David Wiegand
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For 569 reviews, this critic has graded:
  • 52% higher than the average critic
  • 3% same as the average critic
  • 45% lower than the average critic
On average, this critic grades 1.3 points lower than other critics. (0-100 point scale)

David Wiegand's Scores

Average review score: 64
Highest review score: 100 Southland: Season 4
Lowest review score: 0 Rush (2014): Season 1
Score distribution:
  1. Negative: 71 out of 569
569 tv reviews
    • 81 Metascore
    • 75 David Wiegand
    Loss is the birthright of every life, and no one can refuse it. Yet we go on, buoyed by hope and love. Not exactly an original message, but it is one that Midwife delivers convincingly.
    • 72 Metascore
    • 75 David Wiegand
    Hit & Miss doesn't take long to convince us that its characters and plot are not only possible, but credible and, dare I say, touching.
    • 59 Metascore
    • 75 David Wiegand
    The show is great fun, and clearly the star herself is having fun in the lead roles.
    • 62 Metascore
    • 75 David Wiegand
    Even if it isn't the scariest series ever, Horror Story still has tasty performances by several characters, chief among them Lange and Conroy.
    • 53 Metascore
    • 75 David Wiegand
    History aside, Reign, created by Laurie McCarthy and Stephanie SenGupta, is not only engaging but also pretty classy for a CW production.
    • 70 Metascore
    • 75 David Wiegand
    Hannibal moves at a snail's pace to build tension. At the same time, there's an obvious attempt to counter its inertia with a lot of very intrusive soundtrack music.... Fortunately, Dancy's performance is terrific and more than enough to maintain our interest, with or without elks.
    • 73 Metascore
    • 75 David Wiegand
    While I liked Marvel’s Agents of SHIELD well enough when it began, I got tired of it after a while because it became repetitive. I have a feeling I’ll stick around longer with Carter, largely because of the nifty period details, the character development and the performances.
    • 66 Metascore
    • 75 David Wiegand
    Ben Queen’s sitcom is irresistible.
    • 78 Metascore
    • 75 David Wiegand
    The strength of his film is that he leaves it to us to make our own decisions about Barnes and the other death row inmates.
    • 57 Metascore
    • 75 David Wiegand
    It has real possibilities, but since the “My Fair Lady” climax is repurposed in the pilot, it’s unclear where the relationship will go.
    • 38 Metascore
    • 75 David Wiegand
    They bring David himself on as a kind of nudge to the ribs, as if to say, "Of course we know we're ripping off Larry's show." But what the hey? David's clearly in on the joke and is well paired with Reiser as the two of them riff off each other over lunch.
    • 70 Metascore
    • 75 David Wiegand
    If the series were just about Breeanna looking for her biological father, it would be passably interesting. But her search also sheds light on a variety of issues that speak eloquently about the nature of a modern family.
    • 71 Metascore
    • 75 David Wiegand
    Maron is his own acerbic, sad-sack self, and his new show is worth a look.
    • 68 Metascore
    • 75 David Wiegand
    There are more questions than answers in the pilot of Extant, which, in this case, is a good thing. The seeds of dramatic conflict have been planted, and we're going to come back the next week to see how all of this plays out.
    • 65 Metascore
    • 75 David Wiegand
    Occasional PSA breaks aside, Asylum is all in great and occasionally gory fun, and the cast members deliver the over-the-top dialogue with a heaping topping of relish.
    • 79 Metascore
    • 75 David Wiegand
    Lights Out may not reach the level of "The Sopranos," but it has enough going for it to at least earn a shot at the title.
    • 66 Metascore
    • 75 David Wiegand
    Broke is rich with laughs, warmth and credibility. The performances by the two lead actresses are instantly winning, both individually and as they play off each other.
    • 80 Metascore
    • 75 David Wiegand
    He holds forth telling wonderful stories about his childhood, about working as a "tummler" at Grossinger's, what it was like working with Sid Caesar and his enduring love for Gene Wilder, whose role in "Blazing Saddles" initially went to Gig Young, in between clips from too few of his many great films and TV work.
    • 62 Metascore
    • 75 David Wiegand
    This is pure comedy, with no hidden social agendas, no thinly disguised commentary on human behavior--nothing at all of much importance, except a whole lot of laughs.
    • 77 Metascore
    • 75 David Wiegand
    The filmmakers do a very good job keeping all the separate plates spinning for six hours, although, to be honest, the show virtually cries out for a sequel focusing more thoroughly on modern times.
    • 72 Metascore
    • 75 David Wiegand
    Other episodes seem fairly standard fare, entertaining and involving enough on their own, but lacking the offbeat quirkiness of maple syrup drownings. If the “straightforward” episodes weren’t so well written and directed, this could be a problem of consistency, but as it is, the series is fun and only slightly flawed.
    • 69 Metascore
    • 75 David Wiegand
    Clear History single-handedly rehabilitates the word "derivative," as long as the source material you're reworking is anything Larry David writes and stars in.
    • 68 Metascore
    • 75 David Wiegand
    Don't try too hard to make sense of it: Covert Affairs is simply--and simple--fun.
    • 72 Metascore
    • 75 David Wiegand
    The strength of the show is that it reflects the truth that the justice system was created and is administered by men and women, who have complicated thoughts and points of view, and who may mean well, or be blinded by their own frailty and ambition.
    • 77 Metascore
    • 75 David Wiegand
    There is much more to the story than the graphic details of the invasion and whether the police could have intervened earlier. The case became a pivotal issue in the debate over the death penalty in Connecticut and that's a big part of the film.
    • 70 Metascore
    • 75 David Wiegand
    It may not have the production values of those shows [The Tudors or The Borgias], but it does have an Irons, who, along with the rest of the cast, makes The White Queen an entertaining romp through a complicated and fascinating period of English history.
    • 54 Metascore
    • 75 David Wiegand
    Both "The Godfather" and Tyrant are, at heart, about family dynamics. As the Al-Fayeed story evolves beyond Tuesday's pilot, that fact becomes clearer.
    • 69 Metascore
    • 75 David Wiegand
    Two things are clear from the Mindy pilot: First, that the writers need to do some work to make the secondary characters less of a cliche, and, second, that Kaling has the stuff to go the distance.
    • 69 Metascore
    • 75 David Wiegand
    The show has enough originality and sheer wackiness to maintain viewer interest, not to mention ridiculous effects that are anything but special.
    • 67 Metascore
    • 75 David Wiegand
    In a world that has exploded with instantaneously accessible information, television news is hard-pressed to figure out how to keep up. It takes a show like Vice to make other news magazine shows seem like they belong in a TV antiques shop.

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