For 380 reviews, this critic has graded:
  • 56% higher than the average critic
  • 3% same as the average critic
  • 41% lower than the average critic
On average, this critic grades 4.7 points higher than other critics. (0-100 point scale)

David Rooney's Scores

  • Movies
  • TV
Average review score: 64
Highest review score: 100 American Hustle
Lowest review score: 10 Boat Trip
Score distribution:
  1. Negative: 30 out of 380
380 movie reviews
    • 63 Metascore
    • 70 David Rooney
    While the film feels slightly padded and might have been sharper in a tight, hourlong format, it's impossible not to be seduced by the joie de vivre of its subjects.
    • 64 Metascore
    • 70 David Rooney
    This juicy tale of a reckless robbery and its spiraling bloody aftermath is enjoyably overripe pulp, steeped in grubby textures and flavorful atmosphere.
    • 49 Metascore
    • 60 David Rooney
    A flawed and overlong but ultimately affecting account of one man's struggle to regain control of his life.
    • 58 Metascore
    • 60 David Rooney
    The material is at heart an intimate allegorical fairy tale about rarefied philosophical concerns.
    • 49 Metascore
    • 60 David Rooney
    An ultimately moving drama about a displaced people. But its emotional kick is muffled by long-windedness, sentimental overkill and an overpopulated character gallery.
    • 73 Metascore
    • 60 David Rooney
    While devotees expecting Moretti's wry worldview may feel shortchanged, others will find this a profoundly moving experience, giving it fuel to cross borders into the arthouse niche.
    • 55 Metascore
    • 60 David Rooney
    Despite some hazy plot points, the tough, compelling drama comes together quite satisfyingly, standing alongside 1996's "The Funeral" as perhaps the most controlled and cohesive of Ferrara's uneven work of recent years.
    • 51 Metascore
    • 60 David Rooney
    While it plays more like stage or TV sketch-comedy shtick than film material, this modest, visually unimposing production remains entertaining thanks to its ironic observations and winning sense of folly.
    • 54 Metascore
    • 60 David Rooney
    Modest but engaging.
    • 48 Metascore
    • 60 David Rooney
    A fairly sustained barrage of broad undergraduate humor and gross-out gags that should tickle young auds looking for unsophisticated laughs.
    • 67 Metascore
    • 60 David Rooney
    Lapses into melodramatic self-importance and gratuitous stylistic flourishes that take the audience out of the action -- are outweighed by the steadily amplified emotional power of this ultimately moving drama.
    • 43 Metascore
    • 60 David Rooney
    Jolie is even hotter, faster and more commanding than last time around as the fearless heiress/adventuress, plus a little more human. The less welcome news is that most of the same shortcomings that cramped the first installment are still dogging the sequel, which delivers on action but dawdles through downtime.
    • 41 Metascore
    • 60 David Rooney
    The broad comedy is somewhat strained and obvious, and the hyper-real atmosphere encourages the cast to slice the prosciutto a little thickly. But the film's sweet-natured ingenuousness proves reasonably contagious.
    • 70 Metascore
    • 60 David Rooney
    Ambitiously structured in non-chronological fragments that form a fascinating puzzle, this raw drama about grief, guilt and redemption becomes ultimately overextended and overwrought in its final stretch.
    • 45 Metascore
    • 60 David Rooney
    Despite its crude, willfully naive style, this comedy of transgression, judgment and revenge becomes steadily more appealing as it progresses.
    • 45 Metascore
    • 60 David Rooney
    While the premise has possibilities for some creepy, pulpy fun, writer-director Robert Parigi brings too little style or humor, instead going a more obvious, overwrought route.
    • 39 Metascore
    • 60 David Rooney
    Superficial but entertaining new pic offers equal parts freshness and kitsch appeal set to a pulsating Latin soundtrack.
    • 38 Metascore
    • 60 David Rooney
    Largely overcomes key cast weaknesses to deliver a jazzy, darkly textured rendering of the ghetto pulp of late African-American ex-con author Donald Goines.
    • 62 Metascore
    • 60 David Rooney
    Sensitive direction and a touching performance from Emile Hirsch in the title role help counter some dramatic naivete and awkward, at times unintentional, humor in The Mudge Boy.
    • 56 Metascore
    • 60 David Rooney
    Frequently hilarious but ultimately is a protracted one-joke affair that strays into undisciplined chaos.
    • 57 Metascore
    • 60 David Rooney
    The film's transitions between periods are not entirely seamless and its discourse often becomes didactic. However, the depth and intelligence it brings to issues of black politics and sexuality could help carve an appreciative theatrical audience in upscale gay and/or urban niches.
    • 55 Metascore
    • 60 David Rooney
    Signals a talented newcomer in writer-director John Simpson and boasts a gripping central performance from popular British comedian Lee Evans.
    • 53 Metascore
    • 60 David Rooney
    The film sways awkwardly back and forth between prickly humor and pathos, rarely ringing true in either register.
    • 56 Metascore
    • 60 David Rooney
    Middleton's polished writing and amusing observations about the anxieties most people encounter when definitively farewelling their youth help compensate for her standard-issue direction.
    • 52 Metascore
    • 60 David Rooney
    While the director's penchant for extended silences and stagy character positioning make it all seem rather studied, the drama nonetheless is compellingly unsettling.
    • 51 Metascore
    • 60 David Rooney
    What might have been a cinephile's wet dream turns out instead to be seductive, stimulating and sodden, in that order, in the three-chapter reflection on love and desire.
    • 53 Metascore
    • 60 David Rooney
    Like the symmetrical word that supplies its title, the mordant comedy-drama recovers ground to become a boldly intriguing if not entirely satisfying subversion of American family values.
    • 63 Metascore
    • 60 David Rooney
    Strikingly crafted but rather empty drama.
    • 37 Metascore
    • 60 David Rooney
    This oddball tale of a small-town gangster's troubled girlfriend hovers uncertainly on the edge of an absurdist universe.
    • 44 Metascore
    • 60 David Rooney
    While Second Best is mildly engaging thanks largely to an appealingly self-effacing turn from Joe Pantoliano, writer-director Eric Weber's script could have used an extra polish or two.