For 748 reviews, this critic has graded:
  • 65% higher than the average critic
  • 3% same as the average critic
  • 32% lower than the average critic
On average, this critic grades 0.7 points higher than other critics. (0-100 point scale)

Ed Bark's Scores

Average review score: 67
Highest review score: 100 American Crime: Season 1
Lowest review score: 0 Hawaii: Season 1
Score distribution:
  1. Negative: 51 out of 748
748 tv reviews
    • 78 Metascore
    • 91 Ed Bark
    It all meshes together in enthralling fashion with a tale that’s understandable and a setting that’s tailor made for picturesque vistas. Last Kingdom livens up Saturday nights with Emmy caliber storytelling and oft-sumptuous production values.
    • 74 Metascore
    • 70 Ed Bark
    Farscape is thoroughly first-rate in the special-effects department. As for the writing, it at least shows flashes of promise. [19 Mar 1999]
    • Dallas Morning News
    • 78 Metascore
    • 100 Ed Bark
    This is a riveting film with a bravura performance by Cranston, who’s been the signature television actor of the past decade.
    • 78 Metascore
    • 91 Ed Bark
    The Americans enthralls with its complexities, simplicities and overall derring-do.
    • 78 Metascore
    • 83 Ed Bark
    Creators Fey and Carlock instill Unbreakable Kimmy Schmidt with the infectious positivity of their title character, who won’t give up, no, she’ll never give up. Still, her hard knocks life starts taking its toll in later episodes, draining some of Kimmy’s ebullience and replacing it with a little petulance. The sunny side up Kimmy is much preferable.
    • 77 Metascore
    • 83 Ed Bark
    Black-ish has a lot packed into its oft-amusing opening half-hour. It’s both fairly daring and also endearing, sharply written but with an overdose of narrative exposition. The kids and adults are all well-cast and there’s no laugh track to gum anything up.
    • 77 Metascore
    • 67 Ed Bark
    The grins and angst menu serves Casual well at times, but perhaps not well enough to keep a majority of first-time samplers coming back for more.
    • 77 Metascore
    • 91 Ed Bark
    Whatever becomes of Ragnar, Vikings has emerged in its second season as a series of appreciably higher quality. Its characters and storytelling, all within a world quite unlike any other on the TV landscape, have gone far beyond the cardboard stage.
    • 77 Metascore
    • 83 Ed Bark
    The Bridge so far looks to have more promise than [Fox’s The Following, NBC’s Hannibal, AMC’s ongoing Season 3 of The Killing]. It’s still early, though.
    • 77 Metascore
    • 91 Ed Bark
    Comedy Central's The Daily Show at last has a worthy rival in the "fake news" game.
    • 77 Metascore
    • 75 Ed Bark
    Not everything lands squarely on target in the first three half-hours of Documentary Now!. But there are enough moments--and quite a lot of them in Episode 3--to keep this ambitious enterprise on track and well worth a roll ‘em.
    • 77 Metascore
    • 91 Ed Bark
    No cameras were allowed for this [interviews with the band], making it sometimes difficult to decipher just who's talking during the otherwise brilliantly edited archival footage assembled by filmmaker Brett Morgen
    • 54 Metascore
    • 40 Ed Bark
    Mr. D'Onofrio is the best reason to watch Criminal Intent, particularly when he's in full metal insult mode...The show otherwise is weak from a story standpoint. Clues fall into place with remarkable, sometimes unbelievable precision. Wrongdoers are too easily broken down or duped during interrogations. The criminals' minds frankly aren't all that interesting anyway. And unlike its two fellow travelers, there are no palate-cleansing trials in Criminal Intent. Episodes instead end in abrupt arrests. [30 Sept 2001, p.3]
    • Dallas Morning News
    • 77 Metascore
    • 83 Ed Bark
    Moura as Escobar doesn’t bring the overall manic and sometimes comic intensity of Al Pacino’s Tony Montana in Scarface. He’s never dull, though, giving Narcos a thoroughly sinister presence who’s capable of anything and will stop at nothing.
    • 77 Metascore
    • 75 Ed Bark
    Whatever happens, this is an interesting series and a worthy endeavor that makes terrific use of archival footage in both of the first two hours.
    • 77 Metascore
    • 80 Ed Bark
    Chicago Hope is an affecting, involving series solidly anchored by Mr. Patinkin. [18 Sep 1994]
    • Dallas Morning News
    • 77 Metascore
    • 58 Ed Bark
    Amazon Prime takes a big swing here, and doesn’t entirely miss. More was anticipated, though, with High Castle so far tending to buckle under the weight of some very heavy ambitions and expectations.
    • 72 Metascore
    • 80 Ed Bark
    Fun without being campy, poignant without being syrupy and probably too heavy on interpersonal situations to suit most of today's young male comic readers. [12 Sept 1993, p.10C]
    • Dallas Morning News
    • 76 Metascore
    • 100 Ed Bark
    Watch at whatever pace you'd like--immediately. Given its quality, I think you'll be drinking it all in sooner rather than later.
    • 76 Metascore
    • 91 Ed Bark
    Last Week Tonight probably needs to towel off a bit and present a more relaxed half-hour next Sunday. The premiere outing nonetheless showed considerable ingenuity and a willingness to take on topics that haven’t already been parodied to death.
    • 51 Metascore
    • 50 Ed Bark
    Mr. James, whose dirigible build strains at the seams of a dumb-looking deliveryman's outfit, looks as though he could grow into the lead role. But King will be hard-pressed to find an audience of like-minded men. They'll all be watching Monday Night Football. Ain't that a kick in the head. [21 Sept 1998, p.6C]
    • Dallas Morning News
    • 76 Metascore
    • 83 Ed Bark
    Although Buscemi remains firmly in charge of this lead role, he's not the most interesting principal anymore. That pendulum swings to his wife of convenience, Margaret Schoeder (Kelly Macdonald).
    • 76 Metascore
    • 75 Ed Bark
    The end result is funny in spots, overly gross in others and upbeat in Rescue Me's typically offbeat fashion.
    • 76 Metascore
    • 91 Ed Bark
    It's a thoroughly entertaining romp, with the television industry as a combination Tilt-A-Whirl/merry-go-round.
    • 76 Metascore
    • 100 Ed Bark
    Judging from the first eight hours, it truly will be grand. Downton Abbey looks for all the world as though it’s steaming steadily toward happy or at least contented endings for one and all.
    • 76 Metascore
    • 100 Ed Bark
    Intercut with brief, unobtrusive reenactments and accompanied by a dangerous-sounding music track, The Jinx very much looks like a masterwork of the true crime genre.
    • 67 Metascore
    • 75 Ed Bark
    It all makes for an easy-to-take sitcom whose best moment finds Jake and Charlie singing the theme song he wrote for Maple Loops cereal. There are some funny lines at a poker game, too, where the kid turns out to be quite a bluffer. [22 Sept 2003, p.12E]
    • Dallas Morning News
    • 76 Metascore
    • 83 Ed Bark
    There’s a gainful, functioning relationship among the four oft-miserable principals. And so far it’s still in place after the first three episodes.
    • 74 Metascore
    • 100 Ed Bark
    Whether darkly funny, deeply moving or spookily surreal, Six Feet Under is seldom less than bracingly original. It's another landmark series for HBO. [3 June 2001, p.3]
    • Dallas Morning News
    • 76 Metascore
    • 83 Ed Bark
    The rooting interests are many and varied in a drama that’s held together by the strength of its convictions and characters.

Top Trailers