For 1,298 reviews, this critic has graded:
  • 64% higher than the average critic
  • 2% same as the average critic
  • 34% lower than the average critic
On average, this critic grades 10.1 points higher than other critics. (0-100 point scale)

Andrew O'Hehir's Scores

  • Movies
Average review score: 69
Highest review score: 100 12 Years a Slave
Lowest review score: 0 The Human Centipede II (Full Sequence)
Score distribution:
1,298 movie reviews
    • 84 Metascore
    • 100 Andrew O'Hehir
    Despite its clichéd elements, Dallas Buyers Club is a fierce celebration of the unpredictable power that belongs to the outcast, the despised, the pariah. That’s not a story of the ‘80s, it’s a story of always.
    • 84 Metascore
    • 100 Andrew O'Hehir
    Politically provocative and visually spectacular Snowpiercer - the best action film of 2014, and probably the best film, period.
    • 78 Metascore
    • 100 Andrew O'Hehir
    This stark and intensely controlled film is the work of a powerful visual stylist and storyteller, one who looks like he belongs on the short list of directors who have carried the narrative methods of the silent era deep into modern cinema.
    • 77 Metascore
    • 100 Andrew O'Hehir
    It’s a brilliant, slow-burning American revenge thriller that hardly puts a foot wrong, a work of startling violence and profound conscience that announces the arrival of an exciting young director.
    • 81 Metascore
    • 90 Andrew O'Hehir
    Absolute dynamite.
    • 91 Metascore
    • 90 Andrew O'Hehir
    It's the most ambitious and impressive Coen film in at least a decade, featuring the flat, sun-blasted landscapes of west Texas -- spectacularly shot by cinematographer Roger Deakins -- and an eerily memorable performance by Javier Bardem, in a Ringo Starr haircut.
    • 87 Metascore
    • 90 Andrew O'Hehir
    This film never feels like copycat Americana to me. Its vision of the bleak, ruined, urban-cum-rural landscape of Naples and environs is distinctively European and postmodern, redolent of the spiritual and physical desolation Antonioni captured so memorably in "Red Desert."
    • 80 Metascore
    • 90 Andrew O'Hehir
    An engaging and often wrenching film, Food, Inc. covers a wide range of material, including the horrific, the humorous and the exemplary.
    • 91 Metascore
    • 90 Andrew O'Hehir
    The results, in my judgment, are stunning...and at certain moments during the film I wondered whether I had myself fallen asleep and was dreaming its hellish, haunted images.
    • 88 Metascore
    • 90 Andrew O'Hehir
    What makes Tulpan remarkable are the extended unbroken scenes, both dramatic and comic.
    • 85 Metascore
    • 90 Andrew O'Hehir
    Although Turtles Can Fly is a lyrical, often lovely film with touches of humor, it's also a remorseless tragedy that doesn't offer its child protagonists any false redemption.
    • 94 Metascore
    • 90 Andrew O'Hehir
    I love Jackson's "Rings" saga despite his propensity for whimsical animation whenever he tries to strike a chord of dread or menace.
    • 82 Metascore
    • 90 Andrew O'Hehir
    Crisply and competently filmed, Tell No One is an intriguing sample of new-school French cinema at the more commercial end of the spectrum.
    • 85 Metascore
    • 90 Andrew O'Hehir
    What makes the movie memorable is the precision of its tone, its finely calibrated combination of bitterness and warmth. Of course the acting is tremendous, and you'd expect nothing less.
    • 74 Metascore
    • 90 Andrew O'Hehir
    Gray's peculiar accomplishment here is to turn this story into an intense emotional drama, beautifully photographed and profoundly ambiguous, suspended somewhere between realism and psychosexual allegory.
    • 82 Metascore
    • 90 Andrew O'Hehir
    A moving, surprising and provocative baseball flick that rises immediately to No. 1 with a bullet on my personal list.
    • 81 Metascore
    • 90 Andrew O'Hehir
    Although Josh Olson's script was originally based on a graphic novel by John Wagner and Vince Locke, it has now unmistakably become a Cronenberg movie, and one of his finest.
    • 80 Metascore
    • 90 Andrew O'Hehir
    One of the most beautiful and endearing nature films you've ever seen, despite being filmed almost entirely within a major metropolis, and a love story that will repeatedly reduce you to tears.
    • 78 Metascore
    • 90 Andrew O'Hehir
    A powerful Czech drama with comic flourishes.
    • 70 Metascore
    • 90 Andrew O'Hehir
    A nerve-jangling work of visual poetry and ironic juxtaposition, and a powerful human story of a group of brave young Americans.
    • 72 Metascore
    • 90 Andrew O'Hehir
    I'm not going to tell you this is the best European film of the year, but it's definitely the hottest -- it's the one you want to run out and see as soon as you possibly can.
    • 62 Metascore
    • 90 Andrew O'Hehir
    This delicious little period piece from Spanish writer-director Pablo Berger is like one of those really expensive chocolates, where you start out expecting a brief sugar buzz and end up surprised by the sophistication and delicacy of the flavor.
    • 80 Metascore
    • 90 Andrew O'Hehir
    In some ways Shake Hands With the Devil hits harder than either "Hotel Rwanda" or the recent HBO film "Sometimes in April."
    • 83 Metascore
    • 90 Andrew O'Hehir
    An inexpressibly beautiful and moving film, even though (or because) it seems to be about someone unimportant doing something irrelevant, perhaps something silly, in the face of insurmountable odds and a world that doesn't care.
    • 82 Metascore
    • 90 Andrew O'Hehir
    Its stars, Emily Blunt and Natalie Press, are film newcomers who give startling performances. The photography is often breathtakingly original.
    • 92 Metascore
    • 90 Andrew O'Hehir
    A tightly structured thriller with a brilliantly moody performance by Jeanne Moreau, and depending on your point of view, it's either one of the few genuine French noir films or an early entry in the New Wave.
    • 78 Metascore
    • 90 Andrew O'Hehir
    You may feel lost or bewildered at times in 2046 (and I certainly did), and you may feel that Chow is suffering from self-inflicted wounds. But every new adventure with every new girl vibrates with possibility, and the filmmaking is so stunning that you may not care that this is less a movie with a plot and characters than a hermetically sealed universe of romantic regret.
    • 74 Metascore
    • 90 Andrew O'Hehir
    A compelling family melodrama somewhat in the manner of late John Cassavetes or early Robert Altman…the film combines high production values, terrific acting and a distinctively American lyricism in a combination you hardly ever see these days.
    • 80 Metascore
    • 90 Andrew O'Hehir
    A vital documentary in the truest sense.
    • 71 Metascore
    • 90 Andrew O'Hehir
    The cut-rate colossus didn't just ride the tide that sucked industrial jobs out of our towns and cities and spat out low-wage service-sector jobs in the sprawling exurbs -- it helped create it, and at the very least drastically accelerated it.