For 670 reviews, this critic has graded:
  • 54% higher than the average critic
  • 2% same as the average critic
  • 44% lower than the average critic
On average, this critic grades 1.9 points lower than other critics. (0-100 point scale)

Connie Ogle's Scores

  • Movies
  • TV
Average review score: 58
Highest review score: 100 Every Little Step
Lowest review score: 0 The Brown Bunny
Score distribution:
670 movie reviews
    • 63 Metascore
    • 25 Connie Ogle
    This noisy, formulaic film turns out to be immediately forgettable, except for the parts that are so ridiculous they leave you shaking your head in wonder hours later.
    • 59 Metascore
    • 25 Connie Ogle
    You don't believe Celeste for a minute when she tells a new guy that she needs to be alone for awhile. You know he's coming back in short order to provide the happy ending. Here's hoping she doesn't want him to get a job, too.
    • 59 Metascore
    • 25 Connie Ogle
    Inherently laughable, but in all the wrong ways.
    • 59 Metascore
    • 38 Connie Ogle
    This is 40 is crude and dull, with a supporting cast that reminds you how utterly uninteresting the main characters are.
    • 57 Metascore
    • 38 Connie Ogle
    Slow-witted, clumsy and almost pathologically reliant on crude name-calling for laughs - Horrible Bosses represents the lowest end of the comedy spectrum.
    • 55 Metascore
    • 38 Connie Ogle
    This shameless cheerleader of a documentary is the sort of propaganda you might expect in a Republican campaign ad or perhaps featured at a small theater located somewhere in Fantasyland.
    • 55 Metascore
    • 38 Connie Ogle
    Maybe there's a good movie to be made about the affair between Franklin Delano Roosevelt and a distant cousin. I wouldn't bet on it, and Hyde Park on Hudson isn't it in any case.
    • 55 Metascore
    • 38 Connie Ogle
    If the Giorgios were more interesting, perhaps Brooklyn Lobster would feel less sluggish. But as it is, the crustaceans' unhappy destinies are more compelling than the colorless lives of their captors.
    • 54 Metascore
    • 25 Connie Ogle
    If you're going to be offensive, by all means be offensive. Be tasteless! Be "There's Something About Mary." But at least stick to your guns, and don't wuss out when it counts.
    • 54 Metascore
    • 25 Connie Ogle
    Much like the play within it, Hamlet 2 is lousy. The main difference is that the play is SUPPOSED to be awful. The movie about the play is supposed to be funny.
    • 53 Metascore
    • 38 Connie Ogle
    No rose-colored memories can improve this tedious interpretation of the famous girl detective's adventures. Nancy Drew falls somewhere between "The Haunted Mansion" and the live-action "Scooby Doo" movies in terms of quality but is more irritating than either.
    • 53 Metascore
    • 38 Connie Ogle
    There's no real reason to see this movie. It's exhausting and pointless and not amusing enough to make up for its failings. You can do better. The filmmakers could have done better. Honestly, you're better off staying home and making hummus.
    • 53 Metascore
    • 25 Connie Ogle
    Limps along, spinning not a silken web but an extremely derivative, tattered one not likely to snare anybody's interest.
    • 52 Metascore
    • 25 Connie Ogle
    A star rises in the east. A savior is born. Two thousand years later, a surprisingly dull film is made.
    • 52 Metascore
    • 38 Connie Ogle
    Explicitly invites us to mock its artificiality and giggly cluelessness, but beyond its attractive shell the film rings hollow. These days, even a comedy has got to have a heart.
    • 52 Metascore
    • 38 Connie Ogle
    Excruciatingly unamusing.
    • 52 Metascore
    • 38 Connie Ogle
    The Lake House overflows with heart-stopping thrills, if by ''thrills'' you mean ''watching attractive people wait around for letters to be delivered by mystical forces.'' Which, come to think of it, makes this romantic melodrama sound a lot more interesting than it is.
    • 51 Metascore
    • 25 Connie Ogle
    But if My Date With Drew is what passes for filmmaking these days, the movie industry is in more trouble than we thought.
    • 51 Metascore
    • 0 Connie Ogle
    There are not enough synonyms for ''bad'' to describe the pretension and utter banality of the masturbatory The Brown Bunny, a film so exhaustively awful even its creator Vincent Gallo once disavowed it.
    • 50 Metascore
    • 38 Connie Ogle
    There's plenty of action, but it's all the same.
    • 48 Metascore
    • 38 Connie Ogle
    What you don’t expect is camp. The Counselor is more "Wild Things" than "No Country for Old Men", with which it shares a border town setting. But at least "Wild Things" knew what it was. The Counselor treats its material seriously and seems to have no idea it’s a joke that can’t even muster up a bit of smarty-pants Tarantino cleverness or energy.
    • 48 Metascore
    • 25 Connie Ogle
    Paced at the speed at which Arctic ice melts, The Dust Factory is a sluggish, heavy-handed fable overloaded with talk of paradise and the man in the moon.
    • 48 Metascore
    • 38 Connie Ogle
    Amateurishness -- the camera angles sometimes chop off the top of Reiser's head -- aside, The Thing About My Folks is also weirdly dated, especially with regard to technology.
    • 47 Metascore
    • 38 Connie Ogle
    The film is more of an exercise in pandering and propaganda -- give your baby up for adoption, you selfish pig! -- than the heartfelt drama it aims to be.
    • 47 Metascore
    • 25 Connie Ogle
    A royal mess, a lethally stupid romantic teen comedy.
    • 47 Metascore
    • 25 Connie Ogle
    Oddly tone deaf.
    • 46 Metascore
    • 38 Connie Ogle
    What we are not spared is the sort of trite movie that lacks the backbone of any good dysfunctional-family comedy: a thread of the universal amid the absurdity.
    • 46 Metascore
    • 38 Connie Ogle
    Unimaginative, exasperating film, hopefully but fruitlessly recycled after the success of 2002's ebullient Whale Rider.
    • 46 Metascore
    • 25 Connie Ogle
    The film does provide some nice shots of Venice and offers one solid reason to display a little patriotic fervor: We do have the freedom to avoid such rote, shallow dullness.
    • 45 Metascore
    • 25 Connie Ogle
    A devastating lack of romantic connection between its two stars. Lopez had more chemistry with "Enough" co-star Billy Campbell, and for most of that film they were beating the hell out of each other.

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