David Wiegand

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For 16 reviews, this critic has graded:
  • 62% higher than the average critic
  • 0% same as the average critic
  • 38% lower than the average critic
On average, this critic grades 11.1 points higher than other critics. (0-100 point scale)

David Wiegand's Scores

  • Movies
  • TV
Average review score: 74
Highest review score: 100 The Little Prince
Lowest review score: 25 The Love We Make
Score distribution:
  1. Positive: 12 out of 16
  2. Negative: 1 out of 16
16 movie reviews
    • 72 Metascore
    • 50 David Wiegand
    Greg Berlanti’s movie about a teenager’s coming out is nothing if not sincere. More to the point, it’s not very much except sincere.
    • 86 Metascore
    • 75 David Wiegand
    The film would only be very good were it not for Vega’s performance, which ranks right up there with the five women nominated for best actress this year and, in some cases, surpasses them.
    • 77 Metascore
    • 88 David Wiegand
    The director is barely a kid, yet this is such a ferociously accomplished, beautifully nuanced and endlessly surprising film, you'd think the guy had been directing for decades. [13 June 2010, p.Q25]
    • San Francisco Chronicle
    • 70 Metascore
    • 100 David Wiegand
    The Little Prince is heartbreaking, beautiful and irresistible.
    • 90 Metascore
    • 100 David Wiegand
    Jarmusch has created a small miracle of a film, one that is both intellectually dazzling and emotionally provocative.
    • 72 Metascore
    • 50 David Wiegand
    The writing, by Adam Mansbach, and direction, by Vikram Gandhi, are competent without being terribly sophisticated or daring. Terrell’s performance elevates the film, though.
    • 69 Metascore
    • 75 David Wiegand
    Where the first half of the film had power and sweep, the second half is a bunch of Post-it notes.
    • 63 Metascore
    • 50 David Wiegand
    Cliche piles on top of cliche to make a nearly two-hour film feel twice as long, simply because we see so many things coming that we feel as though we’re watching each section twice.
    • 88 Metascore
    • 100 David Wiegand
    Jacob Bernstein’s documentary about his mother, Nora Ephron, is unbearably funny for much of the way, and then it is sad, but bearably so because Everything Is Copy is about one woman’s realization that some things in life are more than material for her writing.
    • 63 Metascore
    • 75 David Wiegand
    The opening is hilarious, but it also sets the bar extremely high for whatever may follow.... The film doesn’t always hit that bar, but it comes close enough times to make “Pee-wee’s Big Holiday” a holiday for viewers.
    • 70 Metascore
    • 75 David Wiegand
    While The Lady in the Van is one of those quaint and quirky little films of which the British are inordinately fond, Americans will find it equally endearing, with the exception of the hideously over-the-top final scene.
    • 65 Metascore
    • 25 David Wiegand
    I know this is heresy on a number of fronts, but much of The Love We Make is boring.
    • 81 Metascore
    • 75 David Wiegand
    In just a short period of time, a weekend hookup tests the boundaries each man has set for himself.
    • 62 Metascore
    • 75 David Wiegand
    Sometimes corny, often funny and just as often touching, their act has been wowing Kiwis for decades.
    • 70 Metascore
    • 75 David Wiegand
    Right now, his (Dolan) work is fun to watch. Before long, it may very well be mandatory for anyone who values great filmmaking.
    • 76 Metascore
    • 100 David Wiegand
    This small film's accomplishments are many, but not the least is its ability to take a human story and frame it as a parable, without losing a bit of credibility or irresistible heart.

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