Andrew Barker
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For 66 reviews, this critic has graded:
  • 34% higher than the average critic
  • 7% same as the average critic
  • 59% lower than the average critic
On average, this critic grades 9.3 points lower than other critics. (0-100 point scale)

Andrew Barker's Scores

  • Movies
  • TV
Average review score: 51
Highest review score: 90 Love & Mercy
Lowest review score: 10 I, Frankenstein
Score distribution:
  1. Positive: 17 out of 66
  2. Negative: 14 out of 66
66 movie reviews
    • 80 Metascore
    • 90 Andrew Barker
    A wonderfully innervating cure for the common musical biopic, Bill Pohlad’s Love & Mercy vibrantly illuminates two major breakthroughs — one artistic, one personal — in the life of the Beach Boys’ Brian Wilson.
    • 62 Metascore
    • 80 Andrew Barker
    At times there’s a genuine sense of daring to the film’s freewheeling anarchy, its refusal to stick to a central theme or impart any sort of lesson.
    • 76 Metascore
    • 80 Andrew Barker
    Even the less immediately engaging material here helps build an uncannily cohesive snapshot of a very specific time and place, and the past decades have only given it a bittersweet edge.
    • 79 Metascore
    • 80 Andrew Barker
    Though Stray Dog is slowly paced and at times a bit repetitive, Granik and her crew rarely risk losing their audience’s attention, and they uncover a wealth of images that are alternately striking, symbolic and singular.
    • 60 Metascore
    • 80 Andrew Barker
    The film taps into far deeper, richer veins of material than it has the time to properly mine. It’s nonetheless a flinty, brainy, continually engrossing work that straddles the lines between biopic, political thriller and journalistic cautionary tale, driven by Jeremy Renner’s most complete performance since The Hurt Locker.
    • 82 Metascore
    • 80 Andrew Barker
    Hansen-Love, who co-wrote the script along with her former-DJ brother Sven, zeroes in on the signature experiences of ’90s club life with expert precision.
    • 72 Metascore
    • 80 Andrew Barker
    Lively, funny and at times philosophical, Brothers Hypnotic tackles the challenges of maintaining an independent music career, as well as some knotted generational conflicts, and handles it all with great sensitivity.
    • 72 Metascore
    • 80 Andrew Barker
    The eighth entry in Disney’s eco-minded Disneynature series, Monkey Kingdom may well be its cheekiest, funniest and most purely entertaining.
    • 62 Metascore
    • 80 Andrew Barker
    [Swanberg's] latest work, All the Light in the Sky, displays a striking new willingness to meet his audience halfway, buttressing his signature style with clever pacing, solid technique and a deeply soulful lead performance from co-scripter Jane Adams.
    • tbd Metascore
    • 70 Andrew Barker
    The footage on display here is voluminous and intimate, briskly edited together in a sort of studiously haphazard way that syncs up perfectly with Madlib’s far-reaching soundtrack mix.
    • 68 Metascore
    • 70 Andrew Barker
    Surely some of the film’s various incidents have been creatively stitched together from stray bits and pieces of footage, but its central conflict is an entirely organic one, and rarely is any offscreen string pulling distractingly evident.
    • 69 Metascore
    • 70 Andrew Barker
    Boyle keeps the wheels churning nicely for the most part, and the climax ratchets up the pic’s sense of urgency without loosening its bearings.
    • 66 Metascore
    • 70 Andrew Barker
    Unsatisfying on a musical level, it’s nonetheless a well-acted, sporadically impressive piece of filmmaking.
    • 68 Metascore
    • 70 Andrew Barker
    Lewder, weirder, louder, leaner, meaner and more winningly stupid than anything its director Nicholas Stoller and star Seth Rogen have ever been involved with before, frat comedy Neighbors boasts an almost oppressive volume of outrageous gags.
    • 68 Metascore
    • 70 Andrew Barker
    Covering a broad swath of liberal economic theory in brisk, simply stated fashion, Inequality for All aims to do for income disparity what “An Inconvenient Truth” did for climate change.
    • 69 Metascore
    • 70 Andrew Barker
    Director Josh Boone is hardly the most distinctive cinematic stylist, but he’s smart enough to let his scenes linger for a few beats longer than most mainstream directors would, and seems to trust his actors to carry their own dramatic weight.
    • 72 Metascore
    • 70 Andrew Barker
    Thoroughly modern without being ostentatious about it, and featuring excellent performances from Kate Lyn Sheil and John Gallagher Jr., the film boasts pleasures more formal than narrative.

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