For 620 reviews, this critic has graded:
  • 52% higher than the average critic
  • 2% same as the average critic
  • 46% lower than the average critic
On average, this critic grades 1.9 points lower than other critics. (0-100 point scale)

Connie Ogle's Scores

  • Movies
Average review score: 57
Highest review score:
Critic Score 100
Lowest review score:
Critic Score 0
Score distribution:
620 movie reviews
    • Metascore: 31
    • Connie Ogle 50
    There's no real artistry to this: It's as though Parker has just seen "Seven" and suffered some sort of David Fincher flashback.
    • Metascore: 30
    • Connie Ogle 25
    It's not quite true to say that death is preferable to sitting through Over HerDead Body, but it's a safe bet that if you struggle through this witless romantic comedy the lure of being six feet under will cross your mind.
    • Metascore: 30
    • Connie Ogle 50
    Don't expect perfection, and you'll emerge from this goofy movie all in one piece, with reasonably entertained kids and a milder headache.
    • Metascore: 30
    • Connie Ogle 25
    The idea, I suppose, is that love connects us all, even when it goes wrong. Fortunately, even love doesn't usually go quite so badly as this movie does.
    • Metascore: 30
    • Connie Ogle 25
    It is a grim and monotonous affair despite the overkill of bad guys -- a trio of evil spirits plus a bonus serial killer -- mixed with a few cheap shocks futilely intended to make the audience jump.
    • Metascore: 30
    • Connie Ogle 50
    The guys are more amusing than not, and they display the easy chemistry of real-life pals.
    • Metascore: 30
    • Connie Ogle 50
    Better than you might expect despite its awkward, slow beginning, drawing you in gradually and paying off in surprisingly effective and bittersweet ways.
    • Metascore: 30
    • Connie Ogle 25
    The germ of a better film lies in that joke, but Schaeffer doesn't quite dig it out. Instead, we get painfully unfunny scenes that make us think that when it comes to writing comedy, Schaeffer should stick to his own rule: never again.
    • Metascore: 29
    • Connie Ogle 25
    Shameless in its desperate grab at the heartstrings.
    • Metascore: 29
    • Connie Ogle 50
    Premonition is actually more daring than you might expect. Not bold enough to be memorable, maybe, but just enough to keep you from falling asleep in front of the TV.
    • Metascore: 29
    • Connie Ogle 38
    The ghastly first half of this romantic comedy -- is as close to unwatchable as any moment in "Bride Wars." The fact that it stars Renée Zellweger just makes it harder to bear.
    • Metascore: 29
    • Connie Ogle 50
    Fool's Gold isn't so much a film as an opportunity to pay homage to Matthew McConaughey's impressive physique.
    • Metascore: 29
    • Connie Ogle 25
    According to legend, a silver bullet can kill a werewolf. Too bad it can't slay bad writing, without which the ill-conceived Red Riding Hood would not exist.
    • Metascore: 29
    • Connie Ogle 25
    Just My Luck is way too long for such a slight premise, and Lohan, so appealing in Mean Girls, is years too young for the part.
    • Metascore: 28
    • Connie Ogle 38
    There's only one excuse for the sentimental and ham-handed I Am Sam, and it's not to tout the rights of the mentally disabled.
    • Metascore: 28
    • Connie Ogle 50
    Nobel Son is not good. Nor is it bad. It exists, instead, somewhere in the middle ground of interesting enough to hold one's attention without actually providing any fresh, sensible or nonderivative developments.
    • Metascore: 28
    • Connie Ogle 50
    The sloppy charms of Just Married don't exactly break new ground, but they don't make you want to swear off romantic comedy forever, and in these "Maid in Manhattan" days that's saying something.
    • Metascore: 27
    • Connie Ogle 25
    Embarrassingly shoddy film.
    • Metascore: 27
    • Connie Ogle 50
    Frothy as it is, SATC2 is best when it's about the women, not the wardrobe.
    • Metascore: 27
    • Connie Ogle 25
    Young girls are the only ones likely to enjoy this vapid road-trip movie.
    • Metascore: 27
    • Connie Ogle 25
    There is humor in the familiar just waiting to be rehashed for new generations, and A Guy Thing surely isn't the last stupid leave-'em-at-the-altar film we're likely to see.
    • Metascore: 27
    • Connie Ogle 25
    Silly, tedious, inept disaster.
    • Metascore: 27
    • Connie Ogle 50
    Wild Hogs is a paint-by-numbers comedy, borrowing most of its broad strokes from sitcoms, and not clever ones like "The Office" and 3"0 Rock," either.
    • Metascore: 26
    • Connie Ogle 50
    Twisted is a movie so derivative it's hard to pinpoint exactly how many other thrillers it poaches from.
    • Metascore: 26
    • Connie Ogle 25
    The search for true love is the backbone of romantic comedy as well as the lifeblood of match.com, but this film's clumsy, completely inauthentic portrayal of it is handled in a shockingly tedious fashion.
    • Metascore: 26
    • Connie Ogle 50
    Amusing at times but never more than a modest diversion, lacking the cleverness and imagination required to turn it into more than a one-joke movie.
    • Metascore: 25
    • Connie Ogle 38
    Filmmaker Christopher Cain has turned a national tragedy into a teen romance, and not in a grand, entertaining, "Titanic" way.
    • Metascore: 25
    • Connie Ogle 50
    The fact that License to Wed isn't as unbearable as its trailers make it look doesn't mean it's good. It's not. It's just another mediocre addition -- worse than the best sitcoms, better than the worst.
    • Metascore: 25
    • Connie Ogle 25
    The sort of entertainment that makes you happy to be grown up and able to avoid the current onslaught of trite, lazy, unimaginative films aimed at tween-agers.
    • Metascore: 25
    • Connie Ogle 25
    Tale is anything but spellbinding.