For 1,345 reviews, this critic has graded:
  • 48% higher than the average critic
  • 2% same as the average critic
  • 50% lower than the average critic
On average, this critic grades 3 points higher than other critics. (0-100 point scale)

Ann Hornaday's Scores

  • Movies
  • TV
Average review score: 63
Highest review score: 100 Seymour: An Introduction
Lowest review score: 0 Splice
Score distribution:
1,345 movie reviews
    • 87 Metascore
    • 80 Ann Hornaday
    Like all the Dardennes' films, L'Enfant is a vivid, Dickensian report from the most dispossessed precincts of society. But the film concludes on an optimistic note, at least for the Dardennes. It's still the worst of times, the filmmakers seem to suggest, but we're still capable of humanity, if not hope.
    • 87 Metascore
    • 100 Ann Hornaday
    Hypnotically absorbing film.
    • 87 Metascore
    • 90 Ann Hornaday
    Gromit's every facial move -- every grimace, scowl, eye-roll and glance askance -- is sublime.
    • Washington Post
    • 87 Metascore
    • 100 Ann Hornaday
    Chandor’s attention to detail, and the expressiveness and utter believability with which Redford goes about the anything-but-mundane business of surviving, make All Is Lost a technically dazzling, emotionally absorbing, often unexpectedly beautiful experience.
    • 87 Metascore
    • 90 Ann Hornaday
    A gripping, deeply moving film
    • 87 Metascore
    • 90 Ann Hornaday
    Koltai is an accomplished, Oscar-nominated cinematographer (for 2000's "Malena"), and Fateless is meticulously composed and shot.
    • 87 Metascore
    • 70 Ann Hornaday
    Brokeback Mountain possesses handsome and sympathetic lead players, magnificent scenery, heartbreaking melodrama, righteousness and cultural import. But as a testament to the importance of following one's passion, it's devoid of one crucial thing: passion.
    • 87 Metascore
    • 100 Ann Hornaday
    Leery filmgoers can exhale: The Kid With a Bike may hew faithfully to the Dardennes' house style of spare, lucid storytelling. But without giving anything away, let's just say that with this simple, deeply affecting tale, they never set out to break your heart.
    • 87 Metascore
    • 75 Ann Hornaday
    The performances are consistently first-rate from a cast of appealing actors who slip effortlessly into Farhadi’s naturalistic aesthetic scheme, which seems utterly unforced even at its most intricately staged.
    • 87 Metascore
    • 75 Ann Hornaday
    With its heartening final note of hope and renewal, Deathly Hallows -- Part 2 provides an altogether fitting finale to a series that has prized the fans above all.
    • 87 Metascore
    • 75 Ann Hornaday
    You may not have agreed with Ebert’s reviews — you may not have thought he was such a nice guy. But if you aren’t moved by Life Itself, you ought to have your heart examined.
    • 87 Metascore
    • 63 Ann Hornaday
    As a meticulously composed piece of contemporary gothic, The Duke of Burgundy is exquisite to look at, but it succeeds best as a human drama, and a searching investigation of how to ask for what you want — and maybe even getting it in the end.
    • 87 Metascore
    • 88 Ann Hornaday
    Hard to take in its particulars.
    • 87 Metascore
    • 100 Ann Hornaday
    Like a cold beer under a bluebird sky; like a flawless line drive on a warm summer's day; like a long, languorous seventh-inning stretch - Moneyball satisfies.
    • 87 Metascore
    • 88 Ann Hornaday
    A must-see for any student of history, political rhetoric and film poetics at their most vagrant and revelatory.
    • 87 Metascore
    • 75 Ann Hornaday
    Almodovar has created an ecstatic homage to the women who have inspired him all his life.
    • Baltimore Sun
    • 87 Metascore
    • 100 Ann Hornaday
    A big, fat old-fashioned gush of passion as drawn through a post-modernist prism that makes it less easily comprehensible but more beguiling.
    • Baltimore Sun
    • 87 Metascore
    • 100 Ann Hornaday
    Force Majeure leaves the audience squirming — in all the very best ways.
    • 86 Metascore
    • 100 Ann Hornaday
    Instead of a grand tableau vivant that lays out the great man and his great deeds like so many too-perfect pieces of waxed fruit, Spielberg brings the leader and viewers down to ground level.
    • 86 Metascore
    • 88 Ann Hornaday
    Emerges as the summer's first true must-see film, required viewing for everyone, but especially audiences in Washington.
    • 86 Metascore
    • 100 Ann Hornaday
    Only someone with intimate knowledge of the Midwest’s singular cadences, social codes and confounding emotional stew (er, covered hot dish) of aggression and politesse could pull off something as masterful, meaningful and poetic as Nebraska.
    • 86 Metascore
    • 90 Ann Hornaday
    Like all good fairy tales, this outsize celebration of perseverance and moral triumph contains within it a deeper idea -- in this case, the relative nature of what we think we know, and what's worth knowing at all. No doubt Dickens himself would approve.
    • 86 Metascore
    • 90 Ann Hornaday
    The heart of Million Dollar Baby lies in the core relationships among Frankie, Maggie and Scrap, friendships so pure, so genuine, so authentic that it takes actors of Eastwood's, Swank's and Freeman's caliber to sell them in this otherwise cynical world.
    • 86 Metascore
    • 75 Ann Hornaday
    An engaging yarn and a moving character study, but it's also a sweet, sad glimpse of everyone's future.
    • 86 Metascore
    • 100 Ann Hornaday
    In Kennedy’s scrupulous, adroit hands, Last Days in Vietnam plays like a wartime thriller, with heroes engaging in jaw- dropping feats of ingenuity and derring do.
    • 86 Metascore
    • 75 Ann Hornaday
    Arrives as the perfect midsummer movie, a comedy about a flawed-but-functional family that, like "Toy Story 3," captures the drama of growth and separation in all its exhilaration and heartache.
    • 86 Metascore
    • 63 Ann Hornaday
    Too sketchy about her protagonist's interior life, and too fast and loose with the details of this story, to make much of an impact beyond its initial shock.
    • Baltimore Sun
    • 86 Metascore
    • 88 Ann Hornaday
    He (Herzog) emerged with a breathtaking tour of art that, in its formal sophistication, dynamism and rhythmic lines, looks as bold and new as Cezanne's work must have looked in the 1860s.
    • 86 Metascore
    • 50 Ann Hornaday
    Scrappy and unsubtle where "We Were Here" is elegant and nuanced, How to Survive a Plague isn't nearly as formally beautiful as its predecessor.
    • 86 Metascore
    • 90 Ann Hornaday
    Ten
    Kiarostami has been hailed as the premier humanist filmmaker at work in a larger Iranian cinematic renaissance, and all his formal signatures are on view here -- the small, intimate canvas, the loose, improvised air of the performances, the absence of an authoritarian directorial hand.

Top Trailers