For 153 reviews, this critic has graded:
  • 74% higher than the average critic
  • 3% same as the average critic
  • 23% lower than the average critic
On average, this critic grades 10.1 points higher than other critics. (0-100 point scale)

Chuck Barney's Scores

  • TV
Average review score: 75
Highest review score: 100 Mad Men: Season 5
Lowest review score: 25 Bob's Burgers: Season 1
Score distribution:
  1. Negative: 4 out of 153
153 tv reviews
    • 72 Metascore
    • 75 Chuck Barney
    We've seen plenty of these high-concept TV conceits start well and then sadly unravel. For now, though, there's no place like Dome.
    • 59 Metascore
    • 88 Chuck Barney
    Created by Gary Scott Thompson ("The Fast and the Furious"), Las Vegas appears to have all the ingredients of a compulsively watchable guilty pleasure. [22 Sept 2003, p.D01]
    • 72 Metascore
    • 88 Chuck Barney
    As it turns out, Veep might be even more hilarious if it didn't hit so uncomfortably close to the truth.
    • 72 Metascore
    • 67 Chuck Barney
    Friday's moody pilot unfolds at a listless pace and, occasionally, gets bogged down in its own density. But in it's favor, there are enough compelling characters and tantalizing questions to keep us engaged for the time being.
    • 71 Metascore
    • 75 Chuck Barney
    Whether Rome attains that stature is entirely up to the Nielsen gods, but one thing is certain: The series is a lusty, violent, rollicking saga that is sure to seize plenty of initial attention, if not for its ravishing production values, then for its rampant depiction of ancient-style decadence and debauchery. [27 Aug 2005, p.F4]
    • 71 Metascore
    • 70 Chuck Barney
    Every AHS series has now featured at least one [rape scene]. Isn't it time to move on? At least he and his collaborators, as usual, do their best to soften the blows with healthy doses of camp and humor.
    • 71 Metascore
    • 60 Chuck Barney
    [There are] moments of pure brilliance--and moments that had me doubled over in mirth.... Unfortunately, there are stretches in this new batch of episodes that feel more flabby than snappy, and there are some lulls that leave you downright fatigued.
    • 71 Metascore
    • 63 Chuck Barney
    It all makes for a scattered, hit-or-miss proposition. Some gags land. Others fall flat.
    • 70 Metascore
    • 75 Chuck Barney
    The revived 24 is still instantly involving and packed with a dizzying rush of suspenseful crescendos. The new Jack, meanwhile, is the same as the old Jack, which is to say he flips the bird in the face of terror and squirms his way out of major messes like a gun-toting Houdini--all while managing to make a man purse look good.
    • 70 Metascore
    • 75 Chuck Barney
    The solid acting performances and the family dynamics contained in Blue Bloods make for an absorbing hour of television.
    • 44 Metascore
    • 60 Chuck Barney
    Judging by the pilot, George Lopez is no laugh riot, but it definitely has its moments, and it's refreshing to find a touch of Mexican-American flavor on TV somewhere other than Showtime and Nickelodeon. [27 Mar 2002, p.D01]
    • 70 Metascore
    • 75 Chuck Barney
    Whatever the case, it's a blast to watch Valley's character squirm his way out of a major mess, while keeping his droll sense of humor intact. Human Target never will be a big-time Emmy magnet, but as a piece of good, escapist fun, it definitely hits the mark.
    • 69 Metascore
    • 75 Chuck Barney
    It manages to remain faithful to the tone and lively style of the original. Newcomers really don't have to be well-versed in Torchwood lore or "Doctor Who," the series that spawned it, to get a kick out of sci-fi craziness of it all.
    • 69 Metascore
    • 83 Chuck Barney
    Lux is one of those cute, quippy, ultra-mature teens you find only on TV. And several plot points unfortunately come across as false. But it doesn't matter. The lead characters in Life Unexpected are so likable, and the interactions between them feel so natural, that you find yourself willing to give the show lots of slack.
    • 58 Metascore
    • 40 Chuck Barney
    1) It's not all that funny, which could be a problem considering it's supposed to be a comedy, and 2) It continues a rather arrogant presumption on the part of show-biz types that we're all ceaselessly interested in the inner workings of their industry. [4 June 2005, p.C01]
    • 69 Metascore
    • 88 Chuck Barney
    Hannibal is a sturdy offering, one that keeps viewers guessing and tensions simmering. Most TV crime shows have a tendency to quickly fade from memory. This one just might haunt your dreams.
    • 69 Metascore
    • 88 Chuck Barney
    The good news is that Kaling and her writers have crafted a character who is competent at her job, not a goofball in scrubs. And they've offset the show's dreamy sweetness with plenty of snarky bite.
    • 69 Metascore
    • 75 Chuck Barney
    Community can be too consciously zany at times and occasionally misses more than it hits. But from the early looks of things, it seems to be holding up just fine.
    • 69 Metascore
    • 70 Chuck Barney
    There are a lot of characters and budding plotlines crowding the "Soul Food" pilot, which give it a disjointed feel at times (It tales a while to sort things out). In addition, the deployment of Ahmad as a sporadic narrator comes off as rather clumsy. ... But "Soul Food" eventually gains traction and becomes thoroughly involving especially by its second episode. [26 Jun 2000]
    • 69 Metascore
    • 60 Chuck Barney
    The show crackles with witty (and jargony) banter and mostly succeeds at making its tech world fun and engaging -- something Randi Zuckerberg's "Start-Up: Silicon Valley" reality series too often failed to do. But the problem with Betas is that it's an uneven endeavor that's just good enough to make you wish it were better.
    • 68 Metascore
    • 75 Chuck Barney
    The trick for Midler's writers will be to make sure the show is at least somewhat grounded in real-life situations while keeping the inside-Hollywood stuff from being too inside. It's funny, for example, when she expresses vengeful bitterness over losing the 1979 Oscar to Sally Field ("Norma Rae"), but it might not be so funny to hear references to her 1982 celluloid stink bomb "Jinxed." (Remember that one?) [11 Oct 2000, p.D01]
    • 68 Metascore
    • 63 Chuck Barney
    The good news is that Sunday's two-hour opener answers several key questions in relatively rapid fashion and in ways that don't seem totally unreasonable. The bad news is that it also puts Sarah back at square one, and therein lies the problem.
    • 68 Metascore
    • 80 Chuck Barney
    The show isn't exactly laugh-out-loud funny, but it's smartly written and the cast jells from the start.
    • 67 Metascore
    • 90 Chuck Barney
    One of the best-written and well-acted pilots of the fall, this spunky dramedy is full of small surprises. [29 Sept 2000, p.T034]
    • 67 Metascore
    • 75 Chuck Barney
    Viewers turned off by the bitterly boisterous, superficial and often one-sided confrontations on the cable news channels might find The Sunset Limited to be refreshing in some ways.
    • 67 Metascore
    • 75 Chuck Barney
    Brody's portrayal of the wise but nerdy Seth energizes The O.C. He's comical without being cartoonish, and the humorous touches he brings to the story help to lighten up a show that at times feels overly heavy. Here's hoping the script writers don't leave his character in the dust in favor of chasing more glamorous story lines. [5 Aug 2003, p.D01]
    • 67 Metascore
    • 83 Chuck Barney
    Some viewers will delight in the edgy humor, while others undoubtedly will want to slap an extra-tight muzzle on Wilfred.
    • 66 Metascore
    • 88 Chuck Barney
    While The Red Road is not quite in the same league as "True Detective" or "Broadchurch," it is better than most, and it succeeds at drawing dramatic tension not from lots of plot-twist fireworks, but from the long-simmering resentments, private shames and historical injustices embedded in a community few viewers are familiar with.
    • 66 Metascore
    • 75 Chuck Barney
    Has a solid premise and a lavish look. The show's signature visual gimmick features characters morphing into their younger selves. Then there's the appealing Rush, who makes a very strong first impression. [27 Sept 2003, p.D01]
    • 66 Metascore
    • 83 Chuck Barney
    Though Nikita is certainly dark, it's not as unbearably so as the USA cable version, which was too slick and soulless for its own good. The new version feels much more like a rollicking popcorn thrill ride.