David Hinckley
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For 1,107 reviews, this critic has graded:
  • 46% higher than the average critic
  • 4% same as the average critic
  • 50% lower than the average critic
On average, this critic grades 4.4 points lower than other critics. (0-100 point scale)

David Hinckley's Scores

Average review score: 60
Highest review score: 100 The State Within: Season 1
Lowest review score: 0 How to Get the Guy: Season 1
Score distribution:
1,107 tv reviews
    • 99 Metascore
    • 100 David Hinckley
    It might be 16 of the best upcoming hours on television.
    • 98 Metascore
    • 88 David Hinckley
    It just might be the kids, the ones who grow up too soon in the hard world of "The Wire," who steal opening night.
    • 96 Metascore
    • 100 David Hinckley
    With the bar set at Emmy, Homeland has little room to falter. With this return episode, it doesn't.
    • 96 Metascore
    • 88 David Hinckley
    There's enough classic "Sopranos" action -- some of it involving extreme physical violence -- to remind the average person that where the Sopranos are is not where most of us want to go. Yet at the same time, these episodes repeatedly return to the ways in which the Soprano clan, in its desperate, sometimes twisted and sometimes touching way, seeks to embrace family values.
    • 94 Metascore
    • 88 David Hinckley
    It boldly goes where no man has gone before.
    • 93 Metascore
    • 100 David Hinckley
    Fabulous in every respect.
    • 92 Metascore
    • 100 David Hinckley
    The real skill and appeal of Mad Men remains in its characters.
    • 91 Metascore
    • 100 David Hinckley
    The next great "Masterpiece Theater" series has arrived.
    • 90 Metascore
    • 88 David Hinckley
    Hilarious.
    • 85 Metascore
    • 100 David Hinckley
    The language, the acting, the themes - everything in "Deadwood" is good as gold. In TV entertainment terms, maybe even better.
    • 89 Metascore
    • 100 David Hinckley
    Whether you've followed the show to this point or not, you can tune in and savor smart TV drama at its best.
    • 89 Metascore
    • 100 David Hinckley
    Four hours in, living up to past standards no longer is in question. Setting new ones is what's going on here, as "24," partly by cashing in on our knowledge of and commitment to previous seasons and characters, gets off to its best start ever.
    • 89 Metascore
    • 88 David Hinckley
    The episodes that kick off this last 10-show run don't feel perfect. But they almost always feel intuitively right.
    • 88 Metascore
    • 100 David Hinckley
    It's one of the best new shows from any network this year, and is a total, almost giddy delight from start to finish.
    • 88 Metascore
    • 88 David Hinckley
    FNL didn't get to be the best new show on prime time last season by losing its balance, and tonight's opener has the large cast still making almost all the right moves. [5 Oct 2007, p.147]
    • New York Daily News
    • 88 Metascore
    • 100 David Hinckley
    Watching HBO's new Boardwalk Empire is like sitting in your favorite tavern and hearing someone say, "Drinks are on the house." Friends, it doesn't get much better.
    • 88 Metascore
    • 100 David Hinckley
    If Sunday night's two-hour return episode of Mad Men ended after the first four minutes, it would still put the show in contention to win its fifth straight Emmy as the best drama on television.
    • 88 Metascore
    • 100 David Hinckley
    While many shows that have reached this point in the road have left their creative peak behind, Mad Men shows no such erosion. It still has things it wants to say and it still has the poetry to say them well.
    • 87 Metascore
    • 100 David Hinckley
    It's not comfortable. Just compelling.
    • 87 Metascore
    • 100 David Hinckley
    As with the Gervais-Merchant "The Office," the more time you spend with the characters in "Extras," the more you feel their pain as well as laugh at their expense.
    • 87 Metascore
    • 90 David Hinckley
    This 10-hour production on World War II in the Pacific is an ambitious, imperfect, intense and often compelling look at combat that gets dirtier and more ragged with each episode.
    • 86 Metascore
    • 100 David Hinckley
    Pushing Daisies is perfect.
    • 85 Metascore
    • 100 David Hinckley
    Weiner’s ability to capture “human” set Mad Men apart at the first beginning and shows no sign of faltering at the second.
    • 84 Metascore
    • 100 David Hinckley
    Season one set the bar high. Season two clears it.
    • 83 Metascore
    • 100 David Hinckley
    Sorting out the sins and sinners in the final eight episodes of Boardwalk Empire promises to be as intriguing as it will be intense.
    • 83 Metascore
    • 100 David Hinckley
    [Creator Julian Fellowes] never been afraid to have characters we like do things we don't like. That continues in season three, which finds plenty of new ground even as it inevitably begins treading back over some old.
    • 75 Metascore
    • 100 David Hinckley
    Every hour is impressive, surprising and entertaining.
    • 70 Metascore
    • 88 David Hinckley
    Their dance of love and rejection, of giddiness and bitterness, is a warped waltz, and Kingsley and Bening clearly relish every step.
    • 81 Metascore
    • 100 David Hinckley
    If you loved "The Office" you may have grave doubts that any followup comedy could be as good and as quote-the-dialogue funny. "Extras" is that - another triumph, and a perfect Sunday-night companion piece for "Curb Your Enthusiasm."
    • 81 Metascore
    • 100 David Hinckley
    "The Nine," starting tomorrow, is the show most people will want to discuss at the office water cooler.