For 126 reviews, this critic has graded:
  • 53% higher than the average critic
  • 3% same as the average critic
  • 44% lower than the average critic
On average, this critic grades 5.2 points higher than other critics. (0-100 point scale)

Dave Kehr's Scores

  • Movies
Average review score: 64
Highest review score: 100 Naked Lunch
Lowest review score: 25 Teen Wolf Too
Score distribution:
  1. Positive: 74 out of 126
  2. Negative: 12 out of 126
126 movie reviews
    • 77 Metascore
    • 100 Dave Kehr
    Beautifully wrought, darkly funny and finally devastating, My Own Private Idaho almost single-handedly revives the notion of personal filmmaking in the United States. [18 Oct 1991]
    • 83 Metascore
    • 100 Dave Kehr
    Brilliantly funny, bracingly smart and surprisingly moving. [22 June 1988]
    • 82 Metascore
    • 100 Dave Kehr
    This dark, melancholic film is a reminder -- never more necessary than now -- of what the American cinema is capable of, in the way of expressing a mature, morally complex and challenging view of the world. [7 Aug 1992]
    • 73 Metascore
    • 100 Dave Kehr
    It has wit, originality, color, warmth and formal intelligence. It tempers its escapist dash with a touch of darkness, and for all of its playfulness, never departs from a fundamental seriousness.... Something Wild is superbly unpredictable. [7 Nov 1986]
    • 67 Metascore
    • 100 Dave Kehr
    Though much of Naked Lunch is flip, hip and hilariously funny, it never wanders far from a profoundly melancholic undertone - Cronenberg's unshakable sense of loneliness, isolation and anxiety. [10 Jan 1992]
    • 79 Metascore
    • 100 Dave Kehr
    David Cronenberg's The Fly is that absolute rarity of the '80s: a film that is at once a pure, personal expression and a superbly successful commercial enterprise. [15 Aug 1986]
    • 86 Metascore
    • 88 Dave Kehr
    It's almost too rich in ideas for its own good: The sense of concentration and proportion isn't there. But it remains an astonishing, magnetic, devastating piece of work. [23 Sept 1988]
    • 93 Metascore
    • 88 Dave Kehr
    Irons' Von Bulow is easily the most attractive and entertaining movie heavy since James Mason's villain in ''North by Northwest,'' a figure with whom he shares a taste for elegant homes and wry understatement. [17 Oct 1990]
    • 78 Metascore
    • 88 Dave Kehr
    Graciously filmed by Martin Brest and imaginatively performed by Robert De Niro and Charles Grodin, the tired concept yields a steady stream of little discoveries and surprising insights that add up to some uncommonly rich comedy. [20 July 1988]
    • 76 Metascore
    • 88 Dave Kehr
    Hugely funny, but it's also liberating-precisely because it centers its aim on that cold, closed system and blows it apart. The straight lines are shattered; the empty spaces in the images are packed full until they burst. [2 Dec 1988]
    • 74 Metascore
    • 88 Dave Kehr
    Strange, funny and powerfully moving… Burton has found a way to move through camp to emotional authenticity, to communicate-through a concentration of style and an innocence of regard-a depth and sincerity of feeling that his deliberately (and often, comically) flat characters could not summon on their own. [14 Dec 1990, Friday, p.C]
    • 86 Metascore
    • 88 Dave Kehr
    Complex, knotty and at times even uncomfortable; its world has a weight and heft that makes its ultimate romanticism seem genuinely transcendant, genuinely magical. [14 April 1989]
    • 78 Metascore
    • 88 Dave Kehr
    The film has undeniable power, but it's an unusual and unsettling power, a product of a collision between red-hot material and the cool serenity with which Kubrick observes and accepts it. [26 June 1987]
    • 52 Metascore
    • 88 Dave Kehr
    And yet there is enough of a core of sincerity to turn even the most preposterous moments-such as the film's dream-sequence finale-into something moving and true: You buy the feelings, even as the situations degenerate into the ludicrous and absurd. [17 Aug 1990, Friday, p.C]
    • 82 Metascore
    • 88 Dave Kehr
    A study of junkie culture from the inside (not a fashionable point of view these days), Drugstore Cowboy is funny, depressive and strangely noble, often all at once. [27 Oct 1989]
    • 84 Metascore
    • 88 Dave Kehr
    Broadcast News is the crispest, classiest entertainment; it has what Hollywood has been missing. [16 Dec 1987, p.8]
    • 50 Metascore
    • 88 Dave Kehr
    Charlie, who owes an obvious debt to Chuck Jones' Wile E. Coyote, comes equipped with one of the most expressive faces in cartoon history: Bluth keeps his features-ears, snout, mouth, eyes-in constant flux, a beautiful blend of line and volume that represents the pinnacle of the animator's art. [17 Nov 1989]
    • 50 Metascore
    • 88 Dave Kehr
    It's the film in which an entertainer at last becomes an artist, dealing with manifestly personal, painful emotions and casting them in a form that gives them philosophical perspective and universal affect. It's Spielberg's finest achievement, a film that will look better and better with the passage of time. [22 Dec. 1989]
    • 84 Metascore
    • 88 Dave Kehr
    It's this balance of vivid performance and directorial detachment that allows Leigh to move freely between delicate sentiment and highly caustic wit; even in his most harshly satirical moments, he never denies the humanity of his characters.
    • 68 Metascore
    • 88 Dave Kehr
    The Witches of Eastwick is filmmaking of a very high order; it's also a great time at the movies.