Chris Nashawaty
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For 142 reviews, this critic has graded:
  • 71% higher than the average critic
  • 1% same as the average critic
  • 28% lower than the average critic
On average, this critic grades 11.2 points higher than other critics. (0-100 point scale)

Chris Nashawaty's Scores

  • Movies
  • TV
Average review score: 71
Highest review score: 100 Gone Girl
Lowest review score: 25 Nymphomaniac: Volume I
Score distribution:
  1. Negative: 3 out of 142
142 movie reviews
    • 84 Metascore
    • 100 Chris Nashawaty
    Snowpiercer sucks you into its strange, brave new world so completely, it leaves you with the all-too-rare sensation that you've just witnessed something you've never seen before...and need to see again.
    • 81 Metascore
    • 100 Chris Nashawaty
    Yes, Locke is a bit of a storytelling stunt: For the entirety of the movie, Ivan is the only character on screen. But even with nothing to cut away to and no flashbacks to offer context, the film manages to stay as tight as a vise.
    • 79 Metascore
    • 100 Chris Nashawaty
    Anyone who loved Gone Girl the book will walk out of Gone Girl the movie with a sick grin on their face. You can stop being nervous.
    • 100 Metascore
    • 100 Chris Nashawaty
    Like Michael Apted in his "Seven Up!" documentary series, Linklater makes you feel as if you're watching a photograph as it develops in the darkroom.
    • 87 Metascore
    • 100 Chris Nashawaty
    In the end, cancer may have cruelly taken Roger Ebert's voice, but it couldn't silence his greatest gift: his ability to speak to his audience directly, honestly, and with empathy. Thumbs up.
    • 87 Metascore
    • 100 Chris Nashawaty
    If you can appreciate the sight of two totally dialed-in performers simmering until they boil over, that's enough. And P.S., that's pretty much the definition of jazz.
    • 92 Metascore
    • 100 Chris Nashawaty
    DuVernay has done a great service with Selma. Not only has she made one of the most powerful films of the year, she's given us a necessary reminder of what King did for this country...and how much is left to be done.
    • 76 Metascore
    • 91 Chris Nashawaty
    The film's a giddily subversive space opera that runs on self-aware smart-assery.
    • 63 Metascore
    • 91 Chris Nashawaty
    It's Bale, and his almost biblical quest for justice, who burns his way into your soul.
    • 78 Metascore
    • 91 Chris Nashawaty
    It shows us how rare love is — and how we need to grab it and not let it go.
    • 76 Metascore
    • 91 Chris Nashawaty
    Dench and Coogan's chemistry is undeniably great. In the end, he manages to give her the answers she seeks and she manages to give him a heart.
    • 89 Metascore
    • 91 Chris Nashawaty
    Birdman is a scalpel-sharp dissection of Hollywood, Broadway, and fame in the 21st century. But more than that, it's a testament to Keaton's enduring charisma and power as an actor. He soars.
    • 75 Metascore
    • 91 Chris Nashawaty
    While this sequel lacks the novelty of the first course, it's just as soulful and silly.
    • 75 Metascore
    • 91 Chris Nashawaty
    With the exception of Waleed F. Zuaiter, who does a remarkable good-cop act as an Israeli agent, the cast is composed of first-time actors who bring realism to a tragic story. It manages to punch you in the gut and break your heart at the same time.
    • 75 Metascore
    • 91 Chris Nashawaty
    [A] harrowing documentary.
    • 74 Metascore
    • 91 Chris Nashawaty
    More connect-the-dots detective thriller than traditional doc, John Maloof and Charlie Siskel’s revelatory riddle of a film unmasks a brilliant photographer who hid in plain sight for decades working as an eccentric French nanny.
    • 72 Metascore
    • 91 Chris Nashawaty
    Most of all, it's a sobering look at a part of coastal America that will never be the same again.
    • 87 Metascore
    • 91 Chris Nashawaty
    It's the rare kind of moviegoing experience that will haunt you long after you leave the theater and lead to some very awkward conversations with your spouse.
    • 91 Metascore
    • 91 Chris Nashawaty
    Eric Rohmer’s sun-kissed love quadrangle remains as fresh and romantically profound as it was 18 years ago.
    • 67 Metascore
    • 91 Chris Nashawaty
    John Wick, is not only a return to badass form for the actor, it's also one of the most excitingly visceral action flicks I've seen in ages.
    • 81 Metascore
    • 91 Chris Nashawaty
    As brilliantly funny as Chris Rock is, he's never been able to replicate the high-voltage danger and electricity of his stand-up act on the big screen. But in his latest film, the sharply satirical Top Five, he not only makes a case for why he should be a bona fide movie star, he also proves he's a writer-director to be reckoned with.
    • 85 Metascore
    • 91 Chris Nashawaty
    Tough to watch, but essential.
    • 74 Metascore
    • 83 Chris Nashawaty
    Not surprisingly, the best thing about Days of Future Past is that it's heavier on the days past than future.
    • 79 Metascore
    • 83 Chris Nashawaty
    A sequel that easily tops its 2011 predecessor.
    • 81 Metascore
    • 83 Chris Nashawaty
    As in their previous comedies, Pegg and Frost play men who refuse to stop acting like boys. But these pint-swilling Peter Pans also know how to work the heart and the brain for belly laughs.
    • 55 Metascore
    • 83 Chris Nashawaty
    2 Guns is a much-needed reminder that the best summer surprises can come when you least expect them.
    • 66 Metascore
    • 83 Chris Nashawaty
    It's so deliciously twisted, it will make you walk out of the theater feeling like you just endured a grueling, giddy workout.
    • 71 Metascore
    • 83 Chris Nashawaty
    Despite its terribly unimaginative title, Edge of Tomorrow is a surprisingly imaginative summer action movie.
    • 65 Metascore
    • 83 Chris Nashawaty
    Saving Mr. Banks is a wholesomely square film about a wholesomely square film. But damned if its sugar doesn't go down like honey.
    • 75 Metascore
    • 83 Chris Nashawaty
    The feverishly paced film is hell-bent on making the audience feel like they just snorted a Belushian mountain of blow. You can practically feel your teeth grinding to dust. As with any high, though, it also doesn't know when to stop.

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