David Wiegand

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For 769 reviews, this critic has graded:
  • 53% higher than the average critic
  • 2% same as the average critic
  • 45% lower than the average critic
On average, this critic grades 1.2 points lower than other critics. (0-100 point scale)

David Wiegand's Scores

Average review score: 65
Highest review score: 100 Togetherness: Season 1
Lowest review score: 0 Ground Floor: Season 1
Score distribution:
  1. Negative: 92 out of 769
769 tv reviews
    • 79 Metascore
    • 100 David Wiegand
    With cinematographer Sophia Constantinou, and a haunting musical score by Laura Karpman and Nora Kroll-Rosenbaum, Kates has created a fact-based profile, but with boldly evocative impressionist strokes that mirror the complexity of Sontag’s life and career.
    • 86 Metascore
    • 100 David Wiegand
    The reason the show feels so real at every turn is that it is a perfect balance of dramatic realism and gentle humor.
    • 57 Metascore
    • 100 David Wiegand
    The Comedians works and works until you’re ready to fall off your chair.
    • 91 Metascore
    • 100 David Wiegand
    Louis CK is a great comic actor, writer and director. The character of Louie is exquisitely crafted in his creator’s mind and on the page long before he delivers his lines. It’s insufficient to call Louie an everyman. He is far more complicated than that, and far funnier as well. If Sam Beckett were still around, he’d be rolling in the aisles.
    • 91 Metascore
    • 100 David Wiegand
    The 10-episode series, available for streaming on Amazon Prime on Friday, is irresistibly bingeable and even more than “Alpha House,” signals Amazon’s intention to be a player in the streaming content game.
    • 91 Metascore
    • 100 David Wiegand
    The ensemble cast is terrific and the direction lean and perfectly pitched at every turn.
    • 82 Metascore
    • 100 David Wiegand
    Not only are the first two episodes of the new season smart, edgy and funny as hell, but Falk also has moved the story forward in a way that makes logical sense and keeps things delightfully fresh and sassy.
    • 79 Metascore
    • 100 David Wiegand
    The performances, the writing, the intelligence that goes into the script and the characters--all reasons for welcoming the start of a new season of The Hour.
    • 83 Metascore
    • 100 David Wiegand
    Difficult People is proudly absurd and wallows in our hope that people as hilariously obnoxious as Julie Kessler and Billy Epstein couldn’t possibly exist in the real world.
    • 77 Metascore
    • 100 David Wiegand
    The performances are superb, especially that of Sewell in the title role. He underplays the part to sublime perfection, making Aurelio Zen one of the most attractive and fascinating TV cops in years.
    • 85 Metascore
    • 100 David Wiegand
    The animation, overseen by art director James McDermott, is fresh, colorful and as wacky as the script.
    • 74 Metascore
    • 100 David Wiegand
    Game Change is graced by three extraordinary performances in the leading roles, beginning with Moore's portrayal of Palin, which is both complex and entirely credible.
    • 74 Metascore
    • 100 David Wiegand
    You think you know this situation and how it will turn out, but there are surprise, yet entirely credible, twists throughout Monday's episode.
    • 77 Metascore
    • 100 David Wiegand
    So much happens in Flowers that it’s hard to believe it comprises only six half-hour episodes. More to the point, though, is that the show is so completely hilarious for a very long time. Sharpe’s writing is on point at every moment, with a wondrous attention to detail.
    • 76 Metascore
    • 100 David Wiegand
    The point is, it works. From the get-go, we’re prompted to acclimate ourselves the notion that, like the man or woman upstairs, Preacher works in mysterious and unpredictable ways.
    • 89 Metascore
    • 100 David Wiegand
    Olive Kitteridge explores Tolstoy’s notion that every family is unhappy in its own way, making the particular unhappiness of the Kitteridges universal through a magical combination of great direction, writing and performances. You’ll not soon forget Olive Kitteridge, the woman or the mini-series.
    • 78 Metascore
    • 100 David Wiegand
    All the Way is packed with superb performances in addition to Cranston’s. Mackie delivers an Emmy-worthy performance as King. ... The script is nearly perfect in its nuanced attention to the complexities of Johnson’s character.
    • 80 Metascore
    • 100 David Wiegand
    The art of war takes on new meaning in Rick Beyer's mesmerizing documentary.
    • 86 Metascore
    • 100 David Wiegand
    The PBS film gives us greater perspective and insight, probing the conflicted attitudes toward civil rights in the Kennedy administration, and detailing the last-minute panic over Lewis' speech.
    • 83 Metascore
    • 100 David Wiegand
    Michael Douglas is astonishing.... Damon is just as good, somehow convincing us that he's far younger than he is in real life and artfully keeping us guessing about Thorson's true motivation as he worms his way into Liberace's life.
    • 89 Metascore
    • 100 David Wiegand
    Through the six episodes of the second season made available to critics, it's clear that Orange is not only as great as it was the first season, but arguably even better.... It's terrific.
    • tbd Metascore
    • 100 David Wiegand
    The new documentary is one of the best and most far-reaching films about the modern women's movement.
    • 93 Metascore
    • 100 David Wiegand
    Yes, the show benefits from superb performances, from series regulars, as well as guest stars like Sarah Silverman and Victor Garber. But it's the writing that puts Louie on the highest possible level of comedy. There simply is no better-written comedy on TV today.
    • 92 Metascore
    • 100 David Wiegand
    There are a couple of bush-league moments in the show....[But]those are minor quibbles, made even more insignificant by the extraordinary performances of Danes, Lewis, Patinkin and Baccarin.
    • 80 Metascore
    • 100 David Wiegand
    The episode is about making Clara, and the audience, feel at home with the new Doctor. She does, and we do.
    • 59 Metascore
    • 100 David Wiegand
    American Odyssey is rooted in current events, which provides immediate credibility to the series. But like “Homeland,” “Person of Interest” and other shows, it also makes effective use of the post-9/11 air of wariness that wafts through American society. Conspiracy buffs will be in heaven watching American Odyssey, but the rest of us will just be completely hooked.
    • 81 Metascore
    • 100 David Wiegand
    All of this would be so much Hollywood melodrama were it not for a superb script and stunning performances by West and Carter.
    • 76 Metascore
    • 80 David Wiegand
    Whitechapel may not reinvent the police procedural, but it's great fun, and the third episode is a heart-stopping race against time.
    • 76 Metascore
    • 80 David Wiegand
    It was a very funny show, and while there are expected similarities with “The Daily Show,” Oliver’s personality sets the HBO show apart.
    • 65 Metascore
    • 80 David Wiegand
    While [Will] Smith is an easy interview because of his star wattage and engaging personality, the conversation between the two men was just that. A conversation. The kind of conversational interview Johnny Carson used to do, where the host in genuinely interested in listening to his guest as well as being funny.

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