For 671 reviews, this critic has graded:
  • 54% higher than the average critic
  • 2% same as the average critic
  • 44% lower than the average critic
On average, this critic grades 1.8 points lower than other critics. (0-100 point scale)

Connie Ogle's Scores

  • Movies
  • TV
Average review score: 58
Highest review score: 100 Every Little Step
Lowest review score: 0 The Brown Bunny
Score distribution:
671 movie reviews
    • 77 Metascore
    • 75 Connie Ogle
    Anyone who understands the subtle shadings of friendship will appreciate Our Song's realistic slice of teen life.
    • Miami Herald
    • 72 Metascore
    • 75 Connie Ogle
    Not about sex; it's about leaps of faith, at work, in love, in life.
    • 49 Metascore
    • 75 Connie Ogle
    Romantic comedies don't have to be profound when they are as appealing as this one.
    • 77 Metascore
    • 75 Connie Ogle
    A sweet reminder of their lost and lively world.
    • 78 Metascore
    • 75 Connie Ogle
    It's a warm, skillful excavation of what look like ordinary lives, ones that aren't so simple once you dig a little deeper.
    • 72 Metascore
    • 75 Connie Ogle
    Provides a few of the best thrills so far this summer.
    • 70 Metascore
    • 75 Connie Ogle
    Sometimes the film feels as if it's trying too hard to include every possible horror a teenager could sample.
    • 52 Metascore
    • 75 Connie Ogle
    Better than its trailers indicate. Forget the seemingly silly Chapstick moment: Any film that sends a cold shock to your system is doing something right.
    • Miami Herald
    • 47 Metascore
    • 75 Connie Ogle
    Timing is key in a comedy like this, and Sonnenfeld keeps everyone and everything clicking. The pacing is swift and the laughs are steady.
    • 24 Metascore
    • 75 Connie Ogle
    Surprisingly sweet and, dare we say it, old-fashioned, with an engaging sense of humor that's a definite improvement on lame, lowbrow efforts such as "Little Nicky."
    • 62 Metascore
    • 75 Connie Ogle
    Vardalos made the Portokaloses so funny they'll make your own family seem tame.
    • 77 Metascore
    • 75 Connie Ogle
    Dogme films don't have to be bleak to be effective. They can be -- imagine! -- fun. Scherfig may have taken the discipline in an entirely new and welcome direction.
    • 60 Metascore
    • 75 Connie Ogle
    Hearing Wilde's pithy lines in her mouth -- ''London society is full of women of the very highest birth who have, of their own free choice, remained 35 for years'' -- is worth the ticket price. In the end it's Dench who reminds us of the importance of enjoying Oscar Wilde.
    • 32 Metascore
    • 75 Connie Ogle
    It's an extremely raunchy hybrid of "Bridget Jones's Diary."
    • 63 Metascore
    • 75 Connie Ogle
    Everything in Drumline engages, from its likable cast to its breathtaking finale. Only the most jaded viewers won't be cheering by the end.
    • 71 Metascore
    • 75 Connie Ogle
    McGrath has managed to turn Dickens into a cozy date movie. When was the last time anybody could make that claim?
    • 84 Metascore
    • 75 Connie Ogle
    Vibrant and intriguing, a fine adaptation despite the slight departures from its source, with warm cinematography that captures the feel of '50s Saigon and two performances worthy of Oscar attention.
    • 53 Metascore
    • 75 Connie Ogle
    Lost and Delirious doesn't need metaphors for the power of strength and healing. All the passion and pain it needs glows ferociously in the eyes of its young women.
    • 52 Metascore
    • 75 Connie Ogle
    Serendipity's finale is a perfect crowd-pleaser, sweet and unlikely and over the top.
    • 72 Metascore
    • 75 Connie Ogle
    This crowd-pleaser is a genuinely inspirational film, gorgeously filmed and wonderfully acted, echoing an uplifting sentiment that bears repeating: ''You don't throw a whole life away just because it's banged up a little.''
    • 79 Metascore
    • 75 Connie Ogle
    There is magic here, enough to make Whale Rider worthy of the audience-choice awards it has earned at film festivals worldwide.
    • 55 Metascore
    • 75 Connie Ogle
    But Babys also resembles "Sunshine State" in another, more satisfying way: It leaves you longing to know what happens to these characters once the movie ends.
    • 81 Metascore
    • 75 Connie Ogle
    Despite its humble nature, the film is downright uplifting without being vulgar, flashy or embarrassing.
    • 55 Metascore
    • 75 Connie Ogle
    The biggest surprise in the cheery, delightful Love Actually is its lively, edgy, slightly blue sense of humor.
    • 60 Metascore
    • 75 Connie Ogle
    The film's appeal is universal, not just female, and, best of all, it's based on a true story.
    • 59 Metascore
    • 75 Connie Ogle
    There's nothing offensive about Barbershop 2, and maybe there should be. But even if the film plays it safe, it remains a cut above other mainstream comedies.
    • 67 Metascore
    • 75 Connie Ogle
    Not so much a thriller as an exploration of one man's crumbling moral compass.
    • 38 Metascore
    • 75 Connie Ogle
    Brosnan and Moore may not be substitutes for Tracy and Hepburn, but they're more than capable of making you smile for now.
    • 51 Metascore
    • 75 Connie Ogle
    Wins you over with this bright sense of humor and its gentle, welcome message of tolerance and acceptance.
    • 74 Metascore
    • 75 Connie Ogle
    In addition to providing a textbook example of suspense, Estes also makes us want to know what happens to these kids after the screen goes dark.

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