For 249 reviews, this critic has graded:
  • 57% higher than the average critic
  • 2% same as the average critic
  • 41% lower than the average critic
On average, this critic grades 5.2 points higher than other critics. (0-100 point scale)

Bill Gallo's Scores

  • Movies
  • TV
Average review score: 65
Highest review score: 100 Happiness
Lowest review score: 10 Drop Dead Gorgeous
Score distribution:
  1. Negative: 29 out of 249
249 movie reviews
    • 78 Metascore
    • 90 Bill Gallo
    Davies has nailed Wharton's bitter satire of the flights and follies of New York society in the Gilded Age, and leading lady Gillian Anderson shows dazzling range in her portrayal of the book's doomed heroine.
    • 78 Metascore
    • 80 Bill Gallo
    Like all good concert films, it's the next best thing to being there.
    • 78 Metascore
    • 90 Bill Gallo
    It's difficult to imagine a more eloquent tribute.
    • 77 Metascore
    • 60 Bill Gallo
    A reasonably entertaining -- and occasionally very moving -- picture.
    • 77 Metascore
    • 80 Bill Gallo
    In the end, leaves you feeling both violated and startlingly informed, as if a mugger had whacked you in a dark alley.
    • 76 Metascore
    • 70 Bill Gallo
    We expect some depth and perspective from filmmakers, but even in talking about the movie Peralta sounds like an ex-high school quarterback who never got over the Big Game, or an old campus revolutionary who's never glimpsed the folly that went along with the fervor.
    • 76 Metascore
    • 70 Bill Gallo
    Arteta and White manage to bring off both the comedy and the tenderness in this tale of a jilted friend who sticks to his passions like chewing gum on a shoe.
    • 76 Metascore
    • 90 Bill Gallo
    Karen Moncrieff makes an extraordinary debut as a feature film writer and director with this observant drama about a budding teenage poet who, amid many traumas, finds the courage to become herself and set out as an artist.
    • 76 Metascore
    • 80 Bill Gallo
    A beautifully acted, graceful, and intelligent film that usefully dramatizes the gulf between Fortress Bush and the relativist politics of Western Europe.
    • 76 Metascore
    • 80 Bill Gallo
    A fresh, intimate, gloriously unpolished performance film that measures up to the classics of the genre.
    • 75 Metascore
    • 90 Bill Gallo
    For better or worse, the filmmaker says nothing directly political about the cruel fate suffered by her people, but the dark poetry of her allusions is powerful.
    • 75 Metascore
    • 80 Bill Gallo
    This is probably the funniest Mamet piece to date (but not the weightiest), and it might be destined to take a seat alongside "The Player" and "Sunset Boulevard" in the front row of movieland satires.
    • 75 Metascore
    • 70 Bill Gallo
    Broken Wings' great strength is that it doesn't overreach. These characters undergo no enormous sea changes, no crazy upheavals. Instead, they find themselves trying to roll with the punches--trying to maintain and survive.
    • 75 Metascore
    • 80 Bill Gallo
    The most liberating thing about this funny, touching, heartfelt little movie is the way it defies the rules and, in the end, begins to set its heroines free. They've earned it.
    • 75 Metascore
    • 80 Bill Gallo
    One beautiful piece of work--as alert and aware a survey of interpersonal relations as you're likely to find at the movies this year.
    • 75 Metascore
    • 80 Bill Gallo
    This is a highly original film blessed with fetching complications all its own and some hair-raising turns of plot.
    • 75 Metascore
    • 80 Bill Gallo
    Rookie writer-director Dylan Kidd, late of NYU film school, knows how to get the best out of jittery, handheld camera shots, and he knows how to go for the jugular. Roger is the bleakest comic portrait of misogynist self-delusion we've seen in a long time.
    • 75 Metascore
    • 80 Bill Gallo
    If you're in the mood for a quiet, beautifully acted little drama, liberally spiked with comedy, about the universal desires of the human heart, this may be the obscure gem you're looking for.
    • 75 Metascore
    • 80 Bill Gallo
    There are a couple of technical rough spots, but this daring film challenges most widely held notions about religious conviction while providing a complex portrait of an identity crisis that's run amok and a good mind that's jumped the tracks.
    • 74 Metascore
    • 90 Bill Gallo
    By the time Sprecher's skeins, set forth in 13 related episodes, come together, we've got as clear a view of the big picture as we got assembling the elements of "Nashville," "Lantana" or "Magnolia".
    • New Times (L.A.)
    • 74 Metascore
    • 80 Bill Gallo
    A vivid double portrait of the artistic sensibility in its many weathers -- expressed by two fine actors clearly engaged in a labor of love.
    • 74 Metascore
    • 90 Bill Gallo
    An ideal film for movie buffs, who are bound to delight in each new misfortune even as they sympathize with the documentarians' sometimes inflated vision of a tortured genius at work.
    • 74 Metascore
    • 80 Bill Gallo
    Can be as howlingly funny as it is touching.
    • 73 Metascore
    • 100 Bill Gallo
    For all its long shadows and ominous atmosphere, this is a very funny movie -- as funny as the Coens' masterful "Fargo."
    • 73 Metascore
    • 70 Bill Gallo
    The young actors, all first-timers chosen in auditions in Puglia and Basilicata, are completely natural.
    • 73 Metascore
    • 90 Bill Gallo
    In the end, what Minghella has wrought is a nearly perfect drama of love and war (still the great subjects, after all), an epic that's fluent, frightening and beautiful all at once, that lifts the heart and dashes our dreams in about equal measure.
    • 73 Metascore
    • 90 Bill Gallo
    Despite a little rough stuff here and there, this is one of the more insightful and affecting teen-trauma films of recent years.
    • 73 Metascore
    • 90 Bill Gallo
    Wise and surprisingly witty, the film is a minor masterpiece and could serve as a fitting companion piece to America's "In the Bedroom," another superb film about the torments of bereavement.
    • New Times (L.A.)
    • 73 Metascore
    • 70 Bill Gallo
    By the end, you may be exhausted by the effort of trying to unravel the thing, but you may also be taken by the power of its spell. This is a movie that compels you to watch.
    • 73 Metascore
    • 70 Bill Gallo
    Paul Cox's admirers are sure to embrace this latest eruption of sincerity and sensitivity.
    • New Times (L.A.)

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