For 1,535 reviews, this critic has graded:
  • 47% higher than the average critic
  • 2% same as the average critic
  • 51% lower than the average critic
On average, this critic grades 2 points higher than other critics. (0-100 point scale)

Ann Hornaday's Scores

  • Movies
  • TV
Average review score: 64
Highest review score: 100 Pan's Labyrinth
Lowest review score: 0 Zoolander 2
Score distribution:
1535 movie reviews
    • 82 Metascore
    • 80 Ann Hornaday
    Has important things to tell viewers about global politics, and in an eerily resonant way.
    • 82 Metascore
    • 100 Ann Hornaday
    This audacious hybrid of cinematic styles is pure entertainment.
    • 82 Metascore
    • 100 Ann Hornaday
    You know a filmmaker is in supreme command of her medium when what she creates feels less like a movie than a candid glimpse of ongoing lives that will continue to play out long after the lights have come on.
    • 82 Metascore
    • 100 Ann Hornaday
    Le Havre is a playful parable that conveys profound truths about compassion, humility and sacrifice. It offers proof that miracles do happen - especially in Kaurismaki's lyrically hardscrabble neighborhood.
    • 82 Metascore
    • 90 Ann Hornaday
    Made with uncommon skill and assurance, the film never succumbs to rank sentimentality, but it manages to get at the nuances of human relationships.
    • 82 Metascore
    • 75 Ann Hornaday
    Attention is duly paid in this tender and touching film; the strangest thing about Love Is Strange is how completely un-strange it is, from its familiar family dynamics to its exquisite honesty and compassion.
    • 82 Metascore
    • 80 Ann Hornaday
    Late Marriage is a closely observed, somewhat funny, ultimately very sad movie.
    • 82 Metascore
    • 75 Ann Hornaday
    An absorbing glimpse not only at the phenomenon of punk rock but also at British social history and the rock star mystique.
    • Baltimore Sun
    • 82 Metascore
    • 70 Ann Hornaday
    Combines the derring-do of classic adventure tales with far more serious issues of moral agency. And it serves as a haunting reminder to seek joy and beauty, even in the depths of despair.
    • 81 Metascore
    • 90 Ann Hornaday
    Gets viewers inside these tense, emotional and occasionally terrifying events with immediacy and, given the confusion of the time, remarkable clarity.
    • 81 Metascore
    • 90 Ann Hornaday
    Guest has proven to be this era's master of humanist satire.
    • 81 Metascore
    • 75 Ann Hornaday
    Muted, measured and meditative, Arrival brings taste and restraint to a genre in the midst of a mini golden age: It comes in peace.
    • 81 Metascore
    • 75 Ann Hornaday
    Writer-director Derek Cianfrance, who with Blue Valentine makes an astonishing debut.
    • 81 Metascore
    • 75 Ann Hornaday
    The movie dazzles with its slick lines, but there's a situational intelligence at play too -- little vignettes involving minor characters are begun at one wedding and then evolve into major events at the next.
    • Baltimore Sun
    • 81 Metascore
    • 63 Ann Hornaday
    Not nearly as accomplished narratively as it is visually.
    • 81 Metascore
    • 75 Ann Hornaday
    Admittedly, Top Five suffers from its share of too-convenient contrivances and clunky passages... But Top Five is also buoyantly self- sustaining, thanks in part to Rock and Dawson’s easy, convincingly seductive chemistry and some genuinely hilarious surprises.
    • 81 Metascore
    • 100 Ann Hornaday
    Locke is so distilled, such a pure example of cinematic storytelling, that it almost feels abstract.
    • 81 Metascore
    • 75 Ann Hornaday
    Bridge of Spies expands from being a smart, engrossing procedural to a carefully observed character study of Donovan, a particularly intriguing, heretofore overlooked American figure.
    • 81 Metascore
    • 90 Ann Hornaday
    The best advice to filmgoers who appreciate smart, mature, humanist movies is, simply, Go.
    • 81 Metascore
    • 100 Ann Hornaday
    Foxcatcher exerts a mesmerizing pull, not only because it affords the chance to witness three fine actors working at the height of their powers, but also because it so steadfastly resists the urge to clutter up empty space with the filigree of gratuitous imagery and chatter.
    • 81 Metascore
    • 70 Ann Hornaday
    No one can deny the powerful reality that weaves its way through Bamako.
    • 81 Metascore
    • 75 Ann Hornaday
    It's the talk...and the extraordinarily expressive faces of those who do the talking, that accounts for its engrossing, enchanting powers.
    • Baltimore Sun
    • 81 Metascore
    • 100 Ann Hornaday
    You know you're in the hands of a superbly gifted filmmaker when he can pull off a talking dog.
    • 81 Metascore
    • 80 Ann Hornaday
    That rare, genuinely transporting movie that creates an alternate universe, invites the audience in and lets them sink ever deeper into its particular, sublime reverie.
    • 47 Metascore
    • 63 Ann Hornaday
    The best reason to see 44 Inch Chest is simply to behold some of the finest actors working today, especially Winstone -- who can embody winsomeness and menace in one sweaty, unkempt glance -- and the woefully underemployed Dillane.
    • 81 Metascore
    • 88 Ann Hornaday
    In many ways Fish Tank joins "An Education" and "Precious" as an acute, empathic portrait of a girl growing up, but more than those films Arnold leaves viewers with a feeling of unsettled ambiguity.
    • 81 Metascore
    • 75 Ann Hornaday
    No
    No isn’t nearly as definitive or declarative as its title: It leaves viewers wondering whether they should cheer, shrug or shake their heads.
    • 81 Metascore
    • 100 Ann Hornaday
    Superbly shot and accompanied by an alternately angular and lyrical score by Mica Levi, Jackie would have been an exceptionally smart, intriguing movie as an astutely conceived, well-crafted meditation on political mythmaking. In Larraín and Portman’s hands, it becomes something deeper and more emotionally potent.
    • 81 Metascore
    • 70 Ann Hornaday
    Hot Fuzz deploys the same mix of genre conventions, slapstick and old-school British humor that made "Shaun of the Dead" such a dumb-but-good romp.
    • 81 Metascore
    • 63 Ann Hornaday
    Breathes its own refreshing, occasionally demented, life into that time period, albeit in a pulpy, stylized cinematic language more akin to vampire-hunter cartoonishness than "Lincoln's" more classical reserve.

Top Trailers