For 1,293 reviews, this critic has graded:
  • 48% higher than the average critic
  • 2% same as the average critic
  • 50% lower than the average critic
On average, this critic grades 3.1 points higher than other critics. (0-100 point scale)

Ann Hornaday's Scores

  • Movies
  • TV
Average review score: 63
Highest review score: 100 Blue Is the Warmest Color
Lowest review score: 0 End of Days
Score distribution:
1,293 movie reviews
    • 51 Metascore
    • 30 Ann Hornaday
    Should have been a smart bit of cinematic froth but instead sinks like an overworked souffle.
    • 72 Metascore
    • 30 Ann Hornaday
    By the film's self-congratulatory final shot, Stevie has become less a portrait of a sorry young man's difficult life than the story of auteurist arrogance and self-deception run amok.
    • 69 Metascore
    • 30 Ann Hornaday
    Gator never emerges as anything but a blatant and outspoken -- and virulently brutal -- jerk.
    • 47 Metascore
    • 30 Ann Hornaday
    It winds up being tuneless, unfunny and, despite its strenuous efforts, not terribly sexy.
    • 38 Metascore
    • 30 Ann Hornaday
    So cheesy and cheap that it almost attains high camp.
    • 55 Metascore
    • 30 Ann Hornaday
    At once listless and overheated, giddy and utterly zipless, the current incarnation lacks not just the savoir-faire of its stylish predecessor but also the sex appeal.
    • 38 Metascore
    • 30 Ann Hornaday
    A retread of material already thoroughly plumbed by Martin Scorsese.
    • 52 Metascore
    • 30 Ann Hornaday
    It's piddling -- a hangdog little comedy with not enough laughs...its spirit rattles around inside it like a marble in an oil drum.
    • 52 Metascore
    • 30 Ann Hornaday
    It's a remarkable, if appalling, spectacle of self-abasement. But of course, that's Sandler's specialty.
    • 42 Metascore
    • 30 Ann Hornaday
    Has the tired, over-baked feeling of a script that never quite worked but was tinkered with until every ounce of spontaneity or life was hammered out of it.
    • 32 Metascore
    • 30 Ann Hornaday
    A stunningly inert piece of cinema, a movie that basically boils down to serial shots of people talking to each other.
    • 62 Metascore
    • 30 Ann Hornaday
    Maybe the easiest thing would be to skip the movie altogether. Godard has created such a hermetic, uncompromising world that only the hardiest cinematic spelunkers are likely to appreciate its depths.
    • 23 Metascore
    • 30 Ann Hornaday
    Not good enough to qualify as classic Gothic horror, not nearly fun enough to qualify as great B-movie camp.
    • 45 Metascore
    • 30 Ann Hornaday
    Another soundtrack-driven, disposable, not entirely objectionable teen movie.
    • 28 Metascore
    • 30 Ann Hornaday
    Doesn't orchestrate the scares with much finesse.
    • 73 Metascore
    • 30 Ann Hornaday
    Unrelentingly grim, unremittingly gross and unforgivably unattractive, 28 Days Later is an orgy of troubling images and bestial sound effects.
    • 58 Metascore
    • 30 Ann Hornaday
    Sadly, the filmmakers haven't given viewers enough context or information about their protagonist to know whether he's utterly free or utterly unmoored -– or to care very much either way.
    • 48 Metascore
    • 30 Ann Hornaday
    Two-hour exercise in chaotic action and coarse, annoyingly coy sexuality.
    • 54 Metascore
    • 30 Ann Hornaday
    Belabored, ostentatious, overlong behemoth.
    • 43 Metascore
    • 30 Ann Hornaday
    In a summer of surprisingly self-serious comic book movies" Lara Croft "stands out as being particularly humorless.
    • 42 Metascore
    • 30 Ann Hornaday
    Plays less like a novel re-imagining of a classic if campy narrative than a drearily self-conscious exercise in Know Your Film References.
    • 56 Metascore
    • 30 Ann Hornaday
    Sylvia plays it safe, and in doing so it becomes little more than just another domestic melodrama devoid of life and, of all things, poetry.
    • 38 Metascore
    • 30 Ann Hornaday
    An unsurprising, undistinguished piece of post-summer, pre-holiday detritus.
    • 28 Metascore
    • 30 Ann Hornaday
    One part historical drama and one part futuristic adventure, Timeline resembles a "Star Trek" episode by way of "Scooby-Doo."
    • 37 Metascore
    • 30 Ann Hornaday
    It evokes a warmed-over Fox TV special.
    • 45 Metascore
    • 30 Ann Hornaday
    Never gels into the smart, tightly orchestrated cat-and-mouse game that it promises to be.
    • 62 Metascore
    • 30 Ann Hornaday
    Viewers anticipating side-splitting guffaws will be disappointed: Stuck on You is a strangely lackluster, flaccid string of fitfully humorous episodes.
    • 46 Metascore
    • 30 Ann Hornaday
    An endless, virtually laugh-free pastiche of Aaron Sorkin by way of Aaron Spelling, Chasing Liberty features Mandy Moore trying so strenuously to be the next America's Sweetheart that she almost pops a vein.
    • 41 Metascore
    • 30 Ann Hornaday
    The loudest, trashiest, stupidest, cheesiest celebration of ritualized male aggression of 2004.
    • 36 Metascore
    • 30 Ann Hornaday
    A boilerplate melodrama whose good guys and bad guys are so baldly drawn they could have been conceived by Friz Freleng.

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