For 706 reviews, this critic has graded:
  • 54% higher than the average critic
  • 2% same as the average critic
  • 44% lower than the average critic
On average, this critic grades 3.9 points lower than other critics. (0-100 point scale)

Connie Ogle's Scores

  • Movies
  • TV
Average review score: 58
Highest review score: 100 Iris
Lowest review score: 0 The Hottie & the Nottie
Score distribution:
706 movie reviews
    • 52 Metascore
    • 38 Connie Ogle
    Excruciatingly unamusing.
    • 45 Metascore
    • 38 Connie Ogle
    Sluggish, uninspired drama.
    • 22 Metascore
    • 38 Connie Ogle
    They pull it off, but even if you believe in Santa, you'll never believe that this is any sort of holiday classic.
    • 57 Metascore
    • 38 Connie Ogle
    Slow-witted, clumsy and almost pathologically reliant on crude name-calling for laughs - Horrible Bosses represents the lowest end of the comedy spectrum.
    • 28 Metascore
    • 38 Connie Ogle
    There's only one excuse for the sentimental and ham-handed I Am Sam, and it's not to tout the rights of the mentally disabled.
    • Miami Herald
    • 41 Metascore
    • 38 Connie Ogle
    It never comes close to touching the audience's heart.
    • 55 Metascore
    • 38 Connie Ogle
    This shameless cheerleader of a documentary is the sort of propaganda you might expect in a Republican campaign ad or perhaps featured at a small theater located somewhere in Fantasyland.
    • 42 Metascore
    • 38 Connie Ogle
    A romantic comedy need not be original to work. It just needs, you know, romance. Something to swoon over. What Two Weeks Notice provides, however, is a lot more messy.
    • 46 Metascore
    • 38 Connie Ogle
    Unimaginative, exasperating film, hopefully but fruitlessly recycled after the success of 2002's ebullient Whale Rider.
    • 29 Metascore
    • 38 Connie Ogle
    The ghastly first half of this romantic comedy -- is as close to unwatchable as any moment in "Bride Wars." The fact that it stars Renée Zellweger just makes it harder to bear.
    • 37 Metascore
    • 38 Connie Ogle
    The dancing, while reasonably entertaining, isn't anything you haven't seen before on MTV or BET, although the soundtrack might be a worthwhile investment for hip-hop fans.
    • 55 Metascore
    • 38 Connie Ogle
    If the Giorgios were more interesting, perhaps Brooklyn Lobster would feel less sluggish. But as it is, the crustaceans' unhappy destinies are more compelling than the colorless lives of their captors.
    • 36 Metascore
    • 38 Connie Ogle
    The best story here is the one about how Stolen Summer made it to the screen; that's more compelling than anything that happens in Pete's world.
    • 53 Metascore
    • 38 Connie Ogle
    No rose-colored memories can improve this tedious interpretation of the famous girl detective's adventures. Nancy Drew falls somewhere between "The Haunted Mansion" and the live-action "Scooby Doo" movies in terms of quality but is more irritating than either.
    • 41 Metascore
    • 38 Connie Ogle
    The arsenal is empty, and there’s nowhere for The Truth About Emanuel to go except — unfortunately — downhill.
    • 39 Metascore
    • 38 Connie Ogle
    Sometimes I suspect there is secret high-stakes contest in Hollywood among filmmakers to try and come up with a movie without a single original idea. If so, Life As We Know It is a contender.
    • 50 Metascore
    • 38 Connie Ogle
    There's plenty of action, but it's all the same.
    • 34 Metascore
    • 38 Connie Ogle
    With its unfathomably stupid plot, half-hearted laughs and slow-witted action, can only be considered a waste of time. Especially yours.
    • 45 Metascore
    • 38 Connie Ogle
    The actors are their usual reliable selves; you can't really blame them for the unlikely mess Levity becomes.
    • 39 Metascore
    • 38 Connie Ogle
    A by-the-numbers sports drama with a death grip on clichés and acting every bit as flat as the mat, seems unlikely to draw much of a crowd.
    • 53 Metascore
    • 38 Connie Ogle
    There's no real reason to see this movie. It's exhausting and pointless and not amusing enough to make up for its failings. You can do better. The filmmakers could have done better. Honestly, you're better off staying home and making hummus.
    • 29 Metascore
    • 25 Connie Ogle
    Shameless in its desperate grab at the heartstrings.
    • 25 Metascore
    • 25 Connie Ogle
    It's a cannibalization of "Sleeping With the Enemy," a not-so-good Julia Roberts film, with a ridiculous female-empowerment subtext and a relentlessly stupid script that goes nowhere you can't predict before the opening credits roll.
    • 35 Metascore
    • 25 Connie Ogle
    An invasion of the body snatchers is preferable to realizing that the true horror perpetrated here is not on the characters but on the audience.
    • 32 Metascore
    • 25 Connie Ogle
    Watching Wilson and Hudson toil thanklessly through this mess is more laborious than writing the Great American Novel. And a lot less lucrative.
    • 51 Metascore
    • 25 Connie Ogle
    But if My Date With Drew is what passes for filmmaking these days, the movie industry is in more trouble than we thought.
    • 33 Metascore
    • 25 Connie Ogle
    The Last Song, yet another maudlin remake of a Nicholas Sparks bestseller.
    • 33 Metascore
    • 25 Connie Ogle
    Dismal.
    • 54 Metascore
    • 25 Connie Ogle
    If you're going to be offensive, by all means be offensive. Be tasteless! Be "There's Something About Mary." But at least stick to your guns, and don't wuss out when it counts.
    • 40 Metascore
    • 25 Connie Ogle
    One of those blessedly rare films based on a self-help book, is remarkable in one sense: It prevents "The Lake House" and its magical mailbox from being the most ridiculous concept on screen this summer.

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