For 704 reviews, this critic has graded:
  • 54% higher than the average critic
  • 2% same as the average critic
  • 44% lower than the average critic
On average, this critic grades 2.6 points lower than other critics. (0-100 point scale)

Connie Ogle's Scores

  • Movies
  • TV
Average review score: 58
Highest review score: 100 3:10 to Yuma
Lowest review score: 0 Bratz
Score distribution:
704 movie reviews
    • 50 Metascore
    • 63 Connie Ogle
    It's a lot more entertaining than box office success "Scooby-Doo" and more honest, too. When Irwin plays out a scene with a reptilian, you can be sure the croc is not computer-generated.
    • 75 Metascore
    • 63 Connie Ogle
    In the end, Roger Dodger doesn't really add up to much. Guys can be jerks when they're lonely, or even when they're not. It's not news. But Kidd's version of this truth shows he's a writer worth watching.
    • 61 Metascore
    • 63 Connie Ogle
    Don't forget the waves. They're the stars of this show, and Blue Crush smartly never lets you forget it.
    • 58 Metascore
    • 63 Connie Ogle
    The Safety of Objects doesn't carry the power of Ang Lee's "The Ice Storm," a similarly themed work about WASPS in crisis. Objects is too artificial, clunky with too many preposterous situations.
    • 34 Metascore
    • 63 Connie Ogle
    It's fun to watch the stocky, scowling Ice Cube and skinny, jittery Epps play off each other; they click on screen.
    • 48 Metascore
    • 63 Connie Ogle
    Likable, cheerfully off-color comedy.
    • 44 Metascore
    • 63 Connie Ogle
    Manages to sidestep the potential overload of cheap sentimentality -- an intimate dance between an elderly couple registers with heartbreaking sweetness -- and evokes a lingering sense of loss.
    • 36 Metascore
    • 63 Connie Ogle
    Never reaches this level of devastating loss despite its tragedies, but it's not the dismal bomb that much of the British press claims.
    • 47 Metascore
    • 63 Connie Ogle
    An important and interesting story, but the reform school itself never seems terribly harsh.
    • 63 Metascore
    • 63 Connie Ogle
    Doesn't feel quite so lengthy as its predecessor. And while it still falls short of becoming the classic fans so badly want it to be, the film is livelier and better overall than "The Sorcerer's Stone."
    • 49 Metascore
    • 63 Connie Ogle
    More than just another feel-good teacher movie.
    • 66 Metascore
    • 63 Connie Ogle
    The film's heart lies in what goes on at Calvin's shop, that haven from the cold, cruel world. Where else can you get philosophy, humor, friendship and a little off the top?
    • 36 Metascore
    • 63 Connie Ogle
    Harmless, mildly enjoyable.
    • 56 Metascore
    • 63 Connie Ogle
    The sort of movie you enjoy much more while you're watching it in the theater than when you're deconstructing it on the way home.
    • 52 Metascore
    • 63 Connie Ogle
    It is entertaining enough to send intelligent viewers (but only the intelligent ones) in search of the book.
    • 74 Metascore
    • 63 Connie Ogle
    Wields some power, but it's hard to shake the feeling you've seen it all before.
    • 58 Metascore
    • 63 Connie Ogle
    Despite its exciting moments, the film is too long.
    • 50 Metascore
    • 63 Connie Ogle
    It's a pleasure to see acceptance portrayed so matter-of-factly. May never happen in our lifetimes, but Lesnick's vision of tolerance is a soothing thought, anyway.
    • 68 Metascore
    • 63 Connie Ogle
    Essentially an old-fashioned movie, nothing fancy, nothing new, just some jokes and some action and a crowd-pleasing finale.
    • 76 Metascore
    • 63 Connie Ogle
    A well-intentioned coming-of-age film anchored by two indelible performances but weakened by an overabundance of drama.
    • 47 Metascore
    • 63 Connie Ogle
    Call it a victory for sincerity and style: Despite its familiarity, Blonde 2 doesn't make you want to pull out your hair by its (touched-up) roots.
    • 45 Metascore
    • 63 Connie Ogle
    Eventually loses its cheerful goofiness and its momentum, climaxing with a lengthy and embarrassing showdown scene at a big party. But it gets worse.
    • 51 Metascore
    • 63 Connie Ogle
    The charms of Lucía, Lucía rely heavily on the charismatic Roth, who is funny and warm and a lot of fun to watch as she embraces her new life.
    • 53 Metascore
    • 63 Connie Ogle
    Despite the increasingly annoying presence of the mugging, fatuous Cuba Gooding Jr., The Fighting Temptations pulls off what feels like a major feat: Its musical sequences could make the most hardened atheist want to go to church.
    • 71 Metascore
    • 63 Connie Ogle
    If it's not quite as funny as you want it to be, it's still more than enough to keep you entertained.
    • 45 Metascore
    • 63 Connie Ogle
    Plays out as little more than a diversion, one that does not truly break any new ground. But it's undeniably interesting and leaves plenty of room for a more thoughtful film about women and education.
    • 52 Metascore
    • 63 Connie Ogle
    Half-hearted satire of Hollywood and small-town life, and Bosworth is not particularly memorable in it.
    • 49 Metascore
    • 63 Connie Ogle
    Far more imaginative and intriguingly moody than other recent thrillers.
    • 44 Metascore
    • 63 Connie Ogle
    Vardalos may not have been the best possible Connie. But as Billy Wilder could have told you, nobody's perfect.
    • 57 Metascore
    • 63 Connie Ogle
    Garner may be a study in butt-kicking intensity on TV's Alias, but here, she's an engaging comic performer who more than carries her share of what is essentially an unoriginal, mostly average film.

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