David Wiegand
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For 537 reviews, this critic has graded:
  • 52% higher than the average critic
  • 3% same as the average critic
  • 45% lower than the average critic
On average, this critic grades 0.9 points lower than other critics. (0-100 point scale)

David Wiegand's Scores

Average review score: 64
Highest review score: 100 Luther: Season 2
Lowest review score: 0 The Mob Doctor: Season 1
Score distribution:
  1. Negative: 69 out of 537
537 tv reviews
    • 79 Metascore
    • 100 David Wiegand
    In every case, there is an abiding feeling for character and authenticity that helps elevate Orange Is the New Black to a new definition of television excellence.
    • 92 Metascore
    • 100 David Wiegand
    There is more than enough to captivate us, and perhaps disturb us as well, in these eight stunningly provocative episodes.
    • 74 Metascore
    • 100 David Wiegand
    You think you know this situation and how it will turn out, but there are surprise, yet entirely credible, twists throughout Monday's episode.
    • 64 Metascore
    • 100 David Wiegand
    [The Crazy Ones and The Michael J. Fox Show] have great, always likable stars heading up solid ensemble casts in well-written and mostly plausible shows. Who could ask for anything more?
    • 63 Metascore
    • 100 David Wiegand
    The period details are exquisite, aside from a couple of stray modernisms that wander into the dialogue here and there.... But the brilliance of the series is the balancing act of the scripts, by Darabont and Buntin, executed with astonishing precision between the past and the modern version of the past.
    • 86 Metascore
    • 100 David Wiegand
    The PBS film gives us greater perspective and insight, probing the conflicted attitudes toward civil rights in the Kennedy administration, and detailing the last-minute panic over Lewis' speech.
    • 86 Metascore
    • 100 David Wiegand
    The performances, nurtured by such A-list directors as Michael Apted and John Madden, are extraordinary. There isn't a clinker in the bunch.
    • 82 Metascore
    • 100 David Wiegand
    The highlights of Wednesday's season premiere are the return of the anger translator and an insanely brilliant take-off on the film version of "Les Miserables," which is so beautifully detailed, it may actually take you a second to realize it is a satire and the song lyrics aren't what you think they are.
    • 81 Metascore
    • 100 David Wiegand
    All of this would be so much Hollywood melodrama were it not for a superb script and stunning performances by West and Carter.
    • 87 Metascore
    • 100 David Wiegand
    The dialogue is rich, colorful and provocative, adding to the gothic sensibilities of the series. Director Cary Joji Fukunaga makes great use of the Louisiana location, giving it as much importance to the story as the characters of Cohle and Hart. All the performances are superb, but those of McConaughey and Harrelson are in a class by themselves.
    • 88 Metascore
    • 100 David Wiegand
    All of the elements that made it must-see last year are working at full throttle in season two, which kicks off Wednesday night: intrigue, deception, sex, duplicity, spy vs. spy stuff and, most of all, irony.
    • 72 Metascore
    • 100 David Wiegand
    Every enlightening, poignant or funny word is true in the documentary airing Monday on HBO. The fact that it is so funny eventually becomes strangely sad, which makes the film thoroughly enjoyable but also irresistibly provocative.
    • 73 Metascore
    • 100 David Wiegand
    There is a brilliant mix of poignancy and hilarity in Getting On, which is why it all works so well.
    • 85 Metascore
    • 100 David Wiegand
    The animation, overseen by art director James McDermott, is fresh, colorful and as wacky as the script.
    • 85 Metascore
    • 100 David Wiegand
    Lapine's direction is almost the star of Six by Sondheim. Not only has he used the six songs to illuminate the composer's life, he organizes years and years of interviews as if they are an ongoing conversation--which, in many ways, they are. They are the monograph of the life and art of a singular man, perfectly assembled, bit by bit, piece by piece.
    • 88 Metascore
    • 100 David Wiegand
    The performances are even better than in previous years, with brand new but fully credible sides of Holmes’ and Watson’s characters. And the writing, by Moffat and Gatiss, is in a league by itself.
    • 74 Metascore
    • 100 David Wiegand
    Klondike grabs you with terrific performances, an unusually rich script, magnificently sweeping visuals of jagged mountains overlooking valleys of ice and snow, and such a convincing attention to period detail, you'll believe you're back in Dawson City at the end of the 19th century.
    • 83 Metascore
    • 100 David Wiegand
    At least the first episode of the new Cosmos is terrific. And if the other 12 episodes are as good, the series will serve as a valuable continuation of Sagan's legacy.
    • 85 Metascore
    • 100 David Wiegand
    It is emotionally raw, harrowing, and a thing of such singular horrific beauty, it will move you, exhaust you and, almost paradoxically, thrill you at the heights television drama can attain.
    • 84 Metascore
    • 100 David Wiegand
    Every performance is terrific.... While these characters are written and performed as over the top, the show also celebrates the subtle underplaying that goes into making Big Head and Gilfoyle so memorable. That variety of tone is another way in which Silicon Valley sets itself apart from most other half-hour comedies.
    • 79 Metascore
    • 100 David Wiegand
    As good as it was last year, it's off to an even better start in its sophomore year.
    • 85 Metascore
    • 100 David Wiegand
    The writing, by Weiner, direction by Scott Hornbacher and performances are, of course, top notch.
    • 94 Metascore
    • 100 David Wiegand
    Game of Thrones isn't afraid of change: It's the lifeblood of the series, and just one of the reasons we keep watching.
    • 93 Metascore
    • 100 David Wiegand
    Yes, the show benefits from superb performances, from series regulars, as well as guest stars like Sarah Silverman and Victor Garber. But it's the writing that puts Louie on the highest possible level of comedy. There simply is no better-written comedy on TV today.
    • 87 Metascore
    • 100 David Wiegand
    In the Flesh is of course a complex and thought-provoking allegory.
    • 89 Metascore
    • 100 David Wiegand
    Through the six episodes of the second season made available to critics, it's clear that Orange is not only as great as it was the first season, but arguably even better.... It's terrific.
    • 52 Metascore
    • 100 David Wiegand
    The writing is superb and painfully funny, while the cast is terrific.
    • 85 Metascore
    • 100 David Wiegand
    As much as the script, Reiner’s direction makes both stories seem oxymoronically unique and distinct at the same time. The performances are extraordinary, as they must be to complete the process of retelling a seemingly similar story.
    • 80 Metascore
    • 100 David Wiegand
    The episode is about making Clara, and the audience, feel at home with the new Doctor. She does, and we do.
    • 88 Metascore
    • 100 David Wiegand
    The three Roosevelts come back to memorable life in Burns' epic through archival footage, some of which has been seen before in other Burns' films, and insightful commentary from historians and writers such as Jon Meacham, Doris Kearns Goodwin, David McCullough, Blanche Wiesen Cook, William Leuchtenberg, and others.

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