For 111 reviews, this critic has graded:
  • 52% higher than the average critic
  • 2% same as the average critic
  • 46% lower than the average critic
On average, this critic grades 0.2 points lower than other critics. (0-100 point scale)

Carla Meyer's Scores

  • Movies
  • TV
Average review score: 61
Highest review score: 100 Days of Being Wild (re-release)
Lowest review score: 0 Love Object
Score distribution:
  1. Positive: 55 out of 111
  2. Negative: 14 out of 111
111 movie reviews
    • 64 Metascore
    • 50 Carla Meyer
    The film rarely matches Crudup's performance, appearing confused itself about whether it's farce or drama.
    • 45 Metascore
    • 50 Carla Meyer
    Teen sex comedies always have more homoerotic moments than you can shake a ... whatever ... at, but Eurotrip seems overly concerned with penises and predatory men. This brand of humor, a time-honored crutch for comedy writers, is both lazy and unseemly.
    • 29 Metascore
    • 50 Carla Meyer
    Dax Shepard from MTV's "Punk'd," in his first major big-screen role, steals Without a Paddle. Not that it's too hard to do.
    • 39 Metascore
    • 50 Carla Meyer
    Swayze's presence crosses the line from curious to bizarre and adds a heavy layer of cheese to Havana Nights.
    • 48 Metascore
    • 50 Carla Meyer
    It's engaging and transparent at once.
    • 41 Metascore
    • 50 Carla Meyer
    In White Chicks, the gross-out humor is minimal, no character comes off too badly and lessons are learned. Oh Wayanses, where are thy teeth?
    • 57 Metascore
    • 50 Carla Meyer
    The always fierce Bassett is a little too fierce here, reacting with unwarranted emotion to each romantic twist and turn.
    • 37 Metascore
    • 50 Carla Meyer
    A street-dance film that's lively and silly and about as "street" as a Britney Spears video.
    • 55 Metascore
    • 50 Carla Meyer
    Goes disappointingly soft despite two dynamite lead performances.
    • 47 Metascore
    • 50 Carla Meyer
    The brave men who fought and perished at the Alamo believed fervently in their cause. For The Alamo to work, the audience must believe as well. That never really happens.
    • 59 Metascore
    • 50 Carla Meyer
    There's no hiding a hokey love story that undercuts the picture's compelling tennis scenes.
    • 60 Metascore
    • 50 Carla Meyer
    Highly entertaining, in a schadenfreude sense, but incomplete.
    • 82 Metascore
    • 50 Carla Meyer
    A tense, expertly acted Russian film clouded by its intentional ambiguity.
    • 64 Metascore
    • 50 Carla Meyer
    The movie is like one of those newfangled Vegas casinos, where what appears to be open sky is really painted ceiling. What's initially dazzling becomes stifling.
    • 44 Metascore
    • 50 Carla Meyer
    Light on inner conflict and heavy on cliches.
    • 55 Metascore
    • 50 Carla Meyer
    Pretty and vague, the kind of film that might play on a loop at a county fair's Americana exhibit.
    • 46 Metascore
    • 50 Carla Meyer
    To earnest for its own good. Sincere and heartfelt, it's the kind of family film that might be at home on cable.
    • 31 Metascore
    • 50 Carla Meyer
    First Daughter can be measured in degrees of Holmes' discomfort... There's never a moment when she doesn't appear as if she'd rather be in a different movie.
    • 39 Metascore
    • 50 Carla Meyer
    Confusing, mixing messages of self-empowerment with those of conformity.
    • 61 Metascore
    • 50 Carla Meyer
    The problems lie not with the actors but with a glib approach that exposes the flaws of the original story.
    • 38 Metascore
    • 50 Carla Meyer
    The tense, stylish thriller turns into soft-core, slapdash psychodrama.
    • 33 Metascore
    • 50 Carla Meyer
    It's a prevailing sense of humor that makes this an entertaining, if silly, film adaptation of the Marvel comic.
    • 63 Metascore
    • 50 Carla Meyer
    Loses momentum midway into the boys' journey.
    • 57 Metascore
    • 50 Carla Meyer
    Features bursts of humor and electrifying energy offset by speechifying and a dud of a subplot.
    • 42 Metascore
    • 50 Carla Meyer
    Sweaty, filthy, miserable and well acted.
    • 52 Metascore
    • 50 Carla Meyer
    [Duhmel] brings surprising nuance to an ostensibly shallow character, a guy who's not really bad, just caught up in his own celebrity.
    • 25 Metascore
    • 50 Carla Meyer
    It's not a terrible movie, just a disappointingly pleasant one.
    • 37 Metascore
    • 50 Carla Meyer
    It's merely adequate, with one riveting element but limited chills.
    • 43 Metascore
    • 50 Carla Meyer
    The picture never comes out from under the weight of its dreariness, despite fine acting, foot chases and conspiracy theories galore.
    • 50 Metascore
    • 50 Carla Meyer
    Offers a lively but jumbled insider's view of a world of great talent and greater risk.

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