Brandon Nowalk
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For 12 reviews, this critic has graded:
  • 58% higher than the average critic
  • 8% same as the average critic
  • 34% lower than the average critic
On average, this critic grades 0.5 points lower than other critics. (0-100 point scale)

Brandon Nowalk's Scores

Average review score: 64
Highest review score: 100 Louie: Season 4
Lowest review score: 0 Marshal Law: Texas: Season 1
Score distribution:
  1. Positive: 6 out of 12
  2. Negative: 1 out of 12
12 tv reviews
    • 93 Metascore
    • 100 Brandon Nowalk
    Louie season four is as good as ever, and sometimes it’s slightly different.
    • 87 Metascore
    • 91 Brandon Nowalk
    Veep has become the clearest heir to 30 Rock and Arrested Development, and specific bits throughout the season recall both series.
    • 63 Metascore
    • 91 Brandon Nowalk
    In the hands of McKellen, Jacobi, and company, they are sitcom characters who manage the tightrope between human warmth and on-screen viciousness, and they do it by being the best damn sitcom characters they can be.
    • 53 Metascore
    • 83 Brandon Nowalk
    It’s too soon to say Atlantis has a great destiny, but the signs are promising.
    • 62 Metascore
    • 67 Brandon Nowalk
    There’s an airlessness to Full Circle that vacuum-packs these performances but leaves little real life.
    • 49 Metascore
    • 58 Brandon Nowalk
    In spite of the undercooked ideas, there’s reason to hope.
    • 55 Metascore
    • 58 Brandon Nowalk
    Believe is thoroughly devoted to its feel-good ideals, like cascading compassion and non-violence.... In lesser hands, Believe could come off like a knockoff-Terrence Malick life insurance ad. But for all his spirituality, Cuarón’s an earthy director.
    • 85 Metascore
    • 58 Brandon Nowalk
    The performances are literally shaky, from wavering accents to tremulous monologues, but the movie’s such an overwhelming weepie that they fit right in.
    • 44 Metascore
    • 42 Brandon Nowalk
    Despite a handful of cutting moments, Chozen isn’t very funny in its first five episodes--though as the man says, it gets better. Part of that is the inundation. If everything is outrageous, it doesn’t take long to adjust until nothing is.
    • 66 Metascore
    • 42 Brandon Nowalk
    The backwoods intrigue and the grave mood are achieved not through grounding details and eccentricity, but by portent. Some scenes are such slow, ambiguous dialogues that they recall the heyday of Audrina and Justin Bobby.