David Lee Dallas

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For 22 reviews, this critic has graded:
  • 40% higher than the average critic
  • 4% same as the average critic
  • 56% lower than the average critic
On average, this critic grades 6.6 points lower than other critics. (0-100 point scale)

David Lee Dallas' Scores

  • Movies
  • TV
Average review score: 54
Highest review score: 88 See You Next Tuesday
Lowest review score: 25 Authors Anonymous
Score distribution:
  1. Positive: 9 out of 22
  2. Negative: 6 out of 22
22 movie reviews
    • tbd Metascore
    • 88 David Lee Dallas
    The film is uproariously funny, but its laughs don't come with an aftertaste of cynicism so much as they are the aftertaste of cynicism.
    • 66 Metascore
    • 75 David Lee Dallas
    A kind of silent opera in which the actors' precise facial emoting and a muscular editing rhythm create a melodrama by turns horrific and hilarious.
    • 63 Metascore
    • 75 David Lee Dallas
    The film's increasingly unnerving story mostly unfolds with minimal flair, intensely focused as it is on its steely and enigmatic protagonist.
    • 74 Metascore
    • 75 David Lee Dallas
    Craig Johnson's film is ultimately most interested in what its jokes are implying or obscuring about the jokesters themselves.
    • 72 Metascore
    • 75 David Lee Dallas
    By focusing on the tumultuous friendship between Violette LeDuc and Simone de Beauvoir, Martin Provost creates not so much a dichotomy of femininity as a funhouse mirror of it.
    • 62 Metascore
    • 75 David Lee Dallas
    It's a film that lives in the high and not in the comedown, even though its characters are often stalled and wallowing.
    • 60 Metascore
    • 63 David Lee Dallas
    Though ambitiously busy, the film is also self-sabotaging and stagnant, showcasing its main character's struggles without interpreting them into a cohesive thesis.
    • 78 Metascore
    • 63 David Lee Dallas
    The feminist bent of Robyn's quest nicely shadows the film without ever being stated aloud.
    • 58 Metascore
    • 63 David Lee Dallas
    By turns abrasive and stately, sermonic and impartial, plot-heavy and meandering, often within seconds of each other.

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