For 670 reviews, this critic has graded:
  • 54% higher than the average critic
  • 2% same as the average critic
  • 44% lower than the average critic
On average, this critic grades 1.9 points lower than other critics. (0-100 point scale)

Connie Ogle's Scores

  • Movies
  • TV
Average review score: 58
Highest review score: 100 Every Little Step
Lowest review score: 0 The Hottie & the Nottie
Score distribution:
670 movie reviews
    • 52 Metascore
    • 38 Connie Ogle
    Excruciatingly unamusing.
    • 32 Metascore
    • 38 Connie Ogle
    An apocalyptic Bob Dylan song made cinematic, with all the vision and poetry dissipating in the transfer. It's as if the filmmakers listened to "Desolation Row" just one time too many.
    • 45 Metascore
    • 38 Connie Ogle
    The actors are their usual reliable selves; you can't really blame them for the unlikely mess Levity becomes.
    • 42 Metascore
    • 38 Connie Ogle
    A romantic comedy need not be original to work. It just needs, you know, romance. Something to swoon over. What Two Weeks Notice provides, however, is a lot more messy.
    • 28 Metascore
    • 38 Connie Ogle
    There's only one excuse for the sentimental and ham-handed I Am Sam, and it's not to tout the rights of the mentally disabled.
    • Miami Herald
    • 52 Metascore
    • 38 Connie Ogle
    Explicitly invites us to mock its artificiality and giggly cluelessness, but beyond its attractive shell the film rings hollow. These days, even a comedy has got to have a heart.
    • 45 Metascore
    • 38 Connie Ogle
    A romantic comedy so rote, dull and predictable that it makes "You've Got Mail" seem innovative and fresh.
    • 35 Metascore
    • 38 Connie Ogle
    The best thing you can say about Scooby-Doo is that Matthew Lillard makes a really, really good Shaggy.
    • 36 Metascore
    • 38 Connie Ogle
    The best story here is the one about how Stolen Summer made it to the screen; that's more compelling than anything that happens in Pete's world.
    • 38 Metascore
    • 38 Connie Ogle
    The film is supposed to be about tolerance, but the only acceptance comes in terms of how the islanders accept the Mormon teachings. Somehow, that doesn't quite feel divine.
    • 37 Metascore
    • 38 Connie Ogle
    The dancing, while reasonably entertaining, isn't anything you haven't seen before on MTV or BET, although the soundtrack might be a worthwhile investment for hip-hop fans.
    • 42 Metascore
    • 38 Connie Ogle
    Mostly, though, The Big Bounce isn't offensive, or even terrible. It's just lazy, relying on numb moviegoers to fork over cash thinking they'll see the next "Get Shorty" or "Out of Sight."
    • 36 Metascore
    • 38 Connie Ogle
    A cliché-ridden, condescending and ham-handed film that clumsily fails to bring to life what should be an interesting story. You might say none of its punches even comes close to connecting.
    • 45 Metascore
    • 38 Connie Ogle
    Sluggish, uninspired drama.
    • 55 Metascore
    • 38 Connie Ogle
    This shameless cheerleader of a documentary is the sort of propaganda you might expect in a Republican campaign ad or perhaps featured at a small theater located somewhere in Fantasyland.
    • 33 Metascore
    • 38 Connie Ogle
    Loaded with so much drama that the story sinks into a grim, sloppy soap-opera mix.
    • 22 Metascore
    • 38 Connie Ogle
    They pull it off, but even if you believe in Santa, you'll never believe that this is any sort of holiday classic.
    • 39 Metascore
    • 38 Connie Ogle
    Crudup is about as effective as anyone could be in the dreary World Traveler, but he can't keep this shallow, pretentious film from wallowing in banality and staggering self-indulgence.
    • 32 Metascore
    • 38 Connie Ogle
    It's an hour longer than the average sitcom, but The Wedding Date isn't much different from what you see crammed into any TV comedy lineup, minus the laugh track.
    • 46 Metascore
    • 38 Connie Ogle
    Unimaginative, exasperating film, hopefully but fruitlessly recycled after the success of 2002's ebullient Whale Rider.
    • 34 Metascore
    • 38 Connie Ogle
    With its unfathomably stupid plot, half-hearted laughs and slow-witted action, can only be considered a waste of time. Especially yours.
    • 36 Metascore
    • 38 Connie Ogle
    Viewing the new Martin Lawrence kiddie movie is more enjoyable than watching my dog eat a desiccated toad carcass he pried off the road, but only marginally so.
    • 48 Metascore
    • 38 Connie Ogle
    Amateurishness -- the camera angles sometimes chop off the top of Reiser's head -- aside, The Thing About My Folks is also weirdly dated, especially with regard to technology.
    • 55 Metascore
    • 38 Connie Ogle
    If the Giorgios were more interesting, perhaps Brooklyn Lobster would feel less sluggish. But as it is, the crustaceans' unhappy destinies are more compelling than the colorless lives of their captors.
    • 34 Metascore
    • 38 Connie Ogle
    It has virtually nothing in common with the charming book written by the Gilbreths about their turn-of-the-century family and everything to do with making money on DVD rentals.
    • 41 Metascore
    • 38 Connie Ogle
    It never comes close to touching the audience's heart.
    • 52 Metascore
    • 38 Connie Ogle
    The Lake House overflows with heart-stopping thrills, if by ''thrills'' you mean ''watching attractive people wait around for letters to be delivered by mystical forces.'' Which, come to think of it, makes this romantic melodrama sound a lot more interesting than it is.
    • 38 Metascore
    • 38 Connie Ogle
    Tiresome romantic comedy that reinforces every imaginable gay stereotype.
    • 53 Metascore
    • 38 Connie Ogle
    No rose-colored memories can improve this tedious interpretation of the famous girl detective's adventures. Nancy Drew falls somewhere between "The Haunted Mansion" and the live-action "Scooby Doo" movies in terms of quality but is more irritating than either.
    • 13 Metascore
    • 38 Connie Ogle
    A tired and unnecessary sequel.