For 1,306 reviews, this critic has graded:
  • 49% higher than the average critic
  • 2% same as the average critic
  • 49% lower than the average critic
On average, this critic grades 3.3 points higher than other critics. (0-100 point scale)

Ann Hornaday's Scores

  • Movies
  • TV
Average review score: 63
Highest review score: 100 Titanic
Lowest review score: 0 Tammy
Score distribution:
1,306 movie reviews
    • 82 Metascore
    • 100 Ann Hornaday
    Monsieur Lazhar resembles a clear, clean glass of water: transparent, utterly devoid of gratuitous flavorings or frou-frou, and all the more bracing and essential for it.
    • 82 Metascore
    • 75 Ann Hornaday
    While its themes of revenge, mutual resentment and grim fatalism offer little hope for a ready solutions, the movie itself testifies to the power of creative collaboration in finding common ground.
    • 82 Metascore
    • 88 Ann Hornaday
    Although Ralston's act of desperation is admittedly difficult to watch, viewers who might avoid the film out of squeamishness would be depriving themselves of one of the year's most exhilarating cinematic experiences.
    • 82 Metascore
    • 80 Ann Hornaday
    A crafty, swift, subtly stylish thriller.
    • 82 Metascore
    • 75 Ann Hornaday
    Short Term 12 is that rare movie gutsy enough to tell the truth about love: that it’s not a poetic longing or a magical-thinking happy ending, but a skill. And, the film suggests, we all have the capacity to learn it.
    • 82 Metascore
    • 100 Ann Hornaday
    A film of rare intelligence, beauty and compassion.
    • 82 Metascore
    • 100 Ann Hornaday
    An exuberant, raucous and thoroughly endearing comedy
    • 82 Metascore
    • 100 Ann Hornaday
    The writing is so musical, so attuned to human frailty and aspiration, that I defy anyone to watch the movie without smiling — with amusement one minute, rueful recognition the next, but probably always with some measure of simple, undiluted delight.
    • 82 Metascore
    • 100 Ann Hornaday
    McQueen has taken the raw materials of filmmaking and committed an act of great art.
    • 82 Metascore
    • 88 Ann Hornaday
    Have you ever been trapped in the back seat of a car while the old married couple up front bickers and banters for hours? It's either sheer torture or, if the couple happens to be Steve Coogan and Rob Brydon, wildly entertaining.
    • 82 Metascore
    • 40 Ann Hornaday
    Put delicately, this is one long sit, made all the more so by a turgid story, a dour visual palette and uninspiring action.
    • 82 Metascore
    • 90 Ann Hornaday
    This uncommonly intelligent thriller evokes the great films of the 1970s ("All the President's Men," "Klute," "Three Days of the Condor") that managed to elicit gritty urban realism while maintaining a suave sense of style and moral complexity.
    • 82 Metascore
    • 80 Ann Hornaday
    Has important things to tell viewers about global politics, and in an eerily resonant way.
    • 82 Metascore
    • 100 Ann Hornaday
    This audacious hybrid of cinematic styles is pure entertainment.
    • 82 Metascore
    • 100 Ann Hornaday
    Le Havre is a playful parable that conveys profound truths about compassion, humility and sacrifice. It offers proof that miracles do happen - especially in Kaurismaki's lyrically hardscrabble neighborhood.
    • 82 Metascore
    • 90 Ann Hornaday
    Made with uncommon skill and assurance, the film never succumbs to rank sentimentality, but it manages to get at the nuances of human relationships.
    • 82 Metascore
    • 80 Ann Hornaday
    Late Marriage is a closely observed, somewhat funny, ultimately very sad movie.
    • 82 Metascore
    • 75 Ann Hornaday
    An absorbing glimpse not only at the phenomenon of punk rock but also at British social history and the rock star mystique.
    • Baltimore Sun
    • 82 Metascore
    • 70 Ann Hornaday
    Combines the derring-do of classic adventure tales with far more serious issues of moral agency. And it serves as a haunting reminder to seek joy and beauty, even in the depths of despair.
    • 81 Metascore
    • 90 Ann Hornaday
    Gets viewers inside these tense, emotional and occasionally terrifying events with immediacy and, given the confusion of the time, remarkable clarity.
    • 81 Metascore
    • 90 Ann Hornaday
    Guest has proven to be this era's master of humanist satire.
    • 81 Metascore
    • 75 Ann Hornaday
    An elegant romantic thriller adapted from a novel of the same name, is a terrific film.
    • 81 Metascore
    • 75 Ann Hornaday
    Admittedly, Top Five suffers from its share of too-convenient contrivances and clunky passages... But Top Five is also buoyantly self- sustaining, thanks in part to Rock and Dawson’s easy, convincingly seductive chemistry and some genuinely hilarious surprises.
    • 81 Metascore
    • 75 Ann Hornaday
    Writer-director Derek Cianfrance, who with Blue Valentine makes an astonishing debut.
    • 81 Metascore
    • 75 Ann Hornaday
    The movie dazzles with its slick lines, but there's a situational intelligence at play too -- little vignettes involving minor characters are begun at one wedding and then evolve into major events at the next.
    • Baltimore Sun
    • 81 Metascore
    • 63 Ann Hornaday
    Not nearly as accomplished narratively as it is visually.
    • 81 Metascore
    • 100 Ann Hornaday
    Locke is so distilled, such a pure example of cinematic storytelling, that it almost feels abstract.
    • 81 Metascore
    • 90 Ann Hornaday
    The best advice to filmgoers who appreciate smart, mature, humanist movies is, simply, Go.
    • 81 Metascore
    • 100 Ann Hornaday
    Foxcatcher exerts a mesmerizing pull, not only because it affords the chance to witness three fine actors working at the height of their powers, but also because it so steadfastly resists the urge to clutter up empty space with the filigree of gratuitous imagery and chatter.
    • 81 Metascore
    • 70 Ann Hornaday
    No one can deny the powerful reality that weaves its way through Bamako.

Top Trailers