For 116 reviews, this critic has graded:
  • 43% higher than the average critic
  • 0% same as the average critic
  • 57% lower than the average critic
On average, this critic grades 5.3 points lower than other critics. (0-100 point scale)

Chuck Bowen's Scores

  • Movies
  • TV
Average review score: 54
Highest review score: 100 Drug War
Lowest review score: 0 The Identical
Score distribution:
  1. Positive: 58 out of 116
  2. Negative: 33 out of 116
116 movie reviews
    • 31 Metascore
    • 12 Chuck Bowen
    Paul Schrader's personality reveals itself in the film's joylessness, which is meaningless without the director's accompanying and occasionally poignant existentialism.
    • 13 Metascore
    • 0 Chuck Bowen
    The film, for all its trite lessons, forgets that people mainly play golf because they enjoy it.
    • 38 Metascore
    • 0 Chuck Bowen
    One Fall is a bafflingly lame assemblage of self-help platitudes, the sort of film in which every narrative detail is specifically placed to pave the way for a pat moral you've grasped before the opening credits have barely concluded.
    • 35 Metascore
    • 0 Chuck Bowen
    Laredoans Speak is bad in a special kind of way that inspires the obviously piteous description of "well-intentioned."
    • Slant Magazine
    • 56 Metascore
    • 0 Chuck Bowen
    The title is apropos, but it's also an understatement.
    • 34 Metascore
    • 0 Chuck Bowen
    A home-invasion film like Mother's Day is elongated coitus interruptus.
    • 11 Metascore
    • 0 Chuck Bowen
    Not much happens in The Victim, but the events that do manage to transpire consistently support a reading of the film as an older man's fantasy of virility.
    • 32 Metascore
    • 0 Chuck Bowen
    As a portrait of a self-pitying drunk's wet dream of inexplicable atonement, it's fairly effective, but as a story meant to take place on some rational version of planet Earth, it's utterly hopeless.
    • 33 Metascore
    • 0 Chuck Bowen
    Pauline Chan's film is a jumbled mixture of redemptive uplift and genre hijinks.
    • 25 Metascore
    • 0 Chuck Bowen
    The film's so preoccupied with being "inspirational" that it disastrously fails to evoke the allure of rock n' roll, particularly in America in the 1950s, when it represented an erosion of racial and sexual barriers.

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