Christy Lemire
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For 25 reviews, this critic has graded:
  • 60% higher than the average critic
  • 0% same as the average critic
  • 40% lower than the average critic
On average, this critic grades 3.3 points higher than other critics. (0-100 point scale)

Christy Lemire's Scores

  • Movies
  • TV
Average review score: 63
Highest review score: 100 Birdman or (The Unexpected Virtue of Ignorance)
Lowest review score: 25 Left Behind
Score distribution:
  1. Positive: 17 out of 25
  2. Negative: 3 out of 25
25 movie reviews
    • 89 Metascore
    • 100 Christy Lemire
    Birdman is a complete blast from start to finish.
    • 74 Metascore
    • 88 Christy Lemire
    As we enter this season of big, important awards contenders that “matter,” The Skeleton Twins is a small, intimate gem that might truly matter.
    • 87 Metascore
    • 88 Christy Lemire
    A digitally restored version arrives in spectacular fashion with its mixture of bold imagery and biting wit.
    • 65 Metascore
    • 75 Christy Lemire
    Toni Collette radiates smarts, humor and a world-weary cool in Lucky Them.
    • 66 Metascore
    • 75 Christy Lemire
    What’s fascinating about Jimi: All Is By My Side is not only its decision to show us this particular chapter in Hendrix’s life, but also the way it teases out the shadings in a famous figure we only think we know so well.
    • 52 Metascore
    • 75 Christy Lemire
    You’d have to be totally cynical, with a heart of stone and ice water in your veins, not to be even the slightest bit charmed by One Chance.
    • 67 Metascore
    • 75 Christy Lemire
    John Wick breathes exhilarating life into this tired premise, thanks to some dazzling action choreography, stylish visuals and–most importantly–a vintage anti-hero performance from Keanu Reeves.
    • 76 Metascore
    • 75 Christy Lemire
    Greene’s film is deceptively profound in that it’s about a specific woman with a specific kind of life, yet it has universal resonance as a reflection of the struggle so many women endure—the desire to be all things to all people and inevitably failing someone, the yearning to balance career and parenthood and never finding enough time to do either completely right.
    • 53 Metascore
    • 75 Christy Lemire
    The pacing is so zany, the jokes are so rapid-fire and the sight gags are so inspired that it’s impossible not to get caught up in the infectious energy of it all.
    • 81 Metascore
    • 63 Christy Lemire
    Intimate and impressionistic but ultimately a little self-indulgent.
    • 46 Metascore
    • 63 Christy Lemire
    Moretz’s performance — and the easy chemistry she shares in flashbacks with co-star Jamie Blackley as her boyfriend — help fortify a story that, for all its popularity, is rather maudlin and painfully awkward at times.
    • 78 Metascore
    • 63 Christy Lemire
    Depression is such a personal, intangible, mystifying phenomenon. Signe Baumane tries to make sense of it in unexpected fashion — through colorful animation and dark humor — with Rocks in My Pockets.
    • 58 Metascore
    • 63 Christy Lemire
    A well-cast, well-made, well-acted drama that you will probably forget about soon after you’ve seen it.
    • 56 Metascore
    • 63 Christy Lemire
    What’s intriguing about The Maze Runner – for a long time, at least – is the way it tells us a story we think we’ve heard countless times before but with a refreshingly different tone and degree of detail.
    • 72 Metascore
    • 63 Christy Lemire
    It’s a biopic about one of the most brilliant people in the history of the planet, the renowned astrophysicist Stephen Hawking – a man famous for thinking in boldly innovative ways – yet his story is told in the safest and most conventional method imaginable.
    • 72 Metascore
    • 63 Christy Lemire
    With a combination of power and grace, Julianne Moore elevates Still Alice above its made-for-cable-television trappings, and delivers one of the more memorable performances of her career.
    • 91 Metascore
    • 63 Christy Lemire
    Cotillard can be an exquisitely subtle actress, with expressive eyes and a face that are made for quiet suffering. Even when Two Days, One Night drags a bit, Cotillard’s performance remains compelling.
    • 69 Metascore
    • 50 Christy Lemire
    The film version of the best-selling novel The Fault in Our Stars feels emotionally inert, despite its many moments that are meant to put a lump in our throats.
    • 45 Metascore
    • 50 Christy Lemire
    Even by the standards of this franchise—and this genre in general—Step Up All In is pretty laughable.
    • 50 Metascore
    • 50 Christy Lemire
    Life After Beth gets into the well-tread zombie-comedy territory in a clever and inspired way. Then it doesn’t get out of it nearly so skillfully.
    • 55 Metascore
    • 50 Christy Lemire
    Bailey has achieved the purpose she set out at the film’s start. She’s made a film that’s optimistic, ultimately. But it would have benefitted from being a lot more real.
    • 46 Metascore
    • 50 Christy Lemire
    Horns would seem like another gamble, and another opportunity to stretch. It’s a supernatural thriller, territory he’s familiar with, but taken to a raunchy, grotesque extreme.
    • 31 Metascore
    • 38 Christy Lemire
    The bar is just so low, people. It’s just hovering there above the ground.
    • 52 Metascore
    • 38 Christy Lemire
    A numbing and soulless spectacle of 3-D, computer-generated imagery run amok, Ridley Scott’s Exodus: Gods and Kings presents an enduring tale by pummeling us over the head with it.
    • 12 Metascore
    • 25 Christy Lemire
    Christian readers and audiences are the base here, but it’s hard to imagine that this incarnation of the story will persuade anyone else to find the Lord unless they’re sitting in the theater praying for the dialogue or special effects to improve.

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