For 391 reviews, this critic has graded:
  • 68% higher than the average critic
  • 2% same as the average critic
  • 30% lower than the average critic
On average, this critic grades 0.9 points lower than other critics. (0-100 point scale)

Diane Werts' Scores

Average review score: 65
Highest review score: 100 Derek: Season 1
Lowest review score: 0 Partners (2012): Season 1
Score distribution:
  1. Negative: 58 out of 391
391 tv reviews
    • 33 Metascore
    • 40 Diane Werts
    So much of tonight's series pilot feels so glib and rings so false, it's hard to believe this soapy saga comes from the quality-not-quantity production team of Tom Fontana and Julie Martin.
    • 43 Metascore
    • 50 Diane Werts
    The stories may hardly be innovative... but their very familiarity becomes comforting.
    • 77 Metascore
    • 50 Diane Werts
    To steal from the old beer slogan, (this show) looks great, (but it's) less filling (than it intends).
    • 75 Metascore
    • 58 Diane Werts
    Its hasty pace frequently muddles precisely who's who where, when or why. Even the zippy sex scenes play like another gratuitous burst of firepower.
    • 51 Metascore
    • 40 Diane Werts
    The women's friendship radiates authentic undertones, beneath all the gooed-up personal drivel, although it's way too convenient how they always show up simultaneously at the same crime scenes.
    • 58 Metascore
    • 40 Diane Werts
    There's just too much shtick and not enough personality, especially when the stars' previous hits found their funny in relatable human behavior.
    • 73 Metascore
    • 50 Diane Werts
    ABC's new computer animated Shrek half-hour seems to disqualify itself from the timeless category almost immediately by insisting on being "hip" (which means anti-hip), usually at the expense of feeling real.
    • 70 Metascore
    • 60 Diane Werts
    Murphy's concept in its basics is already beautiful. But he pushes the show to be a breathtaking knockout. Like some plastic surgery patients, Nip/Tuck initially gets such a pleasing result that it doesn't seem to know when to stop.
    • 54 Metascore
    • 40 Diane Werts
    Yikes, this is calculating. Ouch, is it way too self-aware (even for teens). There's a caste system in high school? Are you shocked to learn this? [29 Sept 1999, p.B03]
    • Newsday
    • 59 Metascore
    • 50 Diane Werts
    If only the series works its way toward more effective show than tell, Las Vegas might find itself with a winning hand.
    • 72 Metascore
    • 60 Diane Werts
    [The episodes are] smarter than you might expect but not quite as clever as they work at being. Like the family unit it portrays, this dark/lighthearted drama tries to have everything at once and struggles under the far-reaching effort.
    • 70 Metascore
    • 50 Diane Werts
    With all this time spent checking off genre boxes, there’s scant space for the narrative to breathe beyond them.
    • 52 Metascore
    • 50 Diane Werts
    "Drive" is less the sort of textured character study we've come to expect than an action-packed joy ride. That's not to say you won't wanna hop in. But it's hardly a journey you've gotta take.
    • 69 Metascore
    • 50 Diane Werts
    The episodes’ hectic “action” often lands perfunctory or incongruous, and character development languishes in favor of sex scenes and left-field encounters “to be explained later.”
    • 69 Metascore
    • 58 Diane Werts
    Colorfully drawn. But all inside the lines.
    • 69 Metascore
    • 58 Diane Werts
    The first two episodes prove as tiresomely pleased-with-themselves as my run-on sentences. A half-hour is too much of not enough.
    • 69 Metascore
    • 50 Diane Werts
    TV fave Daly is more personally accessible than Janssen and Harrison Ford. And his show is beautifully produced. But we've seen it all before. CBS must figure this old-style genre-single- lead hero, chase drama, closed-end action-is primed for a comeback, though it's hard to imagine younger viewers sitting still for this Diagnosis Pursuit. [6 Oct 2000, p.B51]
    • Newsday
    • 67 Metascore
    • 60 Diane Werts
    While we've got to be grateful that last season's tone-deaf Applewhite saga has seen its end, this year's "DH" still is sounding the occasional flat note, sometimes by repeating its past and other times by ignoring it altogether. [22 Sep 2006]
    • Newsday
    • 69 Metascore
    • 40 Diane Werts
    There's greatness begging to be grasped here, and nobody has a handle on it.
    • 69 Metascore
    • 50 Diane Werts
    If only I were 12 again. The tween in me would have loved the scruff and the cute and the “wild” antics.
    • 68 Metascore
    • 60 Diane Werts
    "Flight of the Conchords" isn't brilliant, but it isn't awful, either, just familiar, with two likable stars who seem to be channeling the deadpan dry wit of an old Beatles movie.
    • 67 Metascore
    • 58 Diane Werts
    About a Boy yearns to be good. Yet it relishes being bad. And Katims--guiding hand to "Parenthood" and "Friday Night Lights"--doesn't fess up to that dichotomy.
    • 67 Metascore
    • 60 Diane Werts
    If only the delicacy of these two character actors [Alfred Molina and Michael Keaton], were matched by that of The Company's central figures and the production's overall arc.
    • 47 Metascore
    • 40 Diane Werts
    An energetic attempt ... What there isn't, unfortunately, is enough character development to make you care about anybody or anything. [1 Jan 1998]
    • Newsday
    • 66 Metascore
    • 60 Diane Werts
    Tonight's preview/pilot can get so intoxicated with hip-hop scratching - jump-cuts, slo-mo, video backtracking - that it forgets to remember style best serves substance. [14 Apr 2003]
    • Newsday
    • 64 Metascore
    • 40 Diane Werts
    The first hour manages to feel both mechanical and manipulative, without feeling truly exciting or even grounded anyplace.
    • 64 Metascore
    • 50 Diane Werts
    "The Tudors" could actually use a touch of the over-the-top wildness that undermined the substance of HBO's "Rome." If we could blend the two together somehow, we might have a kickily effective history mash-up.
    • 39 Metascore
    • 40 Diane Werts
    The pilot serves up flashy ooh-ah instead of anything tangible to wrap our arms around.
    • 63 Metascore
    • 50 Diane Werts
    Nothing is left unspoken in dialogue as blandly obvious as "I am the only other person who knows" and "She had a lot of secrets."
    • 63 Metascore
    • 60 Diane Werts
    This Fox series is smartly written and acted, and it's even evocatively filmed in New York locations that lend it a gritty city flavor. But.... Less persuasively entwined is a heavy-handed romance whodunit.

Top Trailers