For 268 reviews, this critic has graded:
  • 43% higher than the average critic
  • 1% same as the average critic
  • 56% lower than the average critic
On average, this critic grades 5.3 points lower than other critics. (0-100 point scale)

Chuck Bowen's Scores

  • Movies
  • TV
Average review score: 55
Highest review score: 100 Laurence Anyways
Lowest review score: 0 The Identical
Score distribution:
  1. Negative: 71 out of 268
268 movie reviews
    • 81 Metascore
    • 88 Chuck Bowen
    Na Hong-jin's The Wailing is a work of thriller maximal-ism, a rare case of more actually being more rather than less.
    • 83 Metascore
    • 88 Chuck Bowen
    Like Hitchcock, De Palma reveals himself to be guided by an unusual mixture of intuition and intellectualization.
    • tbd Metascore
    • 88 Chuck Bowen
    Demon offers a tidal wave of unrelieved longing and regret, with a devilish streak of absurdism.
    • tbd Metascore
    • 75 Chuck Bowen
    Peter Wiedensmith's methods aren't as cinematic as they could be, but even this seems to ably mirror Marilyn Sewell's humility.
    • 63 Metascore
    • 75 Chuck Bowen
    My Reincarnation has an effective bifurcated structure that testifies to the level of trust Jennifer Fox clearly established with her subjects.
    • 76 Metascore
    • 75 Chuck Bowen
    In The Hunter, writer-director Rafi Pitts manages an atmosphere of choked, ambiguous dread, somehow naturalistic and hallucinatory at once, that recalls nothing less than Godard's Alphaville.
    • 77 Metascore
    • 75 Chuck Bowen
    Director Mahmoud Kaabour is Fatima's grandson, and she instantly seizes on--lightly, in her way--the guilt and panic that's inspired him to make this film.
    • Slant Magazine
    • tbd Metascore
    • 75 Chuck Bowen
    The film provides a crisp, succinct answer to a question that nags most Americans: What the hell happened?
    • 67 Metascore
    • 75 Chuck Bowen
    Convento is an unusual experimental film that conjures the free-floating aura of a dream, only without the stylized, hyper-symbolic imagery that we generally associate with films attempting to convey dream states.
    • 64 Metascore
    • 75 Chuck Bowen
    The film has an exhilarating tossed-off quality that characterized many of the most entertaining works of the French New Wave.
    • 63 Metascore
    • 75 Chuck Bowen
    One of the more intimate and revealing looks at American projects ever made; it's assured and empathetic without indulging in fashionable white guilt.
    • 75 Metascore
    • 75 Chuck Bowen
    The doc is a sly, interesting achievement: It opens as an entertaining sports story and closes as a metaphor for government corruption.
    • 73 Metascore
    • 75 Chuck Bowen
    Julia Ivanova, a Canadian filmmaker, doesn't judge Olga; she refuses to see her through the eyes of a presumably better-off first-world citizen.
    • 65 Metascore
    • 75 Chuck Bowen
    It's a prevailing sense of decency that explains why The Bullet Vanishes is such an effective tonic for summer-movie fatigue.
    • 68 Metascore
    • 75 Chuck Bowen
    Paul Lacoste's almost purely observational approach allows him to come about as close to documenting the process of creation as anyone ever has.
    • 70 Metascore
    • 75 Chuck Bowen
    Scott Thurman captures not only the fear and anti-intellectual resentment and insecurity that govern the dictations of the far right, but also the rampant unchecked egotism.
    • 60 Metascore
    • 75 Chuck Bowen
    Rebecca Thomas's debut feature is a sensible and humane exploration of youthful curiosity.
    • 58 Metascore
    • 75 Chuck Bowen
    The Prey doesn't have the obsessive pull of a great thriller, as it's undeniably an impersonal toy, but it's a hell of a toy.
    • 76 Metascore
    • 75 Chuck Bowen
    The film is in part an exceedingly black comedy that parodies proper society's eager, self-righteous naïveté on the subject of its children.
    • 53 Metascore
    • 75 Chuck Bowen
    It's the rare coming-of-age narrative that manages to respect the tricky ambiguities of shifting perceptions.
    • 60 Metascore
    • 75 Chuck Bowen
    +1
    It ambitiously parodies and mourns the implications of the one coherent message that mass media manages to convey to all of its consumers in all its endlessly proliferating, ever-shifting permutations.
    • 62 Metascore
    • 75 Chuck Bowen
    It's fair to say that a filmmaker is thinking outside of the box when he or she stages a scene in which an ambulatory hemorrhoid tears a guy's cock off with its teeth and swallows it.
    • 79 Metascore
    • 75 Chuck Bowen
    It compellingly captures a family wrestling mightily with the riddles and contradictions of a culture that promotes achievement at all costs with little thought as to what that actually means.
    • 42 Metascore
    • 75 Chuck Bowen
    Throughout, Joe Swanberg connects Generation Y's fetish for past pop-cultural kitsch to its attending sexual insecurities.
    • 53 Metascore
    • 75 Chuck Bowen
    The film is a quiet, tender triumph that leaves you feeling as if you've been embraced without you feeling had.
    • 47 Metascore
    • 75 Chuck Bowen
    Like a number of cult directors to emerge in the 1970s, Henry Jaglom values a party atmosphere at the expense of narrative cohesion.
    • 72 Metascore
    • 75 Chuck Bowen
    Marc Bauder's documentary quietly detonates the conservative notion that our largest corporations should be allowed to duke it out in metaphorical no-holds-barred cage matches.
    • 81 Metascore
    • 75 Chuck Bowen
    Aarón Fernández captures one of the most heartening elements of sex: that it doesn't always oblige our rules or expectations.
    • 67 Metascore
    • 75 Chuck Bowen
    Jonathan Demme makes loving sport of the trust his actors have clearly placed in him, erecting for them a monument to the joys and terrors of walking an emotional high wire.
    • 72 Metascore
    • 75 Chuck Bowen
    The film abounds in guilt and grief, reveling in a general sense of hopelessly broken social connection.

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