For 1,370 reviews, this critic has graded:
  • 48% higher than the average critic
  • 2% same as the average critic
  • 50% lower than the average critic
On average, this critic grades 2.8 points higher than other critics. (0-100 point scale)

Ann Hornaday's Scores

  • Movies
  • TV
Average review score: 63
Highest review score: 100 Amy
Lowest review score: 0 End of Days
Score distribution:
1,370 movie reviews
    • 57 Metascore
    • 60 Ann Hornaday
    Some viewers will miss the warmth and boisterous family dynamics of its predecessors.
    • 45 Metascore
    • 60 Ann Hornaday
    It's a warm, if pallid, romantic comedy that may not do much more to burnish Lopez's reputation, but will certainly not bruise it.
    • 58 Metascore
    • 60 Ann Hornaday
    Jagged, unrelenting, claustrophobically intimate.
    • 59 Metascore
    • 60 Ann Hornaday
    Consistently absorbing -- thanks in large part to strong performances from the actors -- but not particularly rewarding.
    • 60 Metascore
    • 60 Ann Hornaday
    The movie goes off the rails only when the filmmaker inadvertently legitimizes the Protocols' loony philosophical heirs by interviewing a New York medical examiner and a widow about the remains of one of 9/11's Jewish victims.
    • 52 Metascore
    • 60 Ann Hornaday
    It doesn't open up much new territory, except to eschew much of the dark, frank sexuality that has characterized such recent sexual coming-of-age movies as "Mysterious Skin." Instead, Bardwell offers a cheerful, if sometimes strenuously earnest, take on a subject that seems overdue for a lighthearted touch.
    • 66 Metascore
    • 60 Ann Hornaday
    A movie that soars whenever Child is on the screen and sags when Powell shows up.
    • 70 Metascore
    • 60 Ann Hornaday
    The first two-thirds of Joyeux Noel are strangely inert, but the film ends with a moving and surprisingly sophisticated meditation on the definition of moral duty.
    • 77 Metascore
    • 60 Ann Hornaday
    The film is ultimately too self-regarding, too smug to be transcendent itself.
    • 47 Metascore
    • 60 Ann Hornaday
    Admittedly, this is the stuff of lurid adolescent distraction, not great cinema. Jennifer's Body is strictly a niche item but provides a goofy, campy bookend to "Drag Me to Hell" on the B-movie shelf. Watch it, forget it, move on.
    • 53 Metascore
    • 58 Ann Hornaday
    As a tasteful take on a minor novel, Metroland is genteel enough, but it lacks the urgency and scope of a must-see movie. [07 May 1999]
    • Baltimore Sun
    • 72 Metascore
    • 50 Ann Hornaday
    Pirouettes along a beguiling but treacherous line between horror and whimsy.
    • 60 Metascore
    • 50 Ann Hornaday
    With its shambling, felicitously contrived structure and Fellini-esque climax, it's some kind of Jungian slacker fable.
    • 45 Metascore
    • 50 Ann Hornaday
    At once daring and hackneyed, absorbing and off-putting, a triumph of one sort and, more lastingly, a failure of another.
    • 46 Metascore
    • 50 Ann Hornaday
    An unobjectionable if uninspired updating of a classic family story for the minivan generation.
    • 79 Metascore
    • 50 Ann Hornaday
    Never lets viewers fully inside Erik and Paul's world, a reticence that isn't helped by the actors' fey, restrained-to-a-fault performances. That and a frustratingly episodic structure make what might have been a raw and inspiring portrait of commitment and boundaries a surprisingly uninvolving, arms-length enterprise. Keep the Lights On lets go just when it should be holding you tighter.
    • 58 Metascore
    • 50 Ann Hornaday
    Trouble With the Curve presents viewers with a frustrating change-up: What promised to be a modest, refreshingly unforced little comedy turns out to be low energy to a fault.
    • 34 Metascore
    • 50 Ann Hornaday
    Ferrell and Hart have a genial, easygoing chemistry and Get Hard manages to score more than a few good points about facile assumptions and toxic hypocrisy.
    • 41 Metascore
    • 50 Ann Hornaday
    Dogs and the women who love them form the warm and gooey center of Darling Companion, Lawrence Kasdan's fitfully amusing comedy-drama.
    • 65 Metascore
    • 50 Ann Hornaday
    Read like a long, anguished prayer, but on screen it looks an awful lot like blasphemy.
    • Baltimore Sun
    • 71 Metascore
    • 50 Ann Hornaday
    Whether the entire production comes off as classy or cloying depends entirely on the viewer's mood.
    • 45 Metascore
    • 50 Ann Hornaday
    Both lead players are appealing and attractive enough to make an otherwise tepid movie at least un-excruciating.
    • 77 Metascore
    • 50 Ann Hornaday
    Let's get it out, loud and clear: Jerry Maguire is not a sports movie. It's a stealth chick movie, wrapped in a swaddling of jock stuff so that it gets through guy radar without setting off the missile defenses.
    • 60 Metascore
    • 50 Ann Hornaday
    Magic Mike XXL tries mightily — if unsuccessfully — to match its predecessor’s stature as a camp classic, the epitome of trashy summer fun for the whole pansexual, polymorphously perverse, omni-libidinous family.
    • 45 Metascore
    • 50 Ann Hornaday
    High-grade cheese, the sort of highly pitched melodrama that in the 1950s would have been the stuff of a lurid, lavishly staged Douglas Sirk picture.
    • 66 Metascore
    • 50 Ann Hornaday
    Partridge is such a fatuous, superficial figure that the trick is to make him palatable enough to sustain interest for more than an hour. The filmmakers meet with uneven success.
    • 46 Metascore
    • 50 Ann Hornaday
    The most controversial thriller of the year turns out to be about as exciting as watching your parents play Sudoku.
    • 31 Metascore
    • 50 Ann Hornaday
    One of those cinematic curiosities that almost always fade quickly, but that will usually find a devoted cult audience once it hits that peculiar Elysian Field known as the aftermarket.
    • 61 Metascore
    • 50 Ann Hornaday
    There’s no doubt that Villeneuve can make a movie; he’s developed a strong cinematic voice. It’s tantalizing to imagine what he could do with a really fine story.
    • 62 Metascore
    • 50 Ann Hornaday
    It's all too zany and madcap and Woody Allen-redux to be remotely credible, but Ira & Abby turns out to be witty and winning, in large part because of its cast.

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