For 141 reviews, this critic has graded:
  • 57% higher than the average critic
  • 1% same as the average critic
  • 42% lower than the average critic
On average, this critic grades 3.6 points lower than other critics. (0-100 point scale)

Drew Taylor's Scores

  • Movies
  • TV
Average review score: 56
Highest review score: 100 Citizenfour
Lowest review score: 0 I, Frankenstein
Score distribution:
  1. Positive: 73 out of 141
  2. Negative: 39 out of 141
141 movie reviews
    • 31 Metascore
    • 16 Drew Taylor
    We assure you, it's not worth taking a trip to down to the House at the End of the Street. Something horrible might have happened there, but it can't be worse than this movie.
    • 38 Metascore
    • 16 Drew Taylor
    The characters are so two-dimensional that a meaningful connection with the material isn't elusive; it's downright impossible.
    • 39 Metascore
    • 16 Drew Taylor
    It's a testament to the movie's lack of creativity that Anderson can't even rip off "Aliens" and have it come across as anything less than totally boring.
    • 30 Metascore
    • 16 Drew Taylor
    Alex Cross is more boring than your average weeknight procedural, except much longer, dumber and more violent.
    • 20 Metascore
    • 16 Drew Taylor
    Whatever Branded is selling, we aren't buying.
    • 22 Metascore
    • 16 Drew Taylor
    A movie so ugly and woeful that you'll wish you had superhuman strength to pluck your own eyeballs out of your head.
    • 68 Metascore
    • 16 Drew Taylor
    While the more down-to-earth Chef does offer some fascinating autobiographical dimensions, the film is also an overlong, unfunny, largely insufferable bore.
    • 30 Metascore
    • 0 Drew Taylor
    This movie is a corpse in desperate need of reanimation.
    • 44 Metascore
    • 0 Drew Taylor
    It's a comedy so out of touch that jokes disappear before they're even delivered, as if by magic.
    • 15 Metascore
    • 0 Drew Taylor
    One step worse than most of these video game movies. It feels less like a game and more like what happens when you leave your PlayStation on and it becomes a kind of dim screensaver. If we had a controller in our hand, we would probably throw it at the screen.
    • 20 Metascore
    • 0 Drew Taylor
    Anyone watching Assassin's Bullet will be gripped with a similar sensation -- to be anywhere but watching this movie.
    • 26 Metascore
    • 0 Drew Taylor
    Somehow, No Good Deed finds a way to be exploitative and creepy wherever it can.
    • 22 Metascore
    • 0 Drew Taylor
    It's understandable that larger scale movies will want to spawn sequels, but this is about two degrees away from being a movie that premieres on Cinemax on a Friday night, sandwiched between two soft core porn movies with funny titles. Getaway is stuck in neutral. And that's where it'll stay.
    • 44 Metascore
    • 0 Drew Taylor
    It’s a lifeless, meandering, overlong (116 minutes!) trudge through the oversized ego of its creator, full of wrong-headed humor and inept filmmaking.
    • 31 Metascore
    • 0 Drew Taylor
    The entire movie feels belabored, lumbering from one awful, over-dressed set piece to another. It's wrongheaded, it's horrendous, it's filled with lines of dialogue that are utter howlers, and yet, it's the type of movie that feels so confident that it really is something. It is, in fact, not.
    • 36 Metascore
    • 0 Drew Taylor
    The original film was unpredictable and loose and every so often gave up the aura of dangerousness. If anything, the sequel is a tepid, watered down, and at 100-minutes oftentimes boring attempt to recapture the magic but without any of the whimsy.
    • 41 Metascore
    • 0 Drew Taylor
    The story is so poorly-plotted, nonsensical, and misogynist that it's hard to imagine one person liking this material, much less millions of literate book lovers.

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