David Hinckley
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For 1,100 reviews, this critic has graded:
  • 46% higher than the average critic
  • 4% same as the average critic
  • 50% lower than the average critic
On average, this critic grades 4.5 points lower than other critics. (0-100 point scale)

David Hinckley's Scores

Average review score: 60
Highest review score: 100 Downton Abbey: Season 1
Lowest review score: 0 The Cougar: Season 1
Score distribution:
1,100 tv reviews
    • 83 Metascore
    • 100 David Hinckley
    [Creator Julian Fellowes] never been afraid to have characters we like do things we don't like. That continues in season three, which finds plenty of new ground even as it inevitably begins treading back over some old.
    • 88 Metascore
    • 100 David Hinckley
    While many shows that have reached this point in the road have left their creative peak behind, Mad Men shows no such erosion. It still has things it wants to say and it still has the poetry to say them well.
    • 77 Metascore
    • 100 David Hinckley
    The gamble is that other characters can hold our interest and move the ball forward while we wait for Carrie and Brody. Mission accomplished.
    • 72 Metascore
    • 100 David Hinckley
    Sons is on track to stand among the best TV shows of our current golden age, and we have two more seasons to watch it get there.
    • 85 Metascore
    • 100 David Hinckley
    Weiner’s ability to capture “human” set Mad Men apart at the first beginning and shows no sign of faltering at the second.
    • 87 Metascore
    • 90 David Hinckley
    This 10-hour production on World War II in the Pacific is an ambitious, imperfect, intense and often compelling look at combat that gets dirtier and more ragged with each episode.
    • 96 Metascore
    • 88 David Hinckley
    There's enough classic "Sopranos" action -- some of it involving extreme physical violence -- to remind the average person that where the Sopranos are is not where most of us want to go. Yet at the same time, these episodes repeatedly return to the ways in which the Soprano clan, in its desperate, sometimes twisted and sometimes touching way, seeks to embrace family values.
    • 98 Metascore
    • 88 David Hinckley
    It just might be the kids, the ones who grow up too soon in the hard world of "The Wire," who steal opening night.
    • 89 Metascore
    • 88 David Hinckley
    The episodes that kick off this last 10-show run don't feel perfect. But they almost always feel intuitively right.
    • 79 Metascore
    • 88 David Hinckley
    How fitting, then, that the plastic-surgery drama returns Tuesday for its fifth season by dangerously reinventing itself. Dangerously - and totally successfully.
    • 94 Metascore
    • 88 David Hinckley
    It boldly goes where no man has gone before.
    • 72 Metascore
    • 88 David Hinckley
    "Big Love" sounds like a high-concept, comedic, intentionally sensational enterprise. Parts of "Big Love" are sensational, all right. But only in the best sense of the word.
    • 79 Metascore
    • 88 David Hinckley
    Whichever the case, or whatever combination of the two, watching these 15 aspiring fashion designers compete for their big break is more fun than a new Victoria's Secret catalogue.
    • 71 Metascore
    • 88 David Hinckley
    "Thief" brims with strong, potent performances.
    • 73 Metascore
    • 88 David Hinckley
    Powerful.
    • 64 Metascore
    • 88 David Hinckley
    It has everything you want from such a show: quirky characters, gifted actors, a captivating central story - and questions that leave you not only wanting more, but hungry for it.
    • 64 Metascore
    • 88 David Hinckley
    Tremendously likable.
    • 68 Metascore
    • 88 David Hinckley
    It has a sprawling cast, but even before the pilot is over, because of the clever way it's written, directed and acted, you'll know, and like, every single character.
    • 69 Metascore
    • 88 David Hinckley
    I can't remember the last time I laughed so quickly and loudly at a new TV series.
    • 72 Metascore
    • 88 David Hinckley
    The show itself, however, does much of its best work in the shadows, where nothing is that clear.
    • 73 Metascore
    • 88 David Hinckley
    It's as quirky, original and funny a comedy as "Universe."
    • 88 Metascore
    • 88 David Hinckley
    FNL didn't get to be the best new show on prime time last season by losing its balance, and tonight's opener has the large cast still making almost all the right moves. [5 Oct 2007, p.147]
    • New York Daily News
    • 57 Metascore
    • 88 David Hinckley
    "Raines" not only deserves an audience - with any luck at all, it deserves a renewal, and a firm spot on NBC's fall schedule.
    • 81 Metascore
    • 88 David Hinckley
    Elizabeth is mercurial, powerful, unpredictable - qualities made real, and a bit frightening, because of the intensity with which Mirren commits to the role.
    • 90 Metascore
    • 88 David Hinckley
    Hilarious.
    • 78 Metascore
    • 88 David Hinckley
    Any fan of Westerns, or of Duvall, will not be disappointed if this "Trail" is followed.
    • 70 Metascore
    • 88 David Hinckley
    Their dance of love and rejection, of giddiness and bitterness, is a warped waltz, and Kingsley and Bening clearly relish every step.
    • 69 Metascore
    • 88 David Hinckley
    Though the overall tone is light, there's enough darkness in "The Riches," and enough depth in the performances, to make you care about these people - even when you don't totally buy the premise.
    • 70 Metascore
    • 88 David Hinckley
    In Treatment feels neither soapy nor formulaic, because of the intensity with which it's presented.
    • 74 Metascore
    • 88 David Hinckley
    Chuck sounds like a regrettably derivative idea - a remake of "Jake 2.0." But it's not. Chuck is a blast.