For 1,272 reviews, this critic has graded:
  • 48% higher than the average critic
  • 2% same as the average critic
  • 50% lower than the average critic
On average, this critic grades 3 points higher than other critics. (0-100 point scale)

Ann Hornaday's Scores

  • Movies
  • TV
Average review score: 62
Highest review score: 100 The Queen of Versailles
Lowest review score: 0 Tideland
Score distribution:
1,272 movie reviews
    • 90 Metascore
    • 88 Ann Hornaday
    The warmth that courses through American Hustle makes it irresistible, with Russell’s affection for his characters and his sharp-eyed evocation of their recessionary times, honoring their struggle, however dishonest, rather than denigrating it.
    • 89 Metascore
    • 100 Ann Hornaday
    The Act of Killing is a must-see.
    • 89 Metascore
    • 100 Ann Hornaday
    Thanks to Marsh's sensitive storytelling, Man on Wire manages to put Petit's performance into another, more ineffable realm: What began as a caper turned into poetry, and poetry became a prayer.
    • 89 Metascore
    • 75 Ann Hornaday
    Ida
    Each and every detail accrues to create a vivid, unforgettable portrait, and all are absorbed and reflected by Anna, portrayed by Trzebuchowska with the transparency and wonder of a woman for whom not just history but secular life itself is almost totally abstract.
    • 89 Metascore
    • 100 Ann Hornaday
    The result is a perfect combination of slapstick and satire, a Platonic ideal of high-and lowbrow that manages to appeal to our basest common denominators while brilliantly skewering racism, anti-Semitism, sexism and that peculiarly American affliction: we're-number-one-ism.
    • 89 Metascore
    • 100 Ann Hornaday
    Goodbye Solo is visually simple and stunning, especially the haunting nightscapes of Solo's perambulations. But more important, Goodbye Solo is driven by deep feeling and sensitivity. Don't miss it.
    • 89 Metascore
    • 88 Ann Hornaday
    The Artist is anything but mute, with a lush orchestral score and a little sonic wink at the the end; fewer movies this year reward listening - and watching - so lavishly.
    • 89 Metascore
    • 90 Ann Hornaday
    Ingenious, exhilarating, funny and profound.
    • 88 Metascore
    • 80 Ann Hornaday
    Even the uninitiated will be hard-pressed to resist the movie's charms, from its likable leading players and its charming Dublin setting to its wistful take on modern love.
    • 88 Metascore
    • 100 Ann Hornaday
    Hours, even days later, they may find themselves thinking of Adèle and wondering how she’s doing — only then realizing how completely this fictional but very real creation has winnowed her way into their hearts and minds. That’s great acting. It’s great art. And that’s why Blue Is the Warmest Color is a great movie.
    • 88 Metascore
    • 100 Ann Hornaday
    Rarely has love at any age been depicted so honestly on screen. For such a fully realized portrait to be created by a 28-year-old first-time director is even more remarkable.
    • 88 Metascore
    • 90 Ann Hornaday
    Mafioso may have been made in another era, but it stands as a classy, even radical rebuke to the film school posers who keep recycling the same tired gangster tropes.
    • 88 Metascore
    • 100 Ann Hornaday
    This is an example of a writer and director working in perfect harness, with Reed smoothly ratcheting up the story's suspense and Greene speculating on his cardinal theme of moral ambiguity. They don't make movies like The Fallen Idol anymore, all the more reason to see it now while you can.
    • 88 Metascore
    • 88 Ann Hornaday
    If you think you've absorbed all you could about subprime mortgages, credit default swaps and the arcana of elaborate derivatives, think again. Inside Job traces the history of the crisis and its implications with exceptional lucidity, rigor and righteous indignation.
    • 88 Metascore
    • 90 Ann Hornaday
    If Kelly felt it necessary to add the new material, that's all to the good. It just means there's more to love.
    • 88 Metascore
    • 75 Ann Hornaday
    That rare kids' movie that may be even more entertaining for its intended audience's adult companions.
    • Baltimore Sun
    • 88 Metascore
    • 88 Ann Hornaday
    It's the kind of absorbing, attractive, unfailingly tasteful enterprise that a critic can recommend without caveat.
    • 88 Metascore
    • 100 Ann Hornaday
    Up
    The result is a soaring, touching, funny and altogether buoyant movie that lives up to its title in spirit and in form.
    • 88 Metascore
    • 75 Ann Hornaday
    A compulsively arranged sacher torte of a movie, an elegant mousetrap of stories-within-stories that invokes history with a temperament ranging from winsome to deeply mournful.
    • 88 Metascore
    • 100 Ann Hornaday
    Prove(s) once again how ingenious, artful and flat-out entertaining animation can be.
    • 88 Metascore
    • 90 Ann Hornaday
    The kids in Nobody Knows are most decidedly not crazy, and we come to care for them to an almost excruciating degree.
    • 87 Metascore
    • 80 Ann Hornaday
    Like all the Dardennes' films, L'Enfant is a vivid, Dickensian report from the most dispossessed precincts of society. But the film concludes on an optimistic note, at least for the Dardennes. It's still the worst of times, the filmmakers seem to suggest, but we're still capable of humanity, if not hope.
    • 87 Metascore
    • 100 Ann Hornaday
    In Kennedy’s scrupulous, adroit hands, Last Days in Vietnam plays like a wartime thriller, with heroes engaging in jaw- dropping feats of ingenuity and derring do.
    • 87 Metascore
    • 75 Ann Hornaday
    You may not have agreed with Ebert’s reviews — you may not have thought he was such a nice guy. But if you aren’t moved by Life Itself, you ought to have your heart examined.
    • 87 Metascore
    • 90 Ann Hornaday
    Gromit's every facial move -- every grimace, scowl, eye-roll and glance askance -- is sublime.
    • Washington Post
    • 87 Metascore
    • 100 Ann Hornaday
    Chandor’s attention to detail, and the expressiveness and utter believability with which Redford goes about the anything-but-mundane business of surviving, make All Is Lost a technically dazzling, emotionally absorbing, often unexpectedly beautiful experience.
    • 87 Metascore
    • 90 Ann Hornaday
    A gripping, deeply moving film
    • 87 Metascore
    • 90 Ann Hornaday
    Koltai is an accomplished, Oscar-nominated cinematographer (for 2000's "Malena"), and Fateless is meticulously composed and shot.
    • 87 Metascore
    • 70 Ann Hornaday
    Brokeback Mountain possesses handsome and sympathetic lead players, magnificent scenery, heartbreaking melodrama, righteousness and cultural import. But as a testament to the importance of following one's passion, it's devoid of one crucial thing: passion.
    • 87 Metascore
    • 100 Ann Hornaday
    Leery filmgoers can exhale: The Kid With a Bike may hew faithfully to the Dardennes' house style of spare, lucid storytelling. But without giving anything away, let's just say that with this simple, deeply affecting tale, they never set out to break your heart.