David Edelstein, Slate
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For 719 reviews, this critic has graded:
  • 47% higher than the average critic
  • 2% same as the average critic
  • 51% lower than the average critic
On average, this critic grades 1.7 points higher than other critics. (0-100 point scale)

David Edelstein's Scores

  • Movies
Average review score: 61
Highest review score: 100 Chicago
Lowest review score: 0 The Amityville Horror
Score distribution:
719 movie reviews
    • 78 Metascore
    • 90 David Edelstein
    I found it exquisite. In part I responded out of sheer amazement: I've never seen anything like the sequences in which Sandler, in his boxy, sea-blue suit, charges around his warehouse to the rhythm of Brion's harsh drums.
    • 88 Metascore
    • 90 David Edelstein
    Poetry in motion: It's eggsquisite.
    • 82 Metascore
    • 90 David Edelstein
    Demme's movie exuberantly crosses the border from documentary into hagiography and from hagiography into celebration.
    • 75 Metascore
    • 90 David Edelstein
    Gorgeously silly.
    • 84 Metascore
    • 90 David Edelstein
    A big, overlong, and rather unwieldy piece of storytelling, but the story it has to tell is so vital that it cuts through all the dramaturgical muddiness. It's a terrific muckraking melodrama--it will get people fuming.
    • 69 Metascore
    • 90 David Edelstein
    During the ghastly, surreal climax, I had fun closing one eye and with the other watching various ashen older men stumble toward the exit.
    • 80 Metascore
    • 90 David Edelstein
    The movie becomes a nail-biter, the audience hanging on every letter. Who could have anticipated that a spelling competition would yield such a heartbreaking thriller?
    • 63 Metascore
    • 90 David Edelstein
    Most love stories are bland and generalized. This one takes you deep inside the dance.
    • 88 Metascore
    • 90 David Edelstein
    It's like an Ingmar Bergman film with the loss of religious faith replaced with a sort of socioeconomic nebulousness.
    • 79 Metascore
    • 90 David Edelstein
    A rollicking, comic-book Robin Hood plot and more furiously entertaining fight scenes than the ones in Ang Lee's solemn martial-arts art movie.
    • 81 Metascore
    • 90 David Edelstein
    Ends very abruptly, at a point where you're ready to hang out with it a while. I wanted it to go on and on, but that ending is right. It leaves you the way American movies almost never do: relaxed, receptive, and happy in the moment, not even caring if your train comes in.
    • 64 Metascore
    • 90 David Edelstein
    It's a rich, impressive comic-book fantasy -- easily the summer's best "blockbuster."
    • 88 Metascore
    • 90 David Edelstein
    It's the way Cuarón demonstrates how a simple teen comedy can suddenly blossom into a study of sexual mores, a Mexican political allegory, a song of lamentation -- and still be breezy and funny and sexy as hell.
    • 67 Metascore
    • 90 David Edelstein
    Rich, finely judged, gorgeously acted movie.
    • 68 Metascore
    • 90 David Edelstein
    Gallo’s movie is terrific, an original and disarming vision of a life that's all skids.
    • 83 Metascore
    • 90 David Edelstein
    Both a masterpiece and a holy hell: Watching it, you feel you're being punished for a crime you didn't commit. Which puts you, come to think of it, in the same frame of mind as those poor Magdalene girls.
    • 90 Metascore
    • 90 David Edelstein
    A monument to process -- to the minutiae of making art -- Topsy-Turvy leaves you upside down and breathless.
    • 90 Metascore
    • 90 David Edelstein
    What Steven Spielberg has accomplished in Saving Private Ryan is to make violence terrible again.
    • 78 Metascore
    • 90 David Edelstein
    Best in Show has an uproarious wild card in Fred Willard, who plays a hack commentator convinced that he's the most amusing fellow on television
    • 91 Metascore
    • 90 David Edelstein
    One of the most enthralling three hours you'll ever spend at the theater.
    • 79 Metascore
    • 90 David Edelstein
    The movie is riotously entertaining, and with a big heart, too.
    • 77 Metascore
    • 90 David Edelstein
    Anderson must have needed that bonkers third-hour climax because there was nowhere to go short of spontaneous combustion.
    • 72 Metascore
    • 90 David Edelstein
    It's a remarkable film--one to gnaw at you and keep you up at night.
    • 81 Metascore
    • 90 David Edelstein
    Master and Commander hooks you from its nifty opening salvo to its nifty closing punch line.
    • 49 Metascore
    • 90 David Edelstein
    A disgusting piece of work; I still can't believe how much I loved it.
    • 76 Metascore
    • 90 David Edelstein
    The miracle of the movie is the Bolger sisters, who are so direct and matter-of-fact that they hardly seem to be acting. But their simplicity is radiant.
    • 90 Metascore
    • 90 David Edelstein
    Riveting and so suggestive that you can't consume it passively: You have to brood on it.
    • 90 Metascore
    • 90 David Edelstein
    Crowe's world is an open ecosystem --transcendentally open. This movie is his boombox held aloft.
    • 93 Metascore
    • 90 David Edelstein
    My first viewing left me dazzled but slightly confused; a second deeply impressed; a third rhapsodic. I wish I hadn't needed to rediagram it in my head to turn it into the masterpiece it so obviously wants to be.
    • 89 Metascore
    • 90 David Edelstein
    This is the Bill Murray performance we've been waiting for: Saturday Night Live meets Chekhov.