For 1,274 reviews, this critic has graded:
  • 48% higher than the average critic
  • 2% same as the average critic
  • 50% lower than the average critic
On average, this critic grades 3 points higher than other critics. (0-100 point scale)

Ann Hornaday's Scores

  • Movies
  • TV
Average review score: 62
Highest review score: 100 The Descendants
Lowest review score: 0 Let's Be Cops
Score distribution:
1,274 movie reviews
    • 100 Metascore
    • 100 Ann Hornaday
    As a film that dares to honor small moments and the life they add up to, Boyhood isn’t just a masterpiece. It’s a miracle.
    • 98 Metascore
    • 100 Ann Hornaday
    With this film, del Toro seems to have created his manifesto, a tour de force of cautionary zeal, humanism and magic. At this writing, Pan's Labyrinth is the best-reviewed film of 2006 listed on the movie review Web site Metacritic.com, and for a reason: It's just that great.
    • 97 Metascore
    • 90 Ann Hornaday
    Anamaria Marinca delivers an utterly transfixing performance as Otilia, a young woman who helps a friend (Laura Vasiliu) obtain an illegal abortion in the waning days of Romania's communist Ceausescu regime.
    • 97 Metascore
    • 100 Ann Hornaday
    Intense, unflinching, bold in its simplicity and radical in its use of image, sound and staging, 12 Years a Slave in many ways is the defining epic so many have longed for to examine — if not cauterize — America’s primal wound.
    • 96 Metascore
    • 100 Ann Hornaday
    Thanks to Cuarón’s prodigious gifts, Gravity succeeds simultaneously as a simple classic shipwreck narrative (albeit at zero-gravity), and as an utterly breathtaking restoration of size and occasion to the movies themselves.
    • 95 Metascore
    • 100 Ann Hornaday
    The Social Network has understandably been compared to "Citizen Kane" in its depiction of a man who changes society through bending an emergent technology to his will.
    • 95 Metascore
    • 100 Ann Hornaday
    By and large, Zero Dark Thirty dispenses with sentimentality and speculation, portraying the final mission not with triumphalist zeal or rank emotionalism but with a reserved, even mournful sense of ambivalence.
    • 94 Metascore
    • 100 Ann Hornaday
    See Killer of Sheep, and see it again and again. It's one of those truly rare movies that just get better and better.
    • 94 Metascore
    • 100 Ann Hornaday
    When viewers are ultimately released from The Hurt Locker's exhilarating vice grip, they'll find themselves shaken, energized and, more than likely, eager to see it again.
    • 94 Metascore
    • 90 Ann Hornaday
    The greatness of The Battle of Algiers lies in its ability to embrace moral ambiguity without succumbing to it.
    • 94 Metascore
    • 100 Ann Hornaday
    Amour is a must-see film that not everyone must see, at least right now.
    • 92 Metascore
    • 100 Ann Hornaday
    This soulful, unabashedly lyrical film is best enjoyed by sinking into it like a sweet, sad dream. When you wake up, a mythical place and time will have disappeared forever. But you’ll know that attention — briefly, beautifully — has been paid.
    • 92 Metascore
    • 100 Ann Hornaday
    Thanks to Bauby's courageous and honest writing, and Schnabel's poetic interpretation, what could have been a portrait of impotence and suffering becomes a lively exploration of consciousness and a soaring ode to liberation.
    • 92 Metascore
    • 75 Ann Hornaday
    The French actor Alex Descas is mesmerizing in 35 Shots of Rum, where he plays a metro conductor.
    • 92 Metascore
    • 100 Ann Hornaday
    A searing, apocalyptic and finally breathtaking drama.
    • 92 Metascore
    • 75 Ann Hornaday
    Lasseter and his team plunge the audience into a collective case of empty- nest syndrome, with a dash of mortal terror thrown in for grins. And again, they make it work.
    • 91 Metascore
    • 90 Ann Hornaday
    Chomet's vision is singularly strange and somber, and one of enormous originality and promise.
    • 91 Metascore
    • 80 Ann Hornaday
    Preserves and resuscitates the hard-boiled genre.
    • 91 Metascore
    • 100 Ann Hornaday
    With its ingenious structure, seamless visual conceits and mordant humor, Stories We Tell is a masterful film on technical and aesthetic values alone. But because of the wisdom and compassion of its maker, it rises to another level entirely.
    • 91 Metascore
    • 75 Ann Hornaday
    Crammed, cheek to jowl, with bleak moments, high hopes, sweetness and naked emotion.
    • 90 Metascore
    • 88 Ann Hornaday
    Audiard delivers on and exceeds the promise he evinced in that earlier film, drawing viewers into the densely layered, ruthless ecology of a French prison and, against all odds, making them not mind staying there awhile.
    • 90 Metascore
    • 63 Ann Hornaday
    A tough movie to love.
    • 90 Metascore
    • 75 Ann Hornaday
    A glamorous, alluring entertainment that revels in the artifice of Hollywood while exposing its corrupt heart, L.A. Confidential pays stylish homage to some of the great film noirs of the distant and recent past.
    • 90 Metascore
    • 100 Ann Hornaday
    Her
    What’s surprising is that Jonze has taken what could easily have been a glib screwball comedy and infused it instead with wry, observant tenderness and deep feeling.
    • 90 Metascore
    • 100 Ann Hornaday
    The great joy of watching a Pixar production is how it rewards not only younger viewers but their older companions as well.
    • 90 Metascore
    • 80 Ann Hornaday
    Anything that inspires that many whoops, gasps and groans with only two actors and a few choice words has earned its place at the summertime box office trough.
    • 90 Metascore
    • 100 Ann Hornaday
    This smart, fanciful and brilliantly staged comedy takes a truly one-of-a-kind premise and makes it, of all things, a weirdly profound meditation on consciousness, identity, fame, gender and reality.
    • Baltimore Sun
    • 90 Metascore
    • 63 Ann Hornaday
    Has the sentiment and sweetness of a good coming-of-age movie but lacks the drive and pulse that makes for a great rock and roll movie.
    • Baltimore Sun
    • 90 Metascore
    • 90 Ann Hornaday
    United 93 unfolds with the terrible inevitability of a modern-day "Battle of Algiers," with Greengrass exerting superb control of tone, structure and pace...United 93 may be the best movie I ever hated.
    • 90 Metascore
    • 100 Ann Hornaday
    Jarecki has created a tour de force of narrative ambiguity, and in doing so has made one of the most honest reality shows ever.