For 419 reviews, this critic has graded:
  • 54% higher than the average critic
  • 4% same as the average critic
  • 42% lower than the average critic
On average, this critic grades 6.2 points lower than other critics. (0-100 point scale)

Chuck Wilson's Scores

  • Movies
  • TV
Average review score: 54
Highest review score: 100 Sol LeWitt
Lowest review score: 0 New Best Friend
Score distribution:
  1. Negative: 74 out of 419
419 movie reviews
    • 86 Metascore
    • 100 Chuck Wilson
    Ernest & Celestine -- a contender for this year's best animated film Oscar -- is pure delight.
    • 83 Metascore
    • 100 Chuck Wilson
    Chris Teerink's superb film documents the work of artist Sol LeWitt (1928-2007), whose legacy lies not only in past accomplishments, but in the work he left for others to complete.
    • 83 Metascore
    • 60 Chuck Wilson
    Mitchell's unwillingness to define the parameters of the specter haunting Jay leads to a finale that's muddled and confusing, and definitely not scary.
    • 82 Metascore
    • 70 Chuck Wilson
    With a deft hand, Pray juxtaposes a history of Heizer's revolutionary career as a "negative space" sculptor with an insider's view of the insanely complex planning it took to move the two-story monolith.
    • 82 Metascore
    • 80 Chuck Wilson
    Flamenco Flamenco is the most beautifully photographed film in recent memory. Come for the dance, stay for the light.
    • 82 Metascore
    • 80 Chuck Wilson
    This filmed record is a musical bliss-out.
    • 81 Metascore
    • 90 Chuck Wilson
    There's no denying the overwhelming force of the giant IMAX screen, as we're reminded that each of us is the coolest special effect ever.
    • 81 Metascore
    • 80 Chuck Wilson
    To describe the novelist's final days, Bachardy opens a drawer and begins pulling out the magnificent deathbed drawings he did of Isherwood -- a fusion of art and love that's deeply moving.
    • 80 Metascore
    • 80 Chuck Wilson
    It's the cinematic equivalent of glancing up at the sky and taking a good deep breath.
    • 80 Metascore
    • 90 Chuck Wilson
    Maintains a reflective, bittersweet tone that's almost tactile.
    • 79 Metascore
    • 80 Chuck Wilson
    A resonance that is moving beyond all measure.
    • 79 Metascore
    • 100 Chuck Wilson
    The film's finale is wild and daring and so perfectly executed that it marks Wright as one of the film year's most audacious new voices.
    • 77 Metascore
    • 80 Chuck Wilson
    Mountain Patrol: Kekexili is sometimes slow going, yet it builds in power as nature begins to take its toll on the patrol, and its cumulative effects are haunting.
    • 77 Metascore
    • 80 Chuck Wilson
    Nair, who, in this film as in so many others, aims for the beating heart of the predictable movie moment.
    • 76 Metascore
    • 100 Chuck Wilson
    It Felt Like Love is brilliantly, brutally tactile.
    • 76 Metascore
    • 90 Chuck Wilson
    Housebound is a tad long, and its murder mystery a bit of a muddle, but that doesn’t matter. The final third is virtuoso.
    • 76 Metascore
    • 90 Chuck Wilson
    While it's Dave's madly humming brain that propels the film, Davis, whose every glance is a short story in itself, makes Dana's internal crisis equally resonant.
    • 75 Metascore
    • 80 Chuck Wilson
    For these gifted directors and their fine ensemble, the notion that every life forms into a mosaic of intimate, largely unobserved details is the story most worth telling.
    • 75 Metascore
    • 80 Chuck Wilson
    Fascinating film, which tracks Éva's slowly dawning realization that she's being played for a fool, an insight that may be driving her mad.
    • 74 Metascore
    • 90 Chuck Wilson
    The superb ensemble never plays for sympathy, and the movie isn't as depressing as it may sound. Its hushed, contemplative quality is oddly affecting.
    • 74 Metascore
    • 80 Chuck Wilson
    The true mystery, Red Lights' real thrill ride -- and what seems to interest Kahn most, despite his skill at arranging the trappings of suspense -- is marriage.
    • 74 Metascore
    • 80 Chuck Wilson
    Millions is an intelligent children’s film that may prove to be a guilty pleasure for adults.
    • 74 Metascore
    • 90 Chuck Wilson
    Lowery isn't a Malick and he's certainly no Kazan, but he's his own man, and a filmmaker to watch.
    • 74 Metascore
    • 80 Chuck Wilson
    Yu has transferred to her superb film, the hushed awe she must have felt the day she walked into the room - and, in a sense, the mind - of this strange, singular individual.
    • 74 Metascore
    • 80 Chuck Wilson
    Zeiger's superb documentary about the Vietnam War era's GI protest movement is jammed with incident and anecdote and moves with nearly as much breathless momentum as the movement itself.
    • 73 Metascore
    • 80 Chuck Wilson
    This is writer-director Hilary Birmingham's first film, and it's a lovely thing, as reserved and unfussy as its characters and, like them, full of surprises.
    • 73 Metascore
    • 70 Chuck Wilson
    Wordplay offers a running tutorial in how crosswords are created - lessons that are enhanced by the onscreen graphics of designer Brian Oakes, which, come tournament time, allow moviegoers to see the clues and grids the contestants are working on, theoretically allowing us to solve the puzzles along with them.
    • 73 Metascore
    • 80 Chuck Wilson
    Captured extraordinary performances from a cast of non-actors, as well as magnificent images of a vast landscape.
    • 73 Metascore
    • 90 Chuck Wilson
    The last-minute details of plot can't compete with the frightening intensity of Kiberlain's and Garcia's performances, which trace, with brilliant precision, the exhausting mix of brutality and grace inherent in the mother-daughter relationship.
    • 72 Metascore
    • 90 Chuck Wilson
    [A] pitch-perfect, deeply affecting film.

Top Trailers