David Edelstein
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For 1,627 reviews, this critic has graded:
  • 46% higher than the average critic
  • 2% same as the average critic
  • 52% lower than the average critic
On average, this critic grades 3.8 points higher than other critics. (0-100 point scale)

David Edelstein's Scores

  • Movies
  • TV
Average review score: 63
Highest review score: 100 Winter's Bone
Lowest review score: 0 Arthur
Score distribution:
1,627 movie reviews
    • 100 Metascore
    • 100 David Edelstein
    Living with Mason and his parents over time you feel an intimacy, an empathy, a shared stake. I’m not saying Boyhood is the greatest film I’ve ever seen, but I’m thinking there’s my life before I saw it and my life now, and it’s different; I know movies can do something that just last week I didn’t. They can make time visible.
    • 97 Metascore
    • 90 David Edelstein
    The coup de grâce is especially graceless because everything we know is already visible in Marinca’s eyes. The actress is extraordinary.
    • 96 Metascore
    • 100 David Edelstein
    Bird clearly knows the great silent clowns: The slapstick he devises is balletic.
    • 96 Metascore
    • 100 David Edelstein
    Watching the opening of A Hard Day's Night is like getting a direct injection of happiness.
    • 96 Metascore
    • 100 David Edelstein
    The movie is as cornball as all get-out and — once you discern the narrative arc — as predictable. But then there’s the part that’s — as we serious cinephiles like to say — infuckingcredible.
    • 95 Metascore
    • 100 David Edelstein
    As a moral statement, Zero Dark Thirty is borderline fascistic. As a piece of cinema, it's phenomenally gripping - an unholy masterwork.
    • 95 Metascore
    • 90 David Edelstein
    What makes it so good is that no one is bad. These humans, desperate to do right, are caught up in a perfect storm of inhumanity. The evil is in the ecosystem.
    • 94 Metascore
    • 90 David Edelstein
    The Hurt Locker might be the first Iraq-set film to break through to a mass audience because it doesn't lead with the paralysis of the guilt-ridden Yank. The horror is there, but under the rush.
    • 94 Metascore
    • 100 David Edelstein
    The new Pixar picture Wall-E is one for the ages, a masterpiece to be savored before or after the end of the world.
    • 94 Metascore
    • 90 David Edelstein
    A warm, ingratiating, and fitfully hilarious epicurean road movie with a steady ache-an ache like a red-wine hangover.
    • 94 Metascore
    • 100 David Edelstein
    It might be the cinema's most astonishing holy war film. The Lord of the Rings took seven years and an army of gifted artists to execute, and the striving of its makers is in every splendid frame. It's more than a movie--it's a gift.
    • 94 Metascore
    • 90 David Edelstein
    Shot by shot, scene by scene, it's a fluid and enthralling piece of work. I wasn't bored for a millisecond.
    • 94 Metascore
    • 100 David Edelstein
    Something sacred passes between Trintignant and Riva. The actress's eyes signal deep awareness as the sounds coming out of her mouth become animalistic.
    • 93 Metascore
    • 100 David Edelstein
    Perhaps the most awesome thing in Mr. Turner is how Leigh and cinematographer Dick Pope hint at Turner’s paintings in their landscapes — not to make the film look painterly but to suggest what Turner saw before transmuting reality into art.
    • 93 Metascore
    • 90 David Edelstein
    My first viewing left me dazzled but slightly confused; a second deeply impressed; a third rhapsodic. I wish I hadn't needed to rediagram it in my head to turn it into the masterpiece it so obviously wants to be.
    • 92 Metascore
    • 90 David Edelstein
    Joel and Ethan Coen’s Inside Llewyn Davis is an exquisitely crafted tale of woe with heartfelt early-sixties folk music — and an overarching snottiness.
    • 92 Metascore
    • 100 David Edelstein
    The film is a masterpiece in which “locked-in” syndrome becomes the human condition.
    • 92 Metascore
    • 100 David Edelstein
    Cantet's real-time classroom scenes are revelations: They make you understand that teaching is moment to moment, an endless series of negotiations that hang on intangibles—on imagination and empathy and the struggle to stay centered. This is a remarkable movie.
    • 92 Metascore
    • 100 David Edelstein
    Anderson’s fearless, bighearted filmmaking is an antidote to the toxic cloud of Manifest Destiny. He has made a mad American classic.
    • 92 Metascore
    • 100 David Edelstein
    Fashioned by a buff, The Lord of the Rings is a banquet for the buff in us all. I left exhausted, happy, intoxicated.
    • 92 Metascore
    • 100 David Edelstein
    For grown-ups, the film will touch something deeper: the heartfelt wish that childhood memories will never fade.
    • 91 Metascore
    • 90 David Edelstein
    One of the most enthralling three hours you'll ever spend at the theater.
    • 91 Metascore
    • 100 David Edelstein
    The Queen is the most reverent irreverent comedy imaginable. Or maybe it's the most irreverent reverent comedy. Either way, it's a small masterpiece.
    • 91 Metascore
    • 90 David Edelstein
    So Polley has gone meta — exuberantly, entertainingly, with all her heart.
    • 91 Metascore
    • 100 David Edelstein
    It has taken an animated film to go where live-action dramas and even documentaries haven't--to tickle our synapses and slip into our bloodstream.
    • 91 Metascore
    • 90 David Edelstein
    It’s a near masterpiece.
    • 90 Metascore
    • 90 David Edelstein
    What Steven Spielberg has accomplished in Saving Private Ryan is to make violence terrible again.
    • 90 Metascore
    • 100 David Edelstein
    For all the horror, it's the drive toward life, not the decay, that lingers in the mind. As a modern heroine, Ree Dolly has no peer, and Winter's Bone is the year's most stirring film.
    • 90 Metascore
    • 90 David Edelstein
    Her
    In Her, Jonze transforms his music-video aesthetic into something magically personal. The montages — silent, flickering inserts of Theodore and his ex-wife recollected in tranquility — are sublime.
    • 90 Metascore
    • 90 David Edelstein
    Of all the great vocal characterizations...the showstopper is Brooks, who hasn't had a part this good since "Lost in America" (1985). His Marlin is tender, cranky, hysterical, yet somehow lucid.

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