For 104 reviews, this critic has graded:
  • 59% higher than the average critic
  • 3% same as the average critic
  • 38% lower than the average critic
On average, this critic grades 1.9 points lower than other critics. (0-100 point scale)

Bilge Ebiri's Scores

  • Movies
Average review score: 57
Highest review score: 100 The LEGO Movie
Lowest review score: 10 Tyler Perry's A Madea Christmas
Score distribution:
  1. Positive: 43 out of 104
  2. Negative: 11 out of 104
104 movie reviews
    • 82 Metascore
    • 100 Bilge Ebiri
    The LEGO Movie is the kind of animated free-for-all that comes around very rarely, if ever: A kids’ movie that matches shameless fun with razor-sharp wit, that offers up a spectacle of pure, freewheeling joy even as it tackles the thorniest of issues.
    • 86 Metascore
    • 90 Bilge Ebiri
    The Great Beauty is a subtly daring cinematic high-wire act — an entire film built around one character’s unrealized, unspecified yearning. And it might just be the most unforgettable film of the year.
    • 82 Metascore
    • 90 Bilge Ebiri
    The mystery may be resolved, but the suspense and uncertainty remain. And so, Guiraudie ends his film on a cold, almost cruel note of existential solitude that just might, if you let it, break your heart.
    • 75 Metascore
    • 80 Bilge Ebiri
    Rush satisfies our lust for both grand character combat and deadly gearhead spectacle.
    • 74 Metascore
    • 80 Bilge Ebiri
    Frozen is one of the few recent films to capture that classic Disney spirit.
    • 76 Metascore
    • 80 Bilge Ebiri
    Tim’s Vermeer starts off in a playful fashion, but as he soldiers on, our intrepid, mild-mannered technologist finds himself getting emotional. In the presence of art, something happens. By the time it’s over, don’t be surprised if you’re more in awe of the work of an artist than ever before. Maybe this is Penn and Teller’s final, subtle rug-pulling moment: An attempt to demystify the artistic process ends up posing even greater mysteries.
    • 54 Metascore
    • 80 Bilge Ebiri
    This smallest of films marks a welcome return to the world of interpersonal miniature for the writer-director.
    • 68 Metascore
    • 80 Bilge Ebiri
    Chow is at his best when juggling disparate elements – tragedy, slapstick, romance, melancholy, fantasy. Everything is big with him; he seems incapable of underplaying anything. The crazier his movies, the better. And Journey to the West might be the craziest thing he’s done yet. You may wonder, afterwards, if you dreamt it all.
    • 86 Metascore
    • 80 Bilge Ebiri
    Ernest and Celestine is a modest, beautiful little children’s fable with a wise, grown-up heart.
    • 79 Metascore
    • 80 Bilge Ebiri
    They’re great stories, and it’s through them that Jodorowsky’s Dune shows us how the greatest movie never made, in its own crazy little way, somehow still came to be.
    • 86 Metascore
    • 80 Bilge Ebiri
    It’s the closest I’ve seen a film come to an act of genuine hypnosis.
    • 64 Metascore
    • 80 Bilge Ebiri
    Belle does have a clear moral compass, but it refuses easy answers and withholds easy judgments. As such, it feels profoundly human.
    • 75 Metascore
    • 80 Bilge Ebiri
    Jodorowsky’s fondness for the surreal and grotesque is in full evidence here. What makes his films so captivating, however, isn’t their strangeness, but their refusal to divide the world into good and bad, even when it’s easy to do so.
    • 64 Metascore
    • 80 Bilge Ebiri
    Byrkit’s film is very much its own thing. It’s an urbane dinner-party movie that turns into something magnificent, terrible, and strange – and yet it never quite stops being an urbane dinner-party movie, never lets up its tone of ironic refinement. Coherence is a gentle film, but you walk away from it with your brain on fire.
    • 57 Metascore
    • 80 Bilge Ebiri
    For all the limitations of its setting and palette, this is a gorgeous, visually exciting movie.
    • 49 Metascore
    • 80 Bilge Ebiri
    It's also breathtaking to watch a throwaway studio sequel break its corporate chains before your very eyes and become something thrilling and dangerous and alive.
    • 40 Metascore
    • 70 Bilge Ebiri
    Insidious: Chapter 2 may be somewhat uneven, but at a certain point near the end, I realized I hadn’t taken any notes during the second half. For all its weirdness, the film had utterly transported me. Bring on Chapter 3.
    • 48 Metascore
    • 70 Bilge Ebiri
    Jayne Mansfield’s Car isn’t likely to set America’s theaters on fire, but it’s a powerful whisper of a film.
    • 59 Metascore
    • 70 Bilge Ebiri
    While it was often all over the place, it worked, because directors Phil Lord and Chris Miller ladled out the chaos with such charm.
    • 49 Metascore
    • 70 Bilge Ebiri
    Here are two action stars having fun; watching them work together as a team is a lot more entertaining than you might have expected. Try not to think too hard about it, and Escape Plan is stupid, stupid fun.
    • 48 Metascore
    • 70 Bilge Ebiri
    It shows us things — obscene and hilarious, yes, but also just as often harrowing and unforgettable — we never thought we’d see. It’s ridiculous, but it has a ragged nobility all its own.
    • 54 Metascore
    • 70 Bilge Ebiri
    For all the fecal matter flying around, and all the dick jokes, Bad Grandpa turns out to be an act of redemption: It’s the anti-Borat. And for all its flaws, it might just be the most heartwarming movie of the year.
    • 52 Metascore
    • 70 Bilge Ebiri
    It’s the kind of solid, small-scale, entertaining action flick we probably need more of these days.
    • 59 Metascore
    • 70 Bilge Ebiri
    The Best Man Holiday is an inelegant movie, but its cast is so damn likable that we’re still willing to follow them — even when they’re not going anywhere.
    • 69 Metascore
    • 70 Bilge Ebiri
    White Reindeer is a deliberately awkward little movie, and it’s a hard one to shake.
    • 55 Metascore
    • 70 Bilge Ebiri
    The film’s brooding tension would probably work even without the recent tragedy of real-life events. But now, while uneven, the film is uniquely involving — right down to a final shot that will break your heart into a million pieces.
    • 49 Metascore
    • 70 Bilge Ebiri
    Part of the pleasure in watching The Best Offer is the elegant, unassumingly suspenseful way it unfolds. You never quite know where it’s all headed, in part because it never quite tells you what kind of movie it is. I called it a “romantic thriller,” but there’s a lot more movie here than that.
    • 72 Metascore
    • 70 Bilge Ebiri
    In Bloom feels, more than anything else, like a war movie.
    • 37 Metascore
    • 70 Bilge Ebiri
    A delightfully goofy slapstick cartoon with a surprisingly dark heart.
    • 63 Metascore
    • 70 Bilge Ebiri
    All joking aside, this is a director who is incapable of creating something that’s not beautiful. He can, however, on occasion indulge in a little too much cliché.