For 1,299 reviews, this critic has graded:
  • 48% higher than the average critic
  • 2% same as the average critic
  • 50% lower than the average critic
On average, this critic grades 3.2 points higher than other critics. (0-100 point scale)

Ann Hornaday's Scores

  • Movies
  • TV
Average review score: 63
Highest review score: 100 Visitors
Lowest review score: 0 Whatever Works
Score distribution:
1,299 movie reviews
    • 100 Metascore
    • 100 Ann Hornaday
    As a film that dares to honor small moments and the life they add up to, Boyhood isn’t just a masterpiece. It’s a miracle.
    • 98 Metascore
    • 100 Ann Hornaday
    With this film, del Toro seems to have created his manifesto, a tour de force of cautionary zeal, humanism and magic. At this writing, Pan's Labyrinth is the best-reviewed film of 2006 listed on the movie review Web site Metacritic.com, and for a reason: It's just that great.
    • 97 Metascore
    • 90 Ann Hornaday
    Anamaria Marinca delivers an utterly transfixing performance as Otilia, a young woman who helps a friend (Laura Vasiliu) obtain an illegal abortion in the waning days of Romania's communist Ceausescu regime.
    • 97 Metascore
    • 100 Ann Hornaday
    Intense, unflinching, bold in its simplicity and radical in its use of image, sound and staging, 12 Years a Slave in many ways is the defining epic so many have longed for to examine — if not cauterize — America’s primal wound.
    • 96 Metascore
    • 100 Ann Hornaday
    Thanks to Cuarón’s prodigious gifts, Gravity succeeds simultaneously as a simple classic shipwreck narrative (albeit at zero-gravity), and as an utterly breathtaking restoration of size and occasion to the movies themselves.
    • 95 Metascore
    • 100 Ann Hornaday
    The Social Network has understandably been compared to "Citizen Kane" in its depiction of a man who changes society through bending an emergent technology to his will.
    • 95 Metascore
    • 100 Ann Hornaday
    By and large, Zero Dark Thirty dispenses with sentimentality and speculation, portraying the final mission not with triumphalist zeal or rank emotionalism but with a reserved, even mournful sense of ambivalence.
    • 94 Metascore
    • 100 Ann Hornaday
    See Killer of Sheep, and see it again and again. It's one of those truly rare movies that just get better and better.
    • 94 Metascore
    • 100 Ann Hornaday
    When viewers are ultimately released from The Hurt Locker's exhilarating vice grip, they'll find themselves shaken, energized and, more than likely, eager to see it again.
    • 94 Metascore
    • 90 Ann Hornaday
    The greatness of The Battle of Algiers lies in its ability to embrace moral ambiguity without succumbing to it.
    • 94 Metascore
    • 100 Ann Hornaday
    Amour is a must-see film that not everyone must see, at least right now.
    • 92 Metascore
    • 100 Ann Hornaday
    This soulful, unabashedly lyrical film is best enjoyed by sinking into it like a sweet, sad dream. When you wake up, a mythical place and time will have disappeared forever. But you’ll know that attention — briefly, beautifully — has been paid.
    • 92 Metascore
    • 100 Ann Hornaday
    Thanks to Bauby's courageous and honest writing, and Schnabel's poetic interpretation, what could have been a portrait of impotence and suffering becomes a lively exploration of consciousness and a soaring ode to liberation.
    • 92 Metascore
    • 100 Ann Hornaday
    A searing, apocalyptic and finally breathtaking drama.
    • 91 Metascore
    • 90 Ann Hornaday
    Chomet's vision is singularly strange and somber, and one of enormous originality and promise.
    • 91 Metascore
    • 100 Ann Hornaday
    With its ingenious structure, seamless visual conceits and mordant humor, Stories We Tell is a masterful film on technical and aesthetic values alone. But because of the wisdom and compassion of its maker, it rises to another level entirely.
    • 90 Metascore
    • 88 Ann Hornaday
    Audiard delivers on and exceeds the promise he evinced in that earlier film, drawing viewers into the densely layered, ruthless ecology of a French prison and, against all odds, making them not mind staying there awhile.
    • 90 Metascore
    • 100 Ann Hornaday
    Her
    What’s surprising is that Jonze has taken what could easily have been a glib screwball comedy and infused it instead with wry, observant tenderness and deep feeling.
    • 90 Metascore
    • 100 Ann Hornaday
    The great joy of watching a Pixar production is how it rewards not only younger viewers but their older companions as well.
    • 90 Metascore
    • 100 Ann Hornaday
    This smart, fanciful and brilliantly staged comedy takes a truly one-of-a-kind premise and makes it, of all things, a weirdly profound meditation on consciousness, identity, fame, gender and reality.
    • Baltimore Sun
    • 90 Metascore
    • 90 Ann Hornaday
    United 93 unfolds with the terrible inevitability of a modern-day "Battle of Algiers," with Greengrass exerting superb control of tone, structure and pace...United 93 may be the best movie I ever hated.
    • 90 Metascore
    • 100 Ann Hornaday
    Jarecki has created a tour de force of narrative ambiguity, and in doing so has made one of the most honest reality shows ever.
    • 90 Metascore
    • 88 Ann Hornaday
    The warmth that courses through American Hustle makes it irresistible, with Russell’s affection for his characters and his sharp-eyed evocation of their recessionary times, honoring their struggle, however dishonest, rather than denigrating it.
    • 89 Metascore
    • 100 Ann Hornaday
    The Act of Killing is a must-see.
    • 89 Metascore
    • 100 Ann Hornaday
    Thanks to Marsh's sensitive storytelling, Man on Wire manages to put Petit's performance into another, more ineffable realm: What began as a caper turned into poetry, and poetry became a prayer.
    • 89 Metascore
    • 100 Ann Hornaday
    The result is a perfect combination of slapstick and satire, a Platonic ideal of high-and lowbrow that manages to appeal to our basest common denominators while brilliantly skewering racism, anti-Semitism, sexism and that peculiarly American affliction: we're-number-one-ism.
    • 89 Metascore
    • 100 Ann Hornaday
    The bravura gestures work gorgeously in Birdman, as does the humor, which playfully balances the film’s most mystical, contemplative ideas with a steady stream of inside jokes and well-calibrated shifts in tone and dynamics.
    • 89 Metascore
    • 100 Ann Hornaday
    Goodbye Solo is visually simple and stunning, especially the haunting nightscapes of Solo's perambulations. But more important, Goodbye Solo is driven by deep feeling and sensitivity. Don't miss it.
    • 89 Metascore
    • 88 Ann Hornaday
    The Artist is anything but mute, with a lush orchestral score and a little sonic wink at the the end; fewer movies this year reward listening - and watching - so lavishly.
    • 89 Metascore
    • 90 Ann Hornaday
    Ingenious, exhilarating, funny and profound.

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