty satisfying, but ultimately Medium's strength is that it's not about the ghosts.
    • Metascore: 66
    • Alynda Wheat 83
    [O'Toole's] Casanova may have lust in his heart, but it's his love for Henriette... that guides his life and makes the tale worth the telling. [6 Oct 2006, p.64]
    • Metascore: 69
    • Alynda Wheat 83
    Naturally funny interviews are easy TV; it's with drier material that the animators shine. [8 Jun 2007, p.74]
    • Metascore: 48
    • Alynda Wheat 83
    With a pleasant blend of quirkiness and charm, this is an M.I.T. we can all get into. [15 Sep 2006, p.68]
    • Metascore: 51
    • Alynda Wheat 83
    Wars is funnier than a movie about wedge politics has a right to be. [15 Dec 2006, p.80]
    • Metascore: 66
    • Alynda Wheat 83
    Mary Poppins it ain't--which is fine because the snooty broad couldn't begin to handle this. [21 Sep 2007, p.74]
    • Metascore: 72
    • Alynda Wheat 83
    The humor is wilder, the penury sadder, and Sophie Okonedo a winsome Nancy. The only bad twist is the overwrought score.
    • Metascore: 71
    • Alynda Wheat 75
    Hustle... does have style. [13 Jan 2006, p.72]
    • Metascore: 69
    • Alynda Wheat 75
    On its mild merits, it proves worthy. [2 Dec 2005, p.73]
    • Metascore: 55
    • Alynda Wheat 75
    [Lovespring is filled] with some of the best comedic talent out there. [16 Jun 2006, p.68]
    • Metascore: 54
    • Alynda Wheat 75
    Neither as incisive as The Office, nor as over-the-top loony as Reno 911!, Dog ends up being too much bark and not quite enough bite. [9 Jun 2006, p.132]
    • Metascore: 70
    • Alynda Wheat 75
    For the willing, it's still a story worth hearing. [2 Mar 2007, p.64]
    • Metascore: 63
    • Alynda Wheat 75
    It's a novel idea: Remove the middleman and let artists interview themselves. [25 Nov 2005, p.96]
    • Metascore: 70
    • Alynda Wheat 75
    Jean appears to have liked humiliation... Such masochism is hard to watch, even with a stellar cast. [24 Feb 2006, p.58]
    • Metascore: 61
    • Alynda Wheat 75
    The material's solid, but it won't convince the newbies.
    • Metascore: 33
    • Alynda Wheat 58
    [A] bland sitcom. [14 Oct 2005, p.142]
    • Metascore: 41
    • Alynda Wheat 58
    It's best to ignore the attempts at deep thought, enjoy the pretty cast, and guzzle it like diet pop. [30 Sep 2005, p.87]
    • Metascore: 33
    • Alynda Wheat 50
    It's probably too much to ask costars Matthew Modine and Broadway royalty Audra McDonald to inject some depth, but we're pleading anyway. [31 Mar 2006, p.57]
    • Metascore: 45
    • Alynda Wheat 50
    Free Ride can't milk any fresh laughs from this fish-back-in-water tale. [3 Mar 2006, p.96]
    • Metascore: 30
    • Alynda Wheat 50
    The real shocker is the credibility holes bigger than the ones air-conditioning this bird. [30 Sep 2005, p.89]
    • Metascore: 50
    • Alynda Wheat 50
    Sadly, Welcome to the Captain just isn't funny or inspired enough to nail the peek-behind-the-Hollywood-curtain genre.
    • Metascore: 54
    • Alynda Wheat 42
    Home isn't a bad show--it's just bad-intentioned. [7 Oct 2005, p.64]
    • Metascore: 57
    • Alynda Wheat 42
    [It] makes Los Angeles look as dreary and sluggish as Goldblum's performance. [16 Mar 2007, p.65]
    • Metascore: 29
    • Alynda Wheat 42
    Sherman-Palladino forces the sisters on each other out of an almost crippling sense of joint self-interest that's as painful as it is illogical.