Andrew O'Hehir

Select another critic »
For 1,484 reviews, this critic has graded:
  • 65% higher than the average critic
  • 2% same as the average critic
  • 33% lower than the average critic
On average, this critic grades 7.9 points higher than other critics. (0-100 point scale)

Andrew O'Hehir's Scores

  • Movies
  • TV
Average review score: 70
Highest review score: 100 49 Up
Lowest review score: 0 The Water Diviner
Score distribution:
1484 movie reviews
    • 74 Metascore
    • 100 Andrew O'Hehir
    There’s so much that is brilliant and unexpected and often downright thrilling about Mommy, the fifth feature (a fact amazing in itself) from 25-year-old Quebec enfant terrible Xavier Dolan.
    • 81 Metascore
    • 100 Andrew O'Hehir
    Forget the inflated Trumpian moral dilemmas of "Superman" and "Captain America." The summer’s most powerful and most disturbing thriller has arrived, in the form of an intensely atmospheric Korean movie called The Wailing.
    • 87 Metascore
    • 100 Andrew O'Hehir
    One of the greatest films of recent years.
    • 78 Metascore
    • 100 Andrew O'Hehir
    If you have the patience to watch this film develop and unfold, like some bizarre night-blooming orchid, what you'll see is not just the last movie released in 2012, but possibly the most original of them all.
    • 90 Metascore
    • 100 Andrew O'Hehir
    A work of tremendous confidence and dazzling showmanship that may just be a delirious movie-as-drug-high or may, if you choose to read it this way, contain a level of commentary about the nature of America and the illusioneering of Hollywood.
    • 84 Metascore
    • 100 Andrew O'Hehir
    Rapturous and hilarious.
    • 84 Metascore
    • 100 Andrew O'Hehir
    Old Joy is only 76 minutes long, but it has the contemplative power of Buddhist meditation. Reichardt gives us long, stoned takes of rural roads; shots of birds, insects and slugs in the spectacular Oregon rain forest; interludes with Mark's dog, Lucy. Some viewers may well be bored, or monumentally irritated, by this. I found it masterly, riveting.
    • 88 Metascore
    • 100 Andrew O'Hehir
    It might well be the most important film you see this year, and the most important documentary of this young century.
    • 81 Metascore
    • 100 Andrew O'Hehir
    More broadly this is a resonant, vivid and finally heartbreaking tale about the universal difficulty of marriage and the endless self-delusion of the human condition, driven by a trio of amazing dramatic performances.
    • 94 Metascore
    • 100 Andrew O'Hehir
    This is an unforgettable love story set at the close of day, as tragic and beautiful in its way as "Tristan und Isolde," and a portrait of the impossible beauty and fragility of life that will yield new experiences to every viewer and every viewing.
    • 79 Metascore
    • 100 Andrew O'Hehir
    The most powerful documentary I've seen all year, and one of the two or three best films ever made about an artist or musician.
    • 79 Metascore
    • 100 Andrew O'Hehir
    One of the best movies of the year.
    • 83 Metascore
    • 100 Andrew O'Hehir
    You don't have to know the first thing about modern dance to be transported to an alternate state of consciousness by Pina, which is utterly free of Wenders' cloying sentimentality (perhaps because it's an elegy for a dead friend) and might be the first of his films I've loved all the way through since his 1987 masterpiece, "Wings of Desire."
    • 89 Metascore
    • 100 Andrew O'Hehir
    As a rich and exuberant character-driven crime saga in an idiom you absolutely have not encountered before, and a dense, unsentimental portrayal of the collision between democracy, capitalism and gangsterism on the frayed margins of the post-colonial world, Gangs of Wasseypur is a signal achievement in 21st-century cinema.
    • 90 Metascore
    • 100 Andrew O'Hehir
    It's a highly original film made in a familiar context, and an exciting moviegoing experience you shouldn't miss.
    • 69 Metascore
    • 100 Andrew O'Hehir
    I also understood that while this movie is deliberately constructed so that almost nobody will “get it” or like it – and I’m not sure how I feel about that perversity – it’s a masterpiece despite that, or because of that or just anyway.
    • 55 Metascore
    • 100 Andrew O'Hehir
    Its too-muchness is also the source of its power; I was absolutely never bored, and felt surprised when the movie ended. It's an amazing, baffling, thrilling and (for many, it would appear) irritating experience, and for my money the most beautiful and distinctive big-screen vision of the year.
    • 84 Metascore
    • 100 Andrew O'Hehir
    Despite its clichéd elements, Dallas Buyers Club is a fierce celebration of the unpredictable power that belongs to the outcast, the despised, the pariah. That’s not a story of the ‘80s, it’s a story of always.
    • 93 Metascore
    • 100 Andrew O'Hehir
    For my money, the 33-year-old Isaac – who was born in Guatemala, raised in Florida, and has been working his way toward stardom for years – gives the year’s breakout performance, and Inside Llewyn Davis is one of the Coens’ richest, strangest and most potent films.
    • 81 Metascore
    • 100 Andrew O'Hehir
    Meryl Streep, Nicole Kidman and Julianne Moore bring dignity and Oscar-worthy performances to The Hours, a lovingly crafted meditation on death, loss and literature.
    • 88 Metascore
    • 100 Andrew O'Hehir
    Winter Sleep belongs alongside “Boyhood” and “Inherent Vice” on the short list of the most powerful films of 2014. Calling a film “good” or “important” is subjective, of course, but this isn’t: All three are reaching for the kind of cinematic transcendence that exceeds language, that weaves together various art forms into an ascending spiral of meaning that cannot finally be captured or defined.
    • 68 Metascore
    • 100 Andrew O'Hehir
    Jones, as always, knows what he’s doing. In only his second feature as a director, the laconic 68-year-old star has made a wrenching, relentless and anti-heroic western that stands among the year’s most powerful American films. Not everyone will like The Homesman, but if you see it you won’t soon forget it.
    • 82 Metascore
    • 100 Andrew O'Hehir
    It’s a moving and magnificently crafted story about a person named Steve Jobs who was brought low by pride and arrogance and then redeemed by love. It might be a story that mirrors our dreams and desires, which is what the real Steve Jobs did too, and in that sense maybe it’s indirectly about him. It’s definitely not about a guy who built and sold computers.
    • 77 Metascore
    • 100 Andrew O'Hehir
    It’s a gorgeous sound-and-vision journey through a mystical or mythical space that has echoes of the 1960s Paris of Godard and Truffaut and the 1980s New York of Jim Jarmusch.
    • 73 Metascore
    • 100 Andrew O'Hehir
    The most exciting action flick of the year, by a huge margin.
    • 91 Metascore
    • 100 Andrew O'Hehir
    Sarah Polley’s Stories We Tell is two or maybe three dangerous kinds of movies all at the same time, and handled so brilliantly that the result is a transformative, unforgettable work of art.
    • 87 Metascore
    • 100 Andrew O'Hehir
    As with the Antonioni film that Farhadi has so ingeniously turned to his purposes, you shouldn’t go see About Elly hoping for a Hitchcock-style thriller that will answer all your narrative questions. But if “L’Avventura” is a deliberately frustrating portrait of European postwar anomie and a study in abstract, black-and-white composition, About Elly is more dynamic and more realistic.
    • 82 Metascore
    • 100 Andrew O'Hehir
    You need to give Love Is Strange your eyes and ears and attention, let it work its effects on you gradually, like the lovely Chopin piano music that forms the spine of its soundtrack.
    • 67 Metascore
    • 100 Andrew O'Hehir
    A fascinating, mature, beautifully crafted work of art, from a director who continues to surprise us. Sofia Coppola has absorbed the Italian avant-garde more completely than her father ever did, and has made a film about celebrity in the vein of Antonioni and Bertolucci, a film about Hollywood in which she turns her back on it, possibly forever.
    • 83 Metascore
    • 90 Andrew O'Hehir
    Bruno Dumont's Hadewijch is one of two small-release art films this season that deliver nuanced and fascinating portraits of faith.

Top Trailers